Новинки Джой Уильямс

One day, Rosa Parks got on a bus and did not give her seat to a white person. This helped to change the lives of black people in America. This is Rosa's extraordinary story.

In her first novel since The Quick and the Dead (nominated for the Pulitzer Prize), the legendary writer takes us into an uncertain landscape after an environmental apocalypse, a world in which only the man-made has value, but some still wish to salvage the authentic.

Khristen is a teenager who, her mother believes, was marked by greatness as a baby when she died for a moment and then came back to life. After Khristen's failing boarding school for gifted teens closes its doors, and she finds that her mother has disappeared, she ranges across the dead landscape and washes up at a resort on the shores of a mysterious, putrid lake the elderly residents there call Big Girl. In a rotting honeycomb of rooms, these old ones plot actions to punish corporations and people they consider culpable in the destruction of the final scraps of nature's beauty. What will Khristen and Jeffrey, the precocious ten-year-old boy she meets there, learn from this baggy seditious lot, in the worst of health but with kamikaze hearts, determined to refresh, through crackpot violence, a plundered earth? Rivetingly strange and beautiful, and delivered with Williams's searing, deadpan wit, Harrow is their intertwined tale of paradise lost and of their reasons--against all reasonableness--to try and recover something of it.

Джой Уильямс - номинант Пулитцеровской премии, виртуозный мастер слова и гений-мыслитель, чей роман "Подменыш" вышел в 1978 году и сильно опередил своё время. Перл - молодая жена и мать – теряет в авиакатастрофе мужа и остается жить с его семьей на острове. Население острова невелико: брат мужа, его странная жена, опустившийся профессор и дюжина детей. Детей ли? Как пишет переводчик книги Дмитрий Шепелев: "Это роман о любви и отчаянии, о женщинах и мужчинах, о взрослых и детях, о людях и зверях. Подобно жизни главной героини, он виртуозно избегает смысла, как птица - ловушки, он для этого слишком прекрасен, слишком чудовищен, слишком…

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing as a given from one generation to the next even in the shifting landscape of contemporary writing. At long last the incredible scope of her singular achievement is put on display: thirty-three stories drawn from three much-lauded collections, and another thirteen appearing here for the first time in book form. Forty-six stories in all, far and away the most comprehensive volume in her long career, showcasing her crisp, elegant prose, her dark wit, and her uncanny ability to illuminate our world through characters and situations that feel at once peculiar and foreign and disturbingly familiar.

Virtually all American writers have their favorite Joy Williams stories, as do many readers of all ages, and each one of them is available here.

Pulitzer Prize and National Book Award finalist Joy Williams has a one-of-a-kind gift for capturing both the absurdity and the darkness of everyday life. In "Ninety-Nine Stories of God", she takes on one of mankind's most confounding preoccupations: the Supreme Being.

This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It's the Book of Common Prayer as seen through a looking glass - a powerfully vivid collection of seemingly random life moments. The figures that haunt these stories range from Kafka (talking to a fish) to the Aztecs, Tolstoy to Abraham and Sarah, O. J. Simpson to a pack of wolves. Most of Williams' characters, however, are like the rest of us: anonymous strivers and bumblers who brush up against God in the least expected places or go searching for him when he's standing right there. The Lord shows up at a hot-dog-eating contest, a demolition derby, a formal gala, and a drugstore, where he's in line to get a shingles vaccination.

At turns comic and yearning, lyric and aphoristic, "Ninety-Nine Stories of God" serves as a pure distillation of one of our great artists.

This 30th Anniversary Edition of THE CHANGELING by Joy Williams includes a Foreword by Rick Moody. An overlooked and spectacular novel, THE CHANGELING is a visionary fairy tale, a work of mythic genius. Terrifying, poetic, revelations follow THE CHANGELING's abandoned heroine Pearl everywhere she goes, whether by air, land, or sea. Joy Williams has won the Rea Award for the Short Story, the Harold and Mildred Strauss Living Award from the American Academy of Arts & Letters, among other prizes. Her first novel, State of Grace, was a National Book Award Finalist. The 3oth Anniversary Edition seeks to reintroduce this novel to contemporary readers as one of the most original and alarming fairy-tale books ever written.

With her singular brand of gorgeous dark humor, Joy Williams explores the various ways–comic, tragic, and unnerving—we seek to accommodate diminishment and loss. A masseuse breaks her rich client's wrist bone, a friend visits at the hospital long after she is welcome, and a woman surrenders her husband to a creepily adoring student. From one of our most acclaimed writers, Honored Guest is a rich examination of our capacity for transformation and salvation.

Book DescriptionThe first collection of stories in well over a decade by a writer Ann Beattie has called “one of our most remarkable storytellers,” and whom Bret Easton Ellis has named “the rightful heir to the mastery, genius, and

Most of us watch with mild concern the fast-disappearing wild spaces or the recurrence of pollution-related crises such as oil spills, toxic blooms in fertilizer-enriched forests, and violence both home and abroad. Joy Williams does more than watch. In this collection of condemnations and love letters, revelations and cries for help, she brings to light the price of complacency with scathing wit and unexpected humor. Sounding the alarm over the disconnection from the natural world that our consumer culture has created, she takes on subjects as varied as the culling of elephants, electron-probed chimpanzees, vanishing wetlands, and the determination of American women to reproduce at any cost. Controversial, opinionated, at times exceptionally moving, Ill Nature is a clarion call for us to step out of our cars and cubicles, and do something to save our natural legacy.

From one of our most heralded writers--Joy Williams belongs, James Salter has written, "in the company of Céline, Flannery O'Connor, and Margaret Atwood"--her first novel in more than a decade: the life-and-death adventures of three misfit teenagers in the American desert.

Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents--from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum--accompanied by restless, confounded adults. A father lusts after his handsome gardener even as he's haunted (literally) by his dead wife; a heartbroken dog runs afoul of an angry neighbor; a young stroke victim drifts westward, his luck running from worse to awful; a sickly musician for whom Alice develops an attraction is drawn instead toward darker imaginings and solutions; and an aging big-game hunter finds spiritual renewal through his infatuation with an eight-year-old--the formidable Emily Bliss Pickless. With nature thoroughly routed and the ambiguities of existence on full display, life and death continue in directions both invisible and apparent. Gloriously funny and wonderfully serious, The Quick and the Dead limns the vagaries of love, the thirst for meaning, and the peculiar paths by which all creatures are led to their destiny.

A panorama of contemporary life and an endlessly surprising tour de force: penetrating and magical, ominous and comic, this is the most astonishing book yet in Joy Williams's illustrious career.

Nominated for the National Book Award in 1974, this haunting, profoundly disquieting novel manages to be at once sparse and lush, to combine Biblical simplicity with Gothic intensity and strangeness. It is the story of Kate, despised by her mother, bound to her father by ties stronger and darker than blood. It is the story of her attempted escapes−in detached sexual encounters, at a Southern college populated by spoiled and perverse beauties, and in a doomed marriage to a man who cannot understand what she is running from. Witty, erotic, searing acute, STATE OF GRACE bears the inimitable stamp of one of our fines and most provocative writers.