William Gaddis0.0 A dazzling fourth novel by the author of The Recognitions, Carpenter's Gothic, and JR uses his considerable powers of observation and satirical sensibilities to take on the American legal system. Reprint. 30, 000 first printing.
Эллен Карри0.0 Few writers have been as enthusiastically hailed as was Ellen Currie when her short fiction first appeared in The New Yorker in the late 1950s. It was 25 years before her first novel, Available Light, appeared, which Newsweek called "an astounding first novel". Now from this acclaimed writer comes a new collection of impeccably crafted stories.
Richard Dooling0.0 Michael Killigan, a Peace Corps Volunteer in West Africa, is missing. The search for him is launched separately by his father, Randall, a master-of-the-universe and warlord of the Indianapolis bankruptcy courts. and Michael's best friend, Boone Westfall. Once in Freetown, Boone falls in with Sam Lewis, an unscrupulous Volunteer who's fed up with Sierra Leone, a country which in 1992 earned the distinction of being the world's worst place to live, according to the United Nations. Lewis leads Boone into the bush and turns him over to Aruna Sisay, "the white Mende man, " a fallen anthropologist who's sworn off the rigors of fieldwork and succumbed to the charms of ruling hell. Back in America, Randall receives an ominous bundle of black rags from Sierra Leone and starts to experience terrifying sleep disorders. A raving hypochondriac, he bankrolls a search for his son, while seeking a medical explanation for his nocturnal hallucinations. Meanwhile. Liberian rebels are crossing the border in the south of Sierra Leone, elections are erupting into riots, and the countryside is ruled by warring secret societies of leopard and baboon men which still practice witchcraft and human sacrifice to win political - even supernatural - power. But where's Michael? To find Killigan. Boone must negotiate witches and witch-finders, disgruntled ancestors and bush devils, bad medicine and "shapeshifters" who roam about in the guise of animals. And Randall learns that the bundle of rags may have transformed itself into a spirit and "entered" him, causing supernatural disturbances. Both begin by wondering if witchcraft is "true" and conclude that if it "works, " it may as well be. An exuberantly funny satire inwhich litigation, modern medicine, and the insurance business begin to look a lot like primitive magic. White Man's Grave pillories our deepest fears, forcing us to consider the ultimate nature of evil.
Говард Норман5.0 Howard Norman's The Bird Artist, the first book of his Canadian trilogy, begins in 1911. Its narrator, Fabian Vas is a bird artist: He draws and paints the birds of Witless Bay, his remote Newfoundland coastal village home. In the first paragraph of his tale Fabian reveals that he has murdered the village lighthouse keeper, Botho August. Later, he confesses who and what drove him to his crime—a measured, profoundly engrossing story of passion, betrayal, guilt, and redemption between men and women.
The Bird Artist is a 1994 National Book Award Finalist for Fiction.
Grace Paley0.0 Grace Paley’s classic collection—a finalist for the National Book Award—demonstrates her rich use of language as well as her extraordinary insight into and compassion for her characters, moving from the hilarious to the tragic and back again. Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.
Джеймс Тэйт0.0 Masterfully drawing on a variety of voices and characters, James Tate joyfully offers his first book since winning the Pulitzer Prize in 1992 for his "Selected Poems."
Sherwin B. Nuland3.8 A runaway bestseller and National Book Award winner, Sherwin Nuland's How We Die has become the definitive text on perhaps the single most universal human concern: death. This new edition includes an all-embracing and incisive afterword that examines the current state of health care and our relationship with life as it approaches its terminus. It also discusses how we can take control of our own final days and those of our loved ones.
