Мэгги О’Фаррелл3.9 Когда перед юной Лекси словно из ниоткуда возникает загадочный и легкомысленный Кент Иннес, она осознает, что больше не выдержит унылого существования в английской глуши. Для Лекси начинается новая жизнь в лондонском Сохо. На дворе 1950-е — годы перемен. Лекси мечтает о бурной, полной великих дел жизни, но поначалу ее ждет ужасная комнатенка и работа лифтерши в шикарном универмаге. Но вскоре все изменится... В жизни Элины, живущей на полвека позже Лекси, тоже все меняется. Художница Элина изо всех сил пытается совместить творчество с материнством, но все чаще на нее накатывает отчаяние... В памяти Теда то и дело всплывает женщина, красивая и такая добрая. Кто она и почему он ничего о ней не помнит?.. Этот затягивающий роман о любви, материнстве, войне и тайнах детства непринужденно скользит во времени, перетекая из 1950-х в наши дни и обратно. Мэгги О’Фаррелл сплетает две истории, между которыми, казалось бы, нет ничего общего, и в финале они сливаются воедино, взрываясь настоящим катарсисом. Роман высочайшего литературного уровня, получивший в 2010 году премию Costa.
Paul Murrey4.1 Ruprecht Van Doren is an overweight genius whose hobbies include very difficult maths and the Search of Extra-Terrestrial Intelligence. Daniel 'Skippy' Juster is his roommate. In the grand old Dublin institution that is Seabrook College for Boys, nobody pays either of them much attention. But when Skippy falls for Lori, the frisbee-playing siren from the girls' school next door, suddenly all kinds of people take an interest - including Carl, part-time drug-dealer and official school psychopath. . .
A tragic comedy of epic sweep and dimension, Skippy Dies scours the corners of the human heart and wrings every drop of pathos, humour and hopelessness out of life, love, Robert Graves, mermaids, M-theory, and everything in between.
Найджел Фарндейл0.0 He had always been scared of flying. Now, the fear is real. A plane crash. The water is rising over his mouth. In his nostrils. Lungs. As Daniel gasps, he swallows; and punches at his seat-belt. Nancy, the woman he loves, is trapped in her seat. He clambers over her, pushing her face into the headrest. It is a reflex, visceral action made without rational thought... But Daniel Kennedy did it. And already we have judged him from the comfort of our own lives. Almost a hundred years earlier, Daniel's great-grandfather goes over the top at Passchendaele.A shell explodes, and he wakes up alone and lost in the hell of no-man's-land. Where are the others? Has he been left behind? And if he doesn't find his unit, is he a deserter? Love; cowardice; trust; forgiveness.How will any of us behave when we are pushed to extremes?
Louise Doughty0.0 I study the photo in the same way that a spy might study the face of a counterpart in a rival organization. I am calm as I make this promise: I am going to find out what you love, then whatever it is, I am going to track it down and I am going to take it away from you.
After the death of Laura's nine-year-old daughter, Betty, is ruled an accident in a hit-and-run, Laura decides to take revenge into her own hands, determined to track down the man responsible. All the while, her inner turmoil is reopening the old wounds of her passionate love affair with Betty's father, David, and his abandonment of the family for another woman.
Haunted by her past and driven to a breaking point by her thirst for retribution, Laura discovers the unforeseen lengths she is willing to go to for love and vengeance.
Кишвар Десаи0.0 In a small town in the heart of India, a young girl is found tied to a bed inside a townhouse where 13 people lie dead. The girl is alive, but she has been beaten and abused. She is held in the local prison, awaiting interrogation for the murders she is believed by the local people to have committed.
Джейсон Уоллес5.0 For Robert Jacklin - packed off without warning to boarding school in Zimbabwe - everything is terrifyingly new. Branded an outsider from the moment he opens his mouth and unable to decode the subtle power struggles of the classroom, he longs for the safety of his old life in England. And then he meets Ivan. Clever, cunning, seductive Ivan, who offers him not only friendship, but power. As Robert is drawn slowly into Ivan's destructive web, he begins to question things he'd always held true and, as Ivan's grip tightens, he finds himself caught up in something far more dangerous than he could have imagined.
Jo Shapcott's award-winning first three collections, gathered in Her Book: Poems 1988-1998, revealed her to be a writer of ingenuous, politically acute and provocative poetry, and rightly earned her a reputation as one of the most original and daring voices of her generation. In Of Mutability, Shapcott is found writing at her most memorable and bold. In a series of poems that explore the nature of change - in the body and the natural world, and in the shifting relationships between people - these poems look freshly but squarely at mortality. By turns grave and playful, arresting and witty, the poems in Of Mutability celebrate each waking moment as though it might be the last, and in so doing restore wonder to the to the smallest of encounters.
Edmund de Waal4.2 The Ephrussis were a grand banking family, as rich and respected as the Rothschilds, who “burned like a comet” in nineteenth-century Paris and Vienna society. Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.
The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.
The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir’s Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.
Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.
The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.
In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.
Книга названа КНИГОЙ ГОДА.