Вручение 10 апреля 2017 г.
Страна: США
Место проведения: Колумбийский университет. Нью-Йорк.
Дата проведения: 10 апреля 2017 г.
Художественная книга
Лауреат
Colson Whitehead
3.9
Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.
Adam Haslett
3.7
When Margaret's fiancé, John, is hospitalized for depression in 1960s London, she faces a choice: carry on with their plans despite what she now knows of his condition, or back away from the suffering it may bring her. She decides to marry him. Imagine Me Gone is the unforgettable story of what unfolds from this act of love and faith. At the heart of it is their eldest son, Michael, a brilliant, anxious music fanatic who makes sense of the world through parody. Over the span of decades, his younger siblings -- the savvy and responsible Celia and the ambitious and tightly controlled Alec -- struggle along with their mother to care for Michael's increasingly troubled and precarious existence.
Told in alternating points of view by all five members of the family, this searing, gut-wrenching, and yet frequently hilarious novel brings alive with remarkable depth and poignancy the love of a mother for her children, the often inescapable devotion siblings feel toward one another, and the legacy of a father's pain in the life of a family.
With his striking emotional precision and lively, inventive language, Adam Haslett has given us something rare: a novel with the power to change how we see the most important people in our lives.
К. Э. Морган
0.0
Hellsmouth, a wilful thoroughbred filly, has the legacy of a family riding on her.
The Forges: one of the oldest and proudest families in Kentucky; descended from the first settlers to brave the Wilderness Road; as mythic as the history of the South itself – and now, first-time horse breeders.
Through an act of naked ambition, Henry Forge is attempting to blaze this new path on the family's crop farm. His daughter, Henrietta, becomes his partner in the endeavour but has desires of her own. When Allmon Shaughnessy, an African American man fresh from prison, comes to work in the stables, the ugliness of the farm's history rears its head. Together through sheer will, the three stubbornly try to create a new future – one that isn't determined by Kentucky's bloody past – while they mould Hellsmouth into a champion.
The Sport of Kings has the force of an epic. A majestic story of speed and hunger, racism and justice, this novel is an astonishment from start to finish.
Биография или автобиография
Лауреат
Хишам Матар
4.0
WINNER OF THE PULITZER PRIZE - The acclaimed memoir about fathers and sons, a legacy of loss, and, ultimately, healing--one of The New York Times Book Review's ten best books of the year, winner of the PEN/Jean Stein Book Award, and a finalist for the National Book Critics Circle Award
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Michiko Kakutani, The New York Times - The Washington Post - The Guardian - Financial Times
When Hisham Matar was a nineteen-year-old university student in England, his father went missing under mysterious circumstances. Hisham would never see him again, but he never gave up hope that his father might still be alive. Twenty-two years later, he returned to his native Libya in search of the truth behind his father's disappearance. The Return is the story of what he found there.
The Pulitzer Prize citation hailed The Return as "a first-person elegy for home and father." Transforming his personal quest for answers into a brilliantly told universal tale of hope and resilience, Matar has given us an unforgettable work with a powerful human question at its core: How does one go on living in the face of unthinkable loss?
Praise for The Return
"A tale of mighty love, loyalty and courage. It simply must be read."--The Spectator (U.K.)
"Wise and agonizing and thrilling to read."--Zadie Smith
"[An] eloquent memoir . . . at once a suspenseful detective story about a writer investigating his father's fate . . . and a son's efforts to come to terms with his father's ghost, who has haunted more than half his life by his absence."--Michiko Kakutani, The New York Times
"This outstanding book . . . roves back and forth in time with a freedom that conceals the intricate precision of its art."--The Wall Street Journal
"Truly remarkable . . . a book with a profound faith in the consolations of storytelling . . . a testament to [Matar's] father, his family and his country."--The Daily Telegraph (U.K.)
"The Return is a riveting book about love and hope, but it is also a moving meditation on grief and loss. . . . Likely to become a classic."--Colm Toibin
"Matar's evocative writing and his early traumas call to mind Vladimir Nabokov." --The Washington Post
"Utterly riveting."--The Boston Globe
"A moving, unflinching memoir of a family torn apart."--Kazuo Ishiguro, The Guardian
"Beautiful . . . The Return, for all the questions it cannot answer, leaves a deep emotional imprint."--Newsday
"A masterful memoir, a searing meditation on loss, exile, grief, guilt, belonging, and above all, family. It is, as well, a study of the shaping--and breaking--of the bonds between fathers and sons. . . . This is writing of the highest quality."--The Sunday Times (U.K.)
Susan Faludi
0.0
From the Pulitzer Prize-winning journalist and bestselling author of Backlash, comes In the Darkroom, an astonishing confrontation with the enigma of her father and the larger riddle of identity consuming our age.
“In the summer of 2004 I set out to investigate someone I scarcely knew, my father. The project began with a grievance, the grievance of a daughter whose parent had absconded from her life. I was in pursuit of a scofflaw, an artful dodger who had skipped out on so many things—obligation, affection, culpability, contrition. I was preparing an indictment, amassing discovery for a trial. But somewhere along the line, the prosecutor became a witness.”
So begins Susan Faludi’s extraordinary inquiry into the meaning of identity in the modern world and in her own haunted family saga. When the feminist writer learned that her 76-year-old father—long estranged and living in Hungary—had undergone sex reassignment surgery, that investigation would turn personal and urgent. How was this new parent who identified as “a complete woman now” connected to the silent, explosive, and ultimately violent father she had known, the photographer who’d built his career on the alteration of images?
Faludi chases that mystery into the recesses of her suburban childhood and her father’s many previous incarnations: American dad, Alpine mountaineer, swashbuckling adventurer in the Amazon outback, Jewish fugitive in Holocaust Budapest. When the author travels to Hungary to reunite with her father, she drops into a labyrinth of dark histories and dangerous politics in a country hell-bent on repressing its past and constructing a fanciful—and virulent—nationhood. The search for identity that has transfixed our century was proving as treacherous for nations as for individuals.
Faludi’s struggle to come to grips with her father’s metamorphosis self takes her across borders—historical, political, religious, sexual--to bring her face to face with the question of the age: Is identity something you “choose,” or is it the very thing you can’t escape?
Нехудожественная литература
Лауреат
Matthew Desmond
4.8
From Harvard sociologist and MacArthur "Genius" Matthew Desmond, a landmark work of scholarship and reportage that will forever change the way we look at poverty in America
In this brilliant, heartbreaking book, Matthew Desmond takes us into the poorest neighborhoods of Milwaukee to tell the story of eight families on the edge. Arleen is a single mother trying to raise her two sons on the $20 a month she has left after paying for their rundown apartment. Scott is a gentle nurse consumed by a heroin addiction. Lamar, a man with no legs and a neighborhood full of boys to look after, tries to work his way out of debt. Vanetta participates in a botched stickup after her hours are cut. All are spending almost everything they have on rent, and all have fallen behind.
The fates of these families are in the hands of two landlords: Sherrena Tarver, a former schoolteacher turned inner-city entrepreneur, and Tobin Charney, who runs one of the worst trailer parks in Milwaukee. They loathe some of their tenants and are fond of others, but as Sherrena puts it, “Love don’t pay the bills.” She moves to evict Arleen and her boys a few days before Christmas.
Even in the most desolate areas of American cities, evictions used to be rare. But today, most poor renting families are spending more than half of their income on housing, and eviction has become ordinary, especially for single mothers. In vivid, intimate prose, Desmond provides a ground-level view of one of the most urgent issues facing America today. As we see families forced into shelters, squalid apartments, or more dangerous neighborhoods, we bear witness to the human cost of America’s vast inequality—and to people’s determination and intelligence in the face of hardship.
Based on years of embedded fieldwork and painstakingly gathered data, this masterful book transforms our understanding of extreme poverty and economic exploitation while providing fresh ideas for solving a devastating, uniquely American problem. Its unforgettable scenes of hope and loss remind us of the centrality of home, without which nothing else is possible.
John Donvan, Caren Zucker
5.0
Nearly seventy-five years ago, Donald Triplett of Forest, Mississippi became the first child diagnosed with autism. Beginning with his family’s odyssey, In a Different Key tells the extraordinary story of this often misunderstood condition, and of the civil rights battles waged by the families of those who have it. Unfolding over decades, it is a beautifully rendered history of ordinary people determined to secure a place in the world for those with autism—by liberating children from dank institutions, campaigning for their right to go to school, challenging expert opinion on what it means to have autism, and persuading society to accept those who are different.
It is the story of women like Ruth Sullivan, who rebelled against a medical establishment that blamed cold and rejecting “refrigerator mothers” for causing autism; and of fathers who pushed scientists to dig harder for treatments. Many others played starring roles too: doctors like Leo Kanner, who pioneered our understanding of autism; lawyers like Tom Gilhool, who took the families’ battle for education to the courtroom; scientists who sparred over how to treat autism; and those with autism, like Temple Grandin, Alex Plank, and Ari Ne’eman, who explained their inner worlds and championed the philosophy of neurodiversity.
This is also a story of fierce controversies—from the question of whether there is truly an autism “epidemic,” and whether vaccines played a part in it; to scandals involving “facilitated communication,” one of many treatments that have proved to be blind alleys; to stark disagreements about whether scientists should pursue a cure for autism. There are dark turns too: we learn about experimenters feeding LSD to children with autism, or shocking them with electricity to change their behavior; and the authors reveal compelling evidence that Hans Asperger, discoverer of the syndrome named after him, participated in the Nazi program that consigned disabled children to death.
By turns intimate and panoramic, In a Different Key takes us on a journey from an era when families were shamed and children were condemned to institutions to one in which a cadre of people with autism push not simply for inclusion, but for a new understanding of autism: as difference rather than disability.
Микки Мачелия
0.0
Arlington National Cemetery is America's most sacred shrine, a destination for four million visitors who each year tour its grounds and honor those buried there. For many, Arlington's symbolic importance places it beyond politics. Yet as Micki McElya shows, no site in the United States plays a more political role in shaping national identity.
Arlington commemorates sacrifices made in the nation's wars and armed conflicts. Yet it has always been a place of struggle over the boundaries of citizenship and the meaning of honor and love of country. A plantation built by slave labor overlooking Washington, D.C., Arlington was occupied by Union forces early in the Civil War. A portion was designated a federal cemetery in 1864. A camp for the formerly enslaved, Freedman's Village, had already been established there in 1863, and remained for three decades.
The cemetery was seen primarily as a memorial to the white Civil War dead until its most famous monument was erected in 1921: the Tomb of the Unknown Soldier, symbolizing universal military sacrifice through the interment of a single World War I Unknown. As a century of wars abroad secured Arlington's centrality in the American imagination and more Unknowns joined the first at the tomb, inclusion within its gates became a prerequisite for broader claims to national belonging. In revealing how Arlington encompasses the most inspiring and the most shameful aspects of American history, McElya enriches the story of this landscape, demonstrating that remembering the past and reckoning with it must go hand in hand.
For a smart melding of realism and allegory that combines the violence of slavery and the drama of escape in a myth that speaks to contemporary America.