Вручение 15 октября 2020 г.

Премия за 2019 год.

Страна: США Место проведения: Сакраменто, Бучеркон (Bouchercon) Дата проведения: 15 октября 2020 г.

Лучший детективный роман

Лауреат
Эдриан Маккинти 3.6
«Наши требования могут показаться невыполнимыми, а на самом деле вполне вам по силам», — говорит незнакомый голос в мобильном телефоне. Нет, вам звонят не по ошибке. «Молитесь, чтобы никогда не узнать, ни кто мы, ни на что мы способны». Это значит, что вы попали в Цепь. Все происходит как в кошмарном сне, но это реальность. Схема, по сути, очень проста. У вас похищают ребенка. Вы платите выкуп. Дополнительное условие: вы похищаете чужого ребенка. Из этой западни не вырваться... Но обычная женщина по имени Рейчел бросает вызов Цепи, и между ними начинается смертельное противостояние.
Steph Cha 4.0
A powerful and taut novel about racial tensions in LA, following two families—one Korean-American, one African-American—grappling with the effects of a decades-old crime

In the wake of the police shooting of a black teenager, Los Angeles is as tense as it’s been since the unrest of the early 1990s. Protests and vigils are being staged all over the city. It’s in this dangerous tinderbox that two families must finally confront their pasts.

Grace Park lives a sheltered existence: living at home with her Korean-immigrant parents, working at the family pharmacy, and trying her best to understand why her sister Miriam hasn’t spoken to their mother in years. The chasm in her family is growing wider by the day and Grace is desperate for reconciliation, and frustrated by the feeling that her sister and parents are shielding her from the true cause of the falling out.

Shawn Matthews is dealing with a fractured family of his own. His sister, Ava, was murdered as a teenager back in 1991, and this new shooting is bringing up painful memories. Plus, his cousin Ray is just released from prison and needs to reconnect with their family after so many years away. While Shawn is trying his best to keep his demons at bay, he’s not sure Ray can do the same.

When another shocking crime hits LA, the Parks and the Matthewses collide in ways they never could have expected. After decades of loss, violence, and injustice, tensions come to a head and force a reckoning that could clear the air or lead to more violence.
Уильям Кент Крюгер 4.3
1932, Minnesota—the Lincoln School is a pitiless place where hundreds of Native American children, forcibly separated from their parents, are sent to be educated. It is also home to an orphan named Odie O’Banion, a lively boy whose exploits earn him the superintendent’s wrath. Forced to flee, he and his brother Albert, their best friend Mose, and a brokenhearted little girl named Emmy steal away in a canoe, heading for the mighty Mississippi and a place to call their own.

Over the course of one unforgettable summer, these four orphans will journey into the unknown and cross paths with others who are adrift, from struggling farmers and traveling faith healers to displaced families and lost souls of all kinds. With the feel of a modern classic, This Tender Land is an en­thralling, big-hearted epic that shows how the magnificent American landscape connects us all, haunts our dreams, and makes us whole.

For fans of Before We Were Yours and Where the Crawdads Sing, a magnificent novel about four orphans on a life-changing odyssey during the Great Depression, from the New York Times bestselling author of Ordinary Grace.
Лаура Липман 3.2
In 1966, Baltimore is a city of secrets that everyone seems to know—everyone, that is, except Madeline “Maddie” Schwartz. Last year, she was a happy, even pampered housewife. This year, she’s bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life.

Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl—assistance that leads to a job at the city’s afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: Cleo Sherwood, a missing woman whose body was discovered in the fountain of a city park lake.

If Cleo were white, every reporter in Baltimore would be clamoring to tell her story. Instead, her mysterious death receives only cursory mention in the daily newspapers, and no one cares when Maddie starts poking around in a young Black woman's life—except for Cleo's ghost, who is determined to keep her secrets and her dignity. Cleo scolds the ambitious Maddie: You're interested in my death, not my life. They're not the same thing.

Maddie’s investigation brings her into contact with people that used to be on the periphery of her life—a jewelry store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people—including Ferdie, the man who shares her bed, a police officer who is risking far more than Maddie can understand.
Ryan Hank Phillippi 0.0
Law student Rachel North will tell you, without hesitation, what she knows to be true. She's smart, she’s a hard worker, she does the right thing, she’s successfully married to a faithful and devoted husband, a lion of Boston's defense bar, and her internship with the Boston DA's office is her ticket to a successful future.

Problem is--she’s wrong.

And in this cat and mouse game--the battle for justice becomes a battle for survival.
James Sallis 0.0
Sarah Jane Pullman is a good cop with a complicated past. From her small-town chicken-farming roots through her runaway adolescence, court-ordered Army stint, ill-advised marriage and years slinging scrambled eggs over greasy spoon griddles, Sarah Jane unfolds her life story, a parable about memory, atonement, and finding shape in chaos. Her life takes an unexpected turn when she finds herself named the de facto sheriff of a rural town, investigating the mysterious disappearance of the sheriff whose shoes she's filling--and the even more mysterious realities of the life he was hiding from his own colleagues and closest friends.

In the tradition of James Crumley's The Last Good Kiss and Ivy Pochoda's Wonder Valley, this kaleidoscopic character study sparkles in every dark and bright detail--a virtuoso work by a master of both the noir and the tender aspects of human nature.

Лучший дебютный детектив

Лауреат
Тара Ласковски 0.0
It was the perfect place to disappear...

One sultry summer, Maureen Haddaway arrives in the wealthy town of Opal Beach to start her life anew—to achieve her destiny. There, she finds herself lured by the promise of friendship, love, starry skies, and wild parties. But Maureen’s new life just might be too good to be true, and before the summer is up, she vanishes.

Decades later, when Allison Simpson is offered the opportunity to house-sit in Opal Beach during the off-season, it seems like the perfect chance to begin fresh after a messy divorce. But when she becomes drawn into the mysterious disappearance of a girl thirty years before, Allison realizes the gorgeous homes of Opal Beach hide dark secrets. And the truth of that long-ago summer is not even the most shocking part of all...
Саманта Даунинг 3.6
Если Декстер столкнется с мистером и миссис Смит, получится захватывающий, кровавый психологический триллер.
На первый взгляд наша история любви ничем не отличается от многих других пар. Я встретил великолепную женщину. Мы влюбились. У нас родились дети. Мы переехали в пригород. Мы поделились друг с другом нашими самыми сокровенными мечтами. И... нашими самыми темными секретами.
А потом нам стало скучно, и мы решили немного развлечься. Мы похожи на нормальную пару. Мы - ваши соседи, родители друга вашего ребенка, знакомые, с которыми вы ходите вместе обедать. У всех нас есть свои секреты, которые помогают сохранять наш брак. Вы ходите в кино. Ездите в отпуск.
А мы иногда убиваем...
Энджи Ким 4.1
Небольшой городок в Вирджинии, группа людей, объединенных единственным желанием – они хотят, чтобы их близкие были здоровы. В надежде они прибегают к новому способу – кислородной камере, которая может помочь вылечить все, от бесплодия до аутизма. Но происходит трагедия - взрыв унесший жизни двух человек, в том числе ребенка. Возможно ли, что он был неслучайным? Могла ли мать больного мальчика организовать его, чтобы убить собственного сына? Неужели владельцы надеялись заработать на страховке? Или же протестующие, пытающиеся доказать, что лечение небезопасно, зашли слишком далеко?
Дж. П. Помаре 0.0
In this propulsive, twist-filled, and haunting psychological suspense debut perfect for fans of Sharp Objects and Room, a seventeen-year-old girl struggles to remember the role she played on the night her life changed forever.

For the past two weeks, seventeen-year-old Kate Bennet has lived against her will in an isolated cabin in a remote beach town--brought there by a mysterious man named Bill. Part captor, part benefactor, Bill calls her Evie and tells her he's hiding her to protect her. That she did something terrible one night back home in Melbourne--something so unspeakable that he had no choice but to take her away. The trouble is, Kate can't remember the night in question.

The fragments of Kate's shattered memories of her old life seem happy: good friends, a big house in the suburbs, a devoted boyfriend. Bill says he'll help her fill in the blanks--but his story isn't adding up. And as she tries to reconcile the girl she thought she'd been with the devastating consequences Bill claims she's responsible for, Kate will unearth secrets about herself and those closest to her that could change everything.

A riveting debut novel that fearlessly plumbs the darkest recesses of the mind, Call Me Evie explores the fragility of memory and the potential in all of us to hide the truth, even from ourselves.
Лорен Уилкинсон 0.0
It's 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She's brilliant but she's also a young black woman working in an old boys' club, and her career has stalled out; she's overlooked for every high profile squad, and her days are filled with monotonous paperwork. So when she's given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic, revolutionary president of Burkina Faso, whose Communist ideology has made him a target for American intervention, she says yes. Yes, even though she secretly admires the work Thomas is doing for his country. Yes, even though she is still grieving the mysterious death of her sister, whose example led Marie to this career path in the first place. Yes, even though a furious part of her suspects she's being offered the job because of her appearance and not her talent.

In the year that follows, Marie will observe Thomas, seduce him, and ultimately, have a hand in the coup that will bring him down. But doing so will change everything she believes about what it means to be a spy, a lover, a sister, and a good American.

Памяти Сью Федер за лучший исторический роман

Лауреат
Лара Прескотт 4.0
A thrilling tale of secretaries turned spies, of love and duty, and of sacrifice—inspired by the true story of the CIA plot to infiltrate the hearts and minds of Soviet Russia, not with propaganda, but with the greatest love story of the twentieth century: Doctor Zhivago.

At the height of the Cold War, two secretaries are pulled out of the typing pool at the CIA and given the assignment of a lifetime. Their mission: to smuggle Doctor Zhivago out of the USSR, where no one dare publish it, and help Pasternak's magnum opus make its way into print around the world. Glamorous and sophisticated Sally Forrester is a seasoned spy who has honed her gift for deceit all over the world--using her magnetism and charm to pry secrets out of powerful men. Irina is a complete novice, and under Sally's tutelage quickly learns how to blend in, make drops, and invisibly ferry classified documents.

The Secrets We Kept combines a legendary literary love story—the decades-long affair between Pasternak and his mistress and muse, Olga Ivinskaya, who was sent to the Gulag and inspired Zhivago's heroine, Lara—with a narrative about two women empowered to lead lives of extraordinary intrigue and risk. From Pasternak's country estate outside Moscow to the brutalities of the Gulag, from Washington, D.C. to Paris and Milan, The Secrets We Kept captures a watershed moment in the history of literature—told with soaring emotional intensity and captivating historical detail. And at the center of this unforgettable debut is the powerful belief that a piece of art can change the world.
Сюзанна Калкинс 0.0
The first mystery in Susanna Calkins' captivating new series takes readers into the dark, dangerous, and glittering underworld of a 1920's Chicago speakeasy.

Gina Ricci takes on a job as a cigarette girl to earn money for her ailing father--and to prove to herself that she can hold her own at Chicago's most notorious speakeasy, the Third Door. She's enchanted by the harsh, glamorous world she discovers: the sleek socialites sipping bootlegged cocktails, the rowdy ex-servicemen playing poker in a curtained back room, the flirtatious jazz pianist and the brooding photographer--all overseen by the club's imposing owner, Signora Castallazzo. But the staff buzzes with whispers about Gina's predecessor, who died under mysterious circumstances, and the photographer, Marty, warns her to be careful.

When Marty is brutally murdered, with Gina as the only witness, she's determined to track down his killer. What secrets did Marty capture on his camera--and who would do anything to destroy it? As Gina searches for answers, she's pulled deeper into the shadowy truths hiding behind the Third Door.
Л.А. Чендлер 0.0
As the Great Depression loosens its grip on New York City, Mayor La Guardia and his team meet their greatest foe in the fight against organized crime ...

Lane Sanders and her fiery boss, Mayor Fiorello "Fio" La Guardia have managed to contain the explosive underground conspiracies of New York's most sinister schemers. But after a seemingly harmless pinball racket claims the life of a trusted ally, a new ringleader signals the rebirth of an all-too-familiar crime network at home and across the pond ...

Spurred on by the possibility of a violent syndicate spreading like wildfire through Europe, Lane sets sail for London--the city where her parents began the undercover work that led to their tragic undoing. And this time, she won't chase down childhood nightmares without Finn Brodie, who vows to dispel his own difficult secrets abroad ...

While Finn confronts a devious sibling's plot that echoes Orson Welles's Voodoo Macbeth, Lane discovers that a dazzling pearl dagger may wield the ultimate clue to guide their hunt for justice on two sides of the ocean. With terrors from the past and present converging, Lane can't save herself unless she starts believing that, like her weapon of choice, she also has the power to be both beautiful and dangerous.
Dianne Freeman 0.0
How far will some go to safeguard a secret? In the latest novel in Dianne Freeman’s witty and delightful historical mystery series, the adventurous Countess Harleigh finds out . . .

Though American by birth, Frances Wynn, the now-widowed Countess of Harleigh, has adapted admirably to the quirks and traditions of the British aristocracy. On August twelfth each year, otherwise known as the Glorious Twelfth, most members of the upper class retire to their country estates for grouse-shooting season. Frances has little interest in hunting—for birds or a second husband—and is expecting to spend a quiet few months in London with her almost-engaged sister, Lily, until the throng returns.

Instead, she’s immersed in a shocking mystery when a friend, Mary Archer, is found murdered. Frances had hoped Mary might make a suitable bride for her cousin, Charles, but their courtship recently fizzled out. Unfortunately, this puts Charles in the spotlight—along with dozens of others. It seems Mary had countless notes hidden in her home, detailing the private indiscretions of society’s elite. Frances can hardly believe that the genteel and genial Mary was a blackmailer, yet why else would she horde such juicy tidbits?

Aided by her gallant friend and neighbor, George Hazelton, Frances begins assisting the police in this highly sensitive case, learning more about her peers than she ever wished to know. Too many suspects may be worse than none at all—but even more worrying is that the number of victims is increasing too. And unless Frances takes care, she’ll soon find herself among them . . .
Суджата Масси 4.4
India, 1922: It is rainy season in the lush, remote Satara mountains southeast of Bombay, where the kingdom of Satapur is tucked away. A curse seems to have fallen upon Satapur’s royal family, whose maharaja died of a sudden illness shortly before his teenage son was struck down in a tragic accident. The kingdom is now ruled by an agent of the British Raj on behalf of Satapur’s two maharanis, the dowager queen and the maharaja’s widow.

The royal ladies are in dispute over the education of the young crown prince, and a lawyer’s council is required—but the maharanis live in purdah and do not speak to men. Just one person can help them: Perveen Mistry, India’s only female lawyer. Perveen is determined to bring peace to the royal house and make a sound recommendation for the young prince’s future, but knows she is breaking a rule by traveling alone as a woman into the remote countryside. And she arrives to find that the Satapur palace is full of cold-blooded power plays and ancient vendettas. Too late, she realizes she has walked into a trap. But whose? And how can she protect the royal children from the palace’s deadly curse?
Эдит Максуэлл 0.0
Quaker midwife Rose Carroll seeks the true cause of a young mother's death

The winter of 1889 is harsh in Amesbury, Massachusetts, but it doesn't stop Quaker midwife Rose Carroll from making the rounds to her pregnant and postpartum mothers. When Charity Skells dies from an apparent early miscarriage, Rose wonders about the symptoms that don't match the diagnosis. She learns that Charity's husband may be up to no good with a young woman whose mother appears to offer illegal abortions. A disgraced physician in town does the same, and Charity's cousin seems to have a nefarious agenda. With several suspects emerging, each with their own possible motives, Rose and police detective Kevin Donovan race against time to solve the case before another innocent life is taken.

Лучшая документальная книга

Лауреат
Джон Биллхеймер 0.0
Throughout his career, Alfred Hitchcock had to deal with a wide variety of censors attuned to the slightest suggestion of sexual innuendo, undue violence, toilet humor, religious disrespect, and all forms of indecency, real or imagined. From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. Code officials protected sensitive ears from standard four-letter words, as well as a few five-letter words like tramp and six-letter words like cripes. They also scrubbed "excessively lustful" kissing from the screen and ensured that no criminal went unpunished.

During their review of Hitchcock's films, the censors demanded an average of 22.5 changes, ranging from the mundane to the mind-boggling, on each of his American films. Code reviewers dictated the ending of Rebecca (1940), absolved Cary Grant of guilt in Suspicion (1941), edited Cole Porter's lyrics in Stage Fright (1950), decided which shades should be drawn in Rear Window (1954), and shortened the shower scene in Psycho (1960). In Hitchcock and the Censors, author John Billheimer traces the forces that led to the Production Code and describes Hitchcock's interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming -- and occasionally tricking -- the censors and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images. By examining Hitchcock's priorities in dealing with the censors, this work highlights the director's theories of suspense as well as his magician-like touch when negotiating with code officials.
Лэрд Блэкуэлл 0.0
Frederic Dannay (1905-1982) was--with his partner Manfred Lee--the creator of the Ellery Queen detective novels and short stories. Dannay was also a literary historian and critic, and the editor of the renowned Ellery Queen Mystery Magazine. Queen--both a pen name and the fictional protagonist of the stories--was also a vital force behind the continuing popularity of crime fiction in the early to mid-20th century, after the deaths of Arthur Conan Doyle, G.K. Chesterton, Melville Davisson Post, and other Old Masters of the genre. This book presents the first critical study of Ellery Queen's role in the preservation of the detective short story. Many of the writers, characters and stories EQMM championed are covered, including such celebrated authors as Allingham, Ambler, Ellin, Innes, Vickers, and even William Butler Yeats.
Урсула Бьюкен 0.0
Ursula Buchan studied modern history at New Hall, Cambridge, and horticulture at the Royal Botanic Gardens, Kew. She is an award-winning journalist and author, having written eighteen books and contributed regularly to the Spectator, Observer, Independent, Sunday Telegraph, Daily Telegraph and The Garden. She is a daughter of John Buchan's second son, William.
John Buchan's name is known across the world for The Thirty-Nine Steps.
Питер Хулахан 0.0
A true crime account of one of the most violent bank heists in US history.

Norco ’80 tells the story of how five heavily-armed young men—led by an apocalyptic born-again Christian—attempted a bank robbery that turned into one of the most violent criminal events in U.S. history, forever changing the face of American law enforcement. Part action thriller and part courtroom drama, Norco ’80 transports the reader back to the Southern California of the 1970s, an era of predatory evangelical gurus, doomsday predictions, megachurches, and soaring crime rates, with the threat of nuclear obliteration looming over it all.

A group of landscapers transforms into a murderous gang of bank robbers armed to the teeth with military-grade weapons. Their desperate getaway turned the surrounding towns into war zones. When it was over, three were dead and close to twenty wounded; a police helicopter was forced down from the sky, and thirty-two police vehicles were destroyed by thousands of rounds of ammo. The resulting trials shook the community to the core, raising many issues that continue to plague society today: from racism and the epidemic of post-traumatic stress disorder within law enforcement to religious extremism and the militarization of local police forces
Мо Молтон 0.0
A group biography of renowned crime novelist Dorothy L. Sayers and the Oxford women who stood at the vanguard of equal rights.

Dorothy L. Sayers is now famous for her Lord Peter Wimsey and Harriet Vane detective series, but she was equally well known during her life for an essay asking "Are Women Human?" Women's rights were expanding rapidly during Sayers's lifetime; she and her friends were some of the first women to receive degrees from Oxford. Yet, as historian Mo Moulton reveals, it was clear from the many professional and personal obstacles they faced that society was not ready to concede that women were indeed fully human.

Dubbing themselves the Mutual Admiration Society, Sayers and her classmates remained lifelong friends and collaborators as they fought for a truly democratic culture that acknowledged their equal humanity.
Джеймс Полчин 0.0
A skillful hybrid of true crime and social history that examines the relationship between the media and popular culture in the portrayal of crimes against gay men in the decades before Stonewall.

Stories of murder have never been just about killers and victims. Instead, crime stories take the shape of their times and reflect cultural notions and prejudices. In Indecent Advances, James Polchin recovers and recounts queer stories from the crime pages—often lurid and euphemistic—that reveal the hidden history of violence against gay men.

What was left unsaid in the crime pages provides insight into the figure of the queer man as both criminal and victim, offering readers tales of vice and violence that aligned gender and sexual deviance with tragic, gruesome endings. Victims were often reported as having made "indecent advances," forcing the accused's hands in self-defense and reducing murder charges to manslaughter.

Рublished in time for the fiftieth anniversary of the Stonewall uprising on June 28, 1969, Indecent Advances investigates how queer men navigated a society that criminalized them and displayed little compassion for the violence they endured. Polchin shows, with masterful insight, how this discrimination was ultimately transformed by activists to help shape the burgeoning gay rights movement in the years leading up to Stonewall.