Новинки Хироми Каваками

Они заключили негласный договор о разделении одиночества…

Чарующая история о современной Японии и старомодной романтике. Книга переведена на 14 языков!

Цукико ведет уединенный образ жизни. По ее мнению, она не создана для любви и привыкла коротать одинокие вечера в баре, где однажды случайно встречает своего школьного учителя.

Он тоже живет один в слегка заброшенной квартире, где собирает странные предметы.

Учитель и Цукико заключают между собой негласный договор о разделении одиночества. Они выбирают одну и ту же еду, ищут общества друг друга, и им трудно расстаться, хотя иногда они пытаются убежать: учитель – в воспоминания о бросившей его жене; Цукико – о бывшем однокласснике.

По мере того, как Цукико и учитель сближаются, течение жизни отмечается нежными намеками на смену времен года: от согревающих до освежающих напитков, от распускания почек на деревьях до цветения сакуры…

Это трогательная, забавная и захватывающая история о современной Японии и старомодной романтике.

Цукико ведет уединенный образ жизни. По ее мнению, она не создана для любви и привыкла коротать одинокие вечера в баре, где однажды случайно встречает своего школьного учителя. Он тоже живет один в слегка заброшенной квартире, где собирает странные предметы. Учитель и Цукико заключают между собой негласный договор о разделении одиночества. Они выбирают одну и ту же еду, ищут общества друг друга, и им трудно расстаться, хотя иногда они пытаются убежать: учитель — в воспоминания о бросившей его жене; Цукико — о бывшем однокласснике. По мере того, как Цукико и учитель сближаются, течение жизни отмечается нежными намеками на смену…

Состоящая из коротких, связанных друг с другом, 26 сюрреалистичных историй книга, в которой повествуется о жителях одного района в пригороде Токио, где творятся какие-то странные дела.

В первой истории рассказчица по пути домой обнаруживает спрятавшегося под деревом угрюмого ребенка. Дитя поселяется у нее в квартире и живет там тридцать лет, не взрослея и не меняясь.

Дальше следуют другие сюжеты — о доме, наделяющем жильцов разными свойствами (от быстрорастущих бород до способности слышать мертвых); о старике с двумя тенями; о мужчине, который разводил птиц, а теперь рискует попасть в куриный ад; о таксисте, устраивающем экскурсию для трех привидений.

Неизменно одно — в каждом рассказе обыденное тесно переплетается с фантастическим, что в сумме складывается в почти сказочное, но довольно тревожное повествование.

Каждая новелла, по сути, воплощает то или иное воспоминание, в основном из школьного прошлого главной героини, имя, возраст и характер которой остаются неизвестными. Показанные через призму детского мышления, это живые и интересные портреты людей, обитающих по соседству.

В сборнике активно используется такой стилистический прием, как ономатопея. Всякий очерк начинается с загадочной фразы, смысл которой становится понятен ближе к концу повествования.

A bossy child who lives under a white cloth near a tree; a schoolgirl who keeps doll's brains in a desk drawer; an old man with two shadows, one docile and one rebellious; a diplomat no one has ever seen who goes fishing at an artificial lake no one has ever heard of. These are some of the inhabitants of People from My Neighborhood.

In their lives, details of the local and everyday—the lunch menu at a tiny drinking place called the Love, the color and shape of the roof of the tax office—slip into accounts of duels, prophetic dreams, revolutions, and visitations from ghosts and gods. In twenty-six "palm of the hand" stories—fictions small enough to fit in the palm of one's hand and brief enough to allow for dipping in and out—Hiromi Kawakami creates a universe ruled by mystery and transformation.

Take a story and shrink it. Make it tiny, so small it can fit in the palm of your hand. Carry the story with you everywhere, let it sit with you while you eat, let it watch you while you sleep. Keep it safe, you never know when you might need it. In Kawakami's super short 'palm of the hand' stories the world is never quite as it should be: a small child lives under a sheet near his neighbour's house for thirty years; an apartment block leaves its visitors with strange afflictions, from fast-growing beards to an ability to channel the voices of the dead; an old man has two shadows, one docile, the other rebellious; two girls named Yoko are locked in a bitter rivalry to the death. Small but great, you'll find great delight spending time with the people in this neighbourhood.

A brief, disquieting companion to the bestselling Strange Weather in Tokyo, set during a summer afternoon and featuring a mischievous pair of creatures called tengu.

On a summer afternoon, Tsukiko and her former high school teacher have prepared and eaten somen noodles together.

“Tell me a story from long ago,” Sensei says.

“I wasn’t alive long ago,” Tsukiko says, “but should I tell you a story from when I was little?”

“Please do,” Sensei replies, and so Tsukiko tells him that, when she was a child, she awakened one day to find something with a pale red face and something with a dark red face in her room, arguing with each other. They had human bodies, long noses, and wings. They were tengu, creatures that appear in Japanese folktales.

The tengu attach themselves to Tsukiko and begin to follow her everywhere. Where did they come from and why are they here? And what other invisible and unacknowledged forces are acting upon Tsukiko’s seemingly peaceful world?

Over the course of his life, Mr Nishino falls hopelessly in love again and again. One woman is a colleague, another a chance encounter; one is the girlfriend of a classmate, another the best friend of Nishino's latest conquest. Some are entranced by Nishino, others care more for their freedom, their children (or their cats).
As we come to learn of the torments, desires and delights of each woman, a portrait emerges of a complicated ma

The Akutagawa Prize-winning stories from one of the most highly regarded and provocative contemporary Japanese writers

'The nightingale sang again. The plates on the table gleamed, and the food, in all its ceaseless variety, breathed, glossy and bright. The night had only just begun.'

In these three haunting and lyrical stories, three young women experience unsettling loss and romance.

In a dreamlike adventure, one woman travels through an apparently unending night with a porcelain girlfriend, mist-monsters and villainous monkeys; a sister mourns her invisible brother whom only she can still see, while the rest of her family welcome his would-be wife into their home; and an accident with a snake leads a shop girl to discover the snake-families everyone else seems to be concealing.

Sensual, yearning, and filled with the tricks of memory and grief, Record of a Night Too Brief is an atmospheric trio of unforgettable tales.

Among the jumble of paperweights, plates, typewriters and general bric-a-brac in Mr Nakano's thrift store, there are treasures to be found. Each piece carries its own story of love and loss - or so it seems to Hitomi, when she takes a job there working behind the till. Nor are her fellow employees any less curious or weatherworn than the items they sell. There's the store's owner, Mr Nakano, an enigmatic ladies' man with several ex-wives; Sakiko, his sensuous, unreadable lover; his sister, Masayo, an artist whose free-spirited creations mask hidden sorrows. And finally there's Hitomi's fellow employee, Takeo, whose abrupt and taciturn manner Hitomi finds, to her consternation, increasingly disarming. A beguiling story of love found amid odds and ends, The Nakano Thrift Shop is a heart-warming and utterly charming novel from one of Japan's most celebrated contemporary novelists.

Featuring a delightfully offbeat cast of characters, The Nakano Thrift Shop is
a generous-hearted portrayal of human relationships by one of Japan's most beloved authors.
Objects for sale at the Nakano Thrift Shop appear as commonplace as the staff and customers that handle them. But like those same customers and staff, they hold many secrets. If examined carefully, they show the signs of innumerable extravagancies, of immeasurable pleasure and pain, and of the deep mysteries of the human heart.
Hitomi, the inexperienced young woman who works the register at Mr. Nakano's thrift shop, has fallen for her coworker, the oddly reserved Takeo.
Unsure of how to attract his attention, she seeks advice from her employer's sister, Masayo, whose sentimental entanglements make her a somewhat unconventional guide. But thanks in part to Masayo, Hitomi will come to realize that love, desire, and intimacy require acceptance not only of idiosyncrasies but also of the delicate waltz between open and hidden secrets.
Animating each delicately rendered chapter in Kawakami's playful novel is Mr. Nakano himself, an original, entertaining, and enigmatic creation whose compulsive mannerisms, secretive love life, and impulsive behavior defy all expectations.

When Hitomi takes a job on the cash register of a neighbourhood thrift store, she finds herself drawn into a very idiosyncratic community. There is Mr Nakano, an enigmatic ladies' man with several ex-wives; Masayo, Mr Nakano's sister, an artist who has never married; and her fellow employee Takeo, a shy but charming young man. And every day, customers from the neighbourhood pass in and out as curios are bought and sold, each one containing its own surprising story. When Hitomi and Takeo begin to fall for one another, they find themselves in the centre of their own drama - and on the edges of many others.

A tender and affecting exploration of the mystery that lurks in the ordinary, this novel traces the seemingly imperceptible threads that weave together a community, and the knots that bind us to one another.

少女の想像の中の奇妙なセックス、女の自由をいまも奪う幻の手首の紐、母の乳房から情欲を吸いだす貪欲な嬰児と、はるか千年を越えて女を口説く男たち。やがて洪水は現実から非現実へとあふれだし、「それ」を宿す人々を呑み込んでいく……。水／土／空気／火の四つの元素、そして世界の名をもつ魅惑的な物語がときはなつ生命の迸りと、愛し、産み、老いていく女たちの愛おしい人生。

A shape-shifter arrives at Tokyo harbour in human form, set to embark on an unstoppable rampage through the city’s train network…

A young woman is accompanied home one night by a reclusive student, and finds herself lured into a flat full of eerie Egyptian artefacts…

A man suspects his young wife’s obsession with picnicking every
weekend in the city’s parks hides a darker motive…

At first, Tokyo appears in these stories as it does to many outsiders: a city of bewildering scale, awe-inspiring modernity, peculiar rules, unknowable secrets and, to some extent, danger. Characters observe their fellow citizens from afar, hesitant to stray from their daily routines to engage with them. But Tokyo being the city it is, random encounters inevitably take place – a naïve book collector, mistaken for a French speaker, is drawn into a world he never knew existed; a woman seeking psychiatric help finds herself in a taxi with an older man wanting to share his own peculiar revelations; a depressed divorcee accepts an unexpected lunch invitation to try Thai food for the very first time… The result in each story is a small but crucial change in perspective, a sampling of the unexpected yet simple pleasure of other people’s company. As one character puts it, ‘The world is full of delicious things, you know.’

セックスと性欲のふしぎを描くみずみずしく荒々しい作品集。性と生をめぐる全5篇。

Tsukiko is drinking alone in her local sake bar when by chance she meets one of her old high school teachers and, unable to recall his name, she falls back into her old habit of calling him 'Sensei'. After this first encounter, Tsukiko ans Sensei continue to meet. Together they share edamame beans, bottles of cold beer, and a trip to the mountains to eat wild mushrooms. As their relationship deepens, Tsukiko comes to realise that the solace she has found with Sensei might be something more. An immaculate tale of modern Tokyo and old-fashioned romance from one of Japan's most respected literary writers, this is a heartbreaking,…

Tsukiko is in her late 30s and living alone when one night she happens to meet one of her former high school teachers, 'Sensei', in a bar. He is at least thirty years her senior, retired and, she presumes, a widower. After this initial encounter, the pair continue to meet occasionally to share food and drink sake, and as the seasons pass - from spring cherry blossom to autumnal mushrooms - Tsukiko and Sensei come to develop a hesitant intimacy which tilts awkwardly and poignantly into love. Perfectly constructed, funny, and moving, Strange Weather in Tokyo is a tale of modern Japan and old-fashioned romance.

Tsukiko, thirty-eight, works in an office and lives alone. One night, she happens to meet one of her former high school teachers, "Sensei" in a local bar. Tsukiko had only ever called him "Sensei" ("Teacher"). He is thirty years her senior, retired, and presumably a widower. Their relationship, traced by Kawakami’s gentle hints at the changing seasons, develops from a perfunctory acknowledgment of each other as they eat and drink alone at the bar, to an enjoyable sense of companionship, and finally into a deeply sentimental love affair.

As Tsukiko and Sensei grow to know and love one another, time’s passing comes across through the seasons and the food and beverages they consume together. From warm sake to chilled beer, from the buds on the trees to the blooming of the cherry blossoms, the reader is enveloped by a keen sense of pathos and both characters’ keen loneliness.

Есть на земле таинственные места силы, где граница между миром живых и миром мертвых прозрачная и зыбкая. Морской курорт Манадзуру именно такое место. Здесь можно встретиться с пропавшим много лет назад мужем, здесь приходится вспоминать о себе много такого, что хотелось бы забыть навсегда, здесь, наконец, можно обнаружить в себе силы сделать выбор и жить дальше. Но для этого нужно пройти испытание...

Eine selbstbewusste Frau, ein weiser, alter Mann, reichlich Sake, ein wenig Walfischspeck und immer wieder Lotuswurzel: Zutaten dieser frühlingshaft zarten und faszinierend fremden Liebesgeschichte aus Japan. Eines Abends begegnet die 37-jährige Tsukiko in einer Kneipe ihrem weit älteren ehemaligen Japanischlehrer. Beide leben allein, jeder sucht die Nähe des anderen und bleibt doch respektvoll auf Distanz. Selten wurde so subtil und zugleich eindringlich beschrieben, wie sich zwei Menschen ganz allmählich näherkommen.

»Kawakami erzählt von einer Liebe, die beinahe so kompliziert ist wie die japanische Küche.« Ulrich Baron in der ›SZ‹