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Вручение 2001 г.

Страна: Великобритания Дата проведения: 2001 г.

Художественный роман

Кейт Гренвилл 0.0
By the winner of the Orange Prize for Fiction 2001, this is a witty and tender romance that demonstrates that sometimes, unexpectedly, there can be something better than perfection.
Маргарет Этвуд 4.1
"Слепой убийца" – это не один роман, а несколько, которые Маргарет Этвуд вложила друг в друга – как в матрешку. И чем сильнее раскручивается сюжет, тем больше диковинных элементов появляется. История двух сестер, Айрис и Лоры, кажется простой лишь на первый взгляд. Писательница не изменяет себе и с удивительным мастерством рассказывает о людях, которым есть что скрывать. Перед нами не обычный роман о судьбах женщин XX века, связанных невидимой нитью, а сама жизнь – с ее дрязгами, проблемами и - чудесами.

"Все на свете истории – про волков. Все, что стоить пересказывать. Остальное – сентиментальная чепуха", – напишет Этвуд, создавшая один из самых удивительных романов своего времени. Вот только морды у ее волков будут человеческие.
Jane Smiley 0.0
In Horse Heaven the universe of horse racing is woven into a marvellous tapestry of joy and love, chicanery, folly, greed and reckless courage. Spanning two years on the circuit, from Kentucky and California to New York and Paris, Jane Smiley's wonderful novel puts us among trainers and track brats, horse-obsessed girls, nervy jockeys, billionaire breeders and restless track wives.
Али Смит 3.6
The kind of novel that is as rare as good room service, Ali Smith's HOTEL WORLD is a passionate, funny, serious, captivating glimpse into the lives of five people connected to one branch of the ubiquitous Global Hotel chain. Brought together - and forced apart - by a bizarre incident involving a dumb waiter, we share their very different experiences of life in the aftermath of death, of pain and sorrow, of hope and love - everything, in fact, that the world dares to throw at us.
Rosina Lippi 0.0
The most moving debut novel of the year, shortlisted for the 2001 Orange Prize for Fiction.
Homestead is simply one of the most beautifully written and moving books it’s been our privilege to publish in years. It is also perfectly constituted to be a word-of-mouth bestseller (and its fate in the US bears this out; from very small beginnings at an obscure press in 1998, that is what is has gone to become, picking up the prestigious PEN/Hemingway Prize on its way to regional bestsellerdom in paperback).
Its focus is on the women of a remote Alpine village, where life revolves around farming – and more particularly, around milk and cheese – in a way it has done for generations. Though the sense of place is acute in the book, equally the experiences and emotions of the women at the heart of it are timeless. This community of a few hundred souls, where everyone not only knows but is related to everyone else, is, of course, the kind of environment that is fast disappearing in Europe – reminiscent of remote sheep-farming communities in mid-Wales or the Cumbrian hills or the Scottish highlands. This self-contained, traditional world is evoked with tenderness but without sentimentality or blinkers. The real world creeps up the mountain to the village all too often – for example, carrying off its menfolk to war, and blighting the women with more work still, and less aid. The book spans more or less the entire twentieth century, and puts at the heart of each chapter a different woman. The casual brilliance of Lippi’s storytelling can be devastating; the reader passes by a seemingly innocuous sentence, only to turn back and see blood and fire everywhere in it.
Jill Dawson 0.0
In 1922, Edith Thompson and her young lover Frederick were tried for the murder of Edith's husband. The sensational trial unravelled an illicit love affair, a backstreet abortion, domestic violence, murder and finally a double execution. This novel is interspersed with imaginary scenes and monlogues as well as real and imagined letters.
Trezza Azzopardi 0.0
A scalding, thrilling book - Observer . Set in the Maltese community of Tiger Bay, and peopled with sharp-edged, luminously drawn characters, The Hiding Place is the story of Frank Gauci, his wife Mary, and their six daughters. Through the eyes of Dolores, the youngest daughter, we see the underworld of 1960's Cardiff, a life of gaming rooms and cafes, of crumbling houses and burning secrets which tear this family apart. Thirty years on, a reunion with her estranged sisters brings Dolores face to face with the betrayals which have haunted her past, where the truth is finally and tragically played out. An extraordinarily instinctive write with a delicate feel for language...Azzopardi has written a scalding, thrilling book about the havoc and despair it is possible to wreak inside a family - Observer . The Hiding Place manages to be heart-breaking without being sentimental. Fans of Kate Atkinson and Andrea Ashworth will love this Read and weep - Mirror . The Hiding Place is an accomplished and courageous debut...In its sheer strangeness and poetic charge, the novel sometimes recalls other literary one-offs such as Wuthering Heights . - Times Literary Supplement . A gripping tale, horrifying and often funny. This relationship between girls, who must fight to survive, is brilliantly evoked . - Marie Claire, Book of the month .
Helen Dewitt 3.9
Sibylla, a single mother from a long line of frustrated talents, has unusual ideas about child rearing. Yo Yo Ma started piano at the age of two; her son starts at three. J.S.Mill learned Greek at three; Ludo starts at four, reading Homer as they travel round and round the Circle Line. A fatherless boy needs male role models; so she plays the film of Seven Samurai as a running backdrop to his childhood. While Sibylla types out back copies of Carpworld to pay the rent, Ludo, aged five, moves on the Hebrew, Arabic and Japanese, aerodynamics and edible insects of the world - they might come in handy, if he can just persuade his mother he's mature enough to know his father's name.He is bound for knowledge of a less manageable sort, not least about his mother's past. And at the heart of the book is the boy's changing relationship with Sibylla - contradictory, touching and tender
Amy Tan 4.5
Ruth Young and her widowed mother, LuLing, have always had a tumultuous relationship. Now, before she succumbs to forgetfulness, LuLing gives Ruth some of her writings, which reveal a side of LuLing that Ruth has never known. . . .

In a remote mountain village where ghosts and tradition rule, LuLing grows up in the care of her mute Precious Auntie as the family endures a curse laid upon a relative known as the bonesetter. When headstrong LuLing rejects the marriage proposal of the coffinmaker, a shocking series of events are set in motion–all of which lead back to Ruth and LuLing in modern San Francisco. The truth that Ruth learns from her mother’s past will forever change her perception of family, love, and forgiveness.
Sena Jeter Naslund 0.0
From the opening line -- "Captain Ahab was neither my first husband nor my last" -- you will know that you are in the hands of a master storyteller and in the company of a fascinating woman hero. Inspired by a brief passage in Moby-Dick ,
Дженет Уинтерсон 4.4
An e-writer called Ali or Alix will write to order anything you like, provided that you are prepared to enter the story as yourself and take the risk of leaving it as someone else. You can be the hero of your own life. You can have freedom just for one night. But there is a price to pay.
Дэнзи Сенна 0.0
In Caucasia—Danzy Senna's extraordinary debut novel and national bestseller—Birdie and Cole are the daughters of a black father and a white mother, intellectuals and activists in the Civil Rights Movement in 1970s Boston. The sisters are so close that they have created a private language, yet to the outside world they can't be sisters: Birdie appears to be white, while Cole is dark enough to fit in with the other kids at the Afrocentric school they attend. For Birdie, Cole is the mirror in which she can see her own blackness. Then their parents' marriage falls apart. Their father's new black girlfriend won't even look at Birdie, while their mother gives her life over to the Movement: at night the sisters watch mysterious men arrive with bundles shaped like rifles.

One night Birdie watches her father and his girlfriend drive away with Cole—they have gone to Brazil, she will later learn, where her father hopes for a racial equality he will never find in the States. The next morning—in the belief that the Feds are after them—Birdie and her mother leave everything behind: their house and possessions, their friends, and—most disturbing of all—their identity. Passing as the daughter and wife of a deceased Jewish professor, Birdie and her mother finally make their home in New Hampshire.

Desperate to find Cole, yet afraid of betraying her mother and herself to some unknown danger, Birdie must learn to navigate the white world—so that when she sets off in search of her sister, she is ready for what she will find. At once a powerful coming-of-age story and a groundbreaking work on identity and race in America, "Caucasia deserves to be read all over" (Glamour).
Jayne Anne Phillips 0.0
MotherKind explores the spiritual education at the heart of the most fundamental transition: the child who grows to nurture his or her parent. Kate, whose care for her terminally ill mother coincides with the birth of her first child and the early months of a young marriage, must come to terms with crucial loss and radiant beginnings in the same deftly chronicled year.MotherKind invites the reader into a layering of experience that is nearly limitless, yet wholly ordinary and familiar. First and second marriages, babies and step-children, neighbors, friends, blended families, baby sitters and wise strangers all intermingle in the tumult of an everyday marked by a turning of seasons and the gradual vanishing of Kate's mother, the strong woman who has been her friend, mentor and counterpart across a divide of experience and time.

MotherKind describes a very contemporary situation yet deals with timeless themes. What is the nature of "home", when so many of us live our lives far from where we started? How do we translate all we have passed from into what we carry forward? How are we inextricably linked, even in separation, across generations, cultures, eras; across death itself. In MotherKind, the everyday is illumined with the past as Kate finds her former and present lives joined into one luminous passage.
Josephine Humphreys 0.0
In the summer of 1864, sixteen-year-old Rhoda Strong lives in the Lumbee Indian settlement of Robeson County, North Carolina, which has become a pawn in the bloody struggle between the Union and Confederate armies. The community is besieged by the marauding Union Army as well as the desperate Home Guard who are hell-bent on conscripting the young men into deadly forced labor. Daughter of a Scotsman and his formidable Lumbee wife, Rhoda is fiercely loyal to her family and desperately fears for their safety, but her love for the outlaw hero Henry Berry Lowrie forces her to cast her lot with danger. Her struggle becomes part of the community's in a powerful story of love and survival. Nowhere Else on Earth is a moving saga that magnificently captures a little-known piece of American history
Laurie Graham 0.0
Birdie Gibbs lives on the seventh floor of an East End high-rise. She hates it, and she hates the hooligans. And she gets pretty bored. Ok, she's old, but that doesn't mean she's satisfied with a pair of slippers and a good book. Her best friend constantly taunts her with threats of an old people's home. But Birdie's resolute – she's not going anywhere near one of those places. She keeps herself busy, it's better to wear out than rust out. And when ex-husband Jimmy Dwyer turns up out of the blue with a greyhound that needs a home, Birdie thinks things might be on the up. But he vanishes just as quickly, leaving behind him some memories of the past that Birdie would rather forget. Laugh-out-loud funny – this is classic Laurie Graham.
Esther Freud 0.0
Nine-year-old Tess has never seen anything like The Wild. An old bakery, converted into a home, it has a fireplace big enough to sit in, a garden with a badminton net and another one for vegetables. And then there's William, its owner. Single father of three, he cooks homemade ravioli, cuts trees down with a chainsaw and plays the guitar. When her mother, Francine, rents two rooms from him, Tess can hardly believe her luck. Her brother Jake, however, proves harder to convince. As the two grown-ups begin to fall for each other, Tess struggles to please the adults, as well as win Jake round. But she finds that good intentions don't always bring happiness and that adults are disturbingly capable of making mistakes.
Leslie Forbes 0.0
Three families across two centuries. A shared history of love and murder.And one woman’s passion for life and obsession with death. . .

Expatriate Claire Fleetwood is a forensic photographer adept at turning the bones of the dead into silvery, telling shadows. When she inherits an estate situated in London’s East End, Claire finally feels rooted. Then one morning a friend is murdered beyond the walls of her garden--a crime that unnerves her, intrigues her, and compels her to unravel not only the mysteries of the victim’s past but her own past as well. It’s a journey that takes Claire to the India of her forebears, to a hidden paradise between Bhutan and Tibet, and to a secret history that reverberates through time, through blood, through a lineage of forbidden pleasures and harrowing implications.

A sensuous and revealing thriller like no other, Fish, Blood and Bone is an intoxicating reflection on the consequences of the past, of unearthed skeletons and family sins, played out against the most exotic landscapes on earth—and the most unsettling corners of the imagination.
Meaghan Delahunt 0.0
This breathtaking first novel explores Leon Trotsky and his wife's years of Mexican exile in the home of Frida Kahlo and her husband Diego Rivera. Mingled with the voices of Stalin's desolate young wife and that of Trotsky himself are the tales of the lesser known who have also created history--the Mexican artist who foretells Trotsky's death; a Bolshevik engineer surviving the chill of the Stalinist regime; the bodyguard who is unable to prevent the assassination. Together, the stories reveal the panorama of Russian history, revolution, and upheaval in the twentieth century.
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