Новинки Валерии Луиселли

Мать, отец, сын и дочь отправляются в роуд-трип из Нью-Йорка в Аризону. Их пункт назначения — Апачерия, место, которое апачи когда-то называли домом. Но грандиозное путешествие прерывают печальные новости по радио: тысячи детей-иммигрантов потерялись в пустыне при попытке пересечь юго-западную границу США. Грядет перелом — как в стране, так и в судьбе семьи... Рассказанный несколькими голосами, сочетающий в себе слова, звуки и образы, «Архив потерянных детей» представляет собой образец литературной виртуозности. Это история о том, как мы документируем свой опыт и запоминаем то, что для нас важнее всего. Она погружает нас в жизнь одной…

In Valeria Luiselli's fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between the parents, one the children can almost feel beneath their feet. Through ephemera such as songs, maps and a Polaroid camera, the children try to make sense of both their family's crisis and the larger one engulfing the news: the stories of thousands of kids trying to cross the southwestern border into the United States but…

A family in New York packs the car and sets out on a road trip. This will be the last journey they ever take together. In Central America and Mexico, thousands of children are on a journey of their own, travelling north to the US border. Not all of them will make it there.

From the two-time NBCC Finalist, a fiercely imaginative novel about a family's summer road trip across America - a journey that, with breathtaking imagery, spare lyricism, and profound humanity, probes the nature of justice and equality in America today. A mother and father set out with their kids from New York to Arizona. In their used Volvo - and with their ten-year-old son trying out his new Polaroid camera - the family is heading for the Apacheria: the region the Apaches once called home, and where the ghosts of Geronimo and Cochise might still linger. The father, a sound documentarist, hopes to gather an "inventory of echoes" from…

A moving, eye-opening polemic about the US-Mexico border and what happens to the tens of thousands of unaccompanied Mexican and Central American children arriving in the US without papers
‘We are driving across Oklahoma in early June when we first hear about the waves of children arriving, alone and undocumented, from Mexico and Central America. Tens of thousands have been detained at the border. What will happen to them? Where are the parents? And why have they undertaken a terrifying, life-threatening journey to enter the United States?’
Valeria Luiselli works as a volunteer at the federal immigration court in New York City, translating for unaccompanied migrant children. Out of her work has come this book – a search for answers and an urgent appeal for humanity and compassion in response to mass migration, the most significant global phenomenon of our time.

Structured around the forty questions Luiselli translates and asks undocumented Latin-American children facing deportation, Tell Me How It Ends (an expansion of her 2016 Freeman's essay of the same name) humanizes these young migrants and highlights the contradiction of the idea of America as a fiction for immigrants with the reality of racism and fear both here and back home."

Valeria Luiselli's "Faces in the Crowd" won the 2014 Los Angeles Times Art Seidenbaum First Fiction Award and was a National Book Foundation's 5 Under 35 and Indies Next Pick.

Highway is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the "notorious infamous" like Plato, Petrarch, and Virginia Woolf. Written in collaboration with the workers at a Jumex juice factory, "Teeth" is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli's own literary influences.

Valeria Luiselli was born in Mexico City in 1983 and grew up in South Africa. Her work has been translated into many languages and has appeared in publications including the "New York Times", "Granta", and "McSweeney's".

"Valeria Luiselli is a writer of formidable talent, destined to be an important voice in Latin American letters. Her vision and language are precise, and the power of her intellect is in evidence on every page."—Daniel Alarcón

"I'm completely captivated by the beauty of the paragraphs, the elegance of the prose, the joy in the written word, and the literary sense of this author."—Enrique Vilas-Matas

Valeria Luiselli is an evening cyclist; a literary tourist in Venice, searching for Joseph Brodsky's tomb; an excavator of her own artifacts, unpacking from a move. In essays that are as companionable as they are ambitious, she uses the city to exercise a roving, meandering intelligence, seeking out the questions embedded in our human landscapes.

Valeria Luiselli was born in Mexico City in 1983 and grew up in South Africa. Her novel and essays have been translated into many languages and her work has appeared in publications including the New York Times, Granta, and McSweeney's. Some of her recent projects include a ballet performed by the New York City Ballet in Lincoln Center; a pedestrian sound installation for the Serpentine Gallery in London; and a novella in installments for workers in a juice factory in Mexico. She lives in New York City.

In Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls his friendship with Lorca, and the young woman he saw in the windows of passing trains. Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction.