Дэвид Шилдс — новинки

Дж. Д. Сэлинджер, автор гениального романа "Над пропастью во ржи", более полувека был одной из самых загадочных фигур мировой литературы. Все попытки выяснить истинную причину его исчезновения из публичной жизни в зените славы терпели неудачи.
В результате десятилетнего расследования, занявшего еще три года после смерти самого Сэлинджера, Дэвид Шилдс и Шейн Салерно скрупулезно проследили не только жизненный путь писателя, но и его внутренний, духовный путь.
Пытаясь разгадать тайну Сэлинджера, они потратили более1 миллиона долларов, провели более 200 интервью с людьми на пяти континентах, изучили дневники, свидетельские показания, данные в судах, и документы из частных архивов, добыли редчайшие, ранее никогда не публиковавшиеся фото.
Искренность и глубина проникновения в личность Сэлинджера позволила Шилдсу и Салерно точно и полно передать личные взгляды гения на любовь, литературу, славу, религию, войну и смерть.
Эта книга - это, фактически, автопортрет писателя, который он сам так никогда и не решился показать публике.

Based on eight years of exhaustive research and exclusive interviews with more than 200 people—and published in coordination with the international theatrical release of a major documentary film from the Weinstein Company—Salinger is a global cultural event: the definitive biography of one of the most beloved and mysterious figures of the twentieth century.
For more than fifty years, the ever elusive author of The Catcher in the Rye has been the subject of a relentless stream of newspaper and magazine articles as well as several biographies. Yet all of these attempts have been hampered by a fundamental lack of access and by the persistent recycling of inaccurate information. Salinger remains, astonishingly, an enigma. The complex and contradictory human being behind the myth has never been revealed.

No longer.

In the eight years since Salinger was begun, and especially in the three years since Salinger’s death, the authors interviewed on five continents more than 200 people, many of whom had previously refused to go on the record about their relationship with Salinger. This oral biography offers direct eyewitness accounts from Salinger’s World War II brothers-in-arms, his family members, his close friends, his lovers, his classmates, his neighbors, his editors, his publishers, his New Yorker colleagues, and people with whom he had relationships that were secret even to his own family. Shields and Salerno illuminate most brightly the last fifty-six years of Salinger’s life: a period that, until now, had remained completely dark to biographers. Provided unprecedented access to never-before-published photographs (more than 100 throughout the book), diaries, letters, legal records, and secret documents, readers will feel they have, for the first time, gotten beyond Salinger’s meticulously built-up wall. The result is the definitive portrait of one of the most fascinating figures of the twentieth century.

Based on eight years of exhaustive research and exclusive interviews with more than 200 people-and published in coordination with the international theatrical release of a major documentary film from the Weinstein Company-The Private War of J.D. Salinger is a global cultural event: the definitive biography of one of the most beloved and mysterious figures of the twentieth century. For more than fifty years, the ever elusive author of The Catcher in the Rye has been the subject of a relentless stream of newspaper and magazine articles as well as several biographies. Yet all of these attempts have been hampered by a fundamental lack of access and by the persistent recycling of inaccurate information. Salinger remains, astonishingly, an enigma. The complex and contradictory human being behind the myth has never been revealed. No longer. In the eight years since The Private War of J.D. Salinger was begun, and especially in the three years since Salinger's death, the authors interviewed on five continents more than 200 people, many of whom had previously refused to go on the record about their relationship with Salinger. This oral biography offers direct eyewitness accounts from Salinger's World War II brothers-in-arms, his family members, his close friends, his lovers, his classmates, his neighbors, his editors, his publishers, his New Yorker colleagues, and people with whom he had relationships that were secret even to his own family. Shields and Salerno illuminate most brightly the last fifty-six years of Salinger's life: a period that, until now, had remained completely dark to biographers. Provided unprecedented access to never-before-published photographs (more than 100 throughout the book), diaries, letters, legal records, and secret documents, readers will feel they have, for the first time, gotten beyond Salinger's meticulously built-up wall. The result is the definitive portrait of one of the most fascinating figures of the twentieth century.

Reality Hunger questions every assumption we ever made about art, the novel, journalism, poetry, film, TV, rap, stand-up, graffiti, sampling, plagiarism, writing, and reading. In seeking to tear up the old culture in search of something new and more authentic, it is the most vital book of the new century.

An open call for new literary and other art forms to match the complexities of the twenty-first century. Reality TV dominates broadband. YouTube and Facebook dominate the web. In Reality Hunger: A Manifesto, his landmark new book, David Shields (author of the New York Times best seller The Thing About Life Is That One Day You’ll Be Dead) argues that our culture is obsessed with “reality” precisely because we experience hardly any. Most artistic movements are attempts to figure out a way to smuggle more of what the artist thinks is reality into the work of art. So, too, every artistic movement or moment needs a credo, from Horace’s Ars…

The National Basketball Association is a place where, without ever acknowledging it, white fans and black players enact and quietly explode virtually every racial issue and tension in the culture at large. In Black Planet, David Shields explores how, in a predominantly black sport, white fans--including especially himself--think about and talk about black heroes, black scapegoats, black bodies.

During the 1994-95 NBA season, Shields went to the Seattle SuperSonics' home games; watched their away games on TV; listened to interviews and call-in shows; talked, or tried to talk, to players, coaches, and agents; attended charity events; corresponded with members of the Sonics newsgroup on the Web. He kept a journal and over the next few years transformed that journal into this book, which is focused sharply on white spectators' relationship to black athletes, in particular Shields' own identification with Gary Payton, the team's language-besotted point-guard.

Through the apparently simple vehicle of a daily diary running from November 5, 1994 to May 5, 1995, and ranging from a dispute between two fans over the sale of a ticket to the national media frenzy surrounding Charles Barkley's jest "That's why I hate white people," David Shields confronts the nature of racism (including his own)--the otherness in ourselves that we project onto strangers. He takes us via sports passion deep into the American racial divide.


From the Hardcover edition.