Donald Wigal – лучшие книги

While the 20th century was one long war for control of the world's oil supplies, opium was a key strategic raw material during the four preceding centuries. Opium consumption dates back to Ancient Egypt. Initially a useful pharmaceutical product called laudanum; it quickly became popular in Britain. It then became the basis for trade with isolationist China as soon as the Opium Wars obtained trading rights for Western companies and the Chinese began smoking it in industrial quantities. This book offers a tastefully illustrated history of this toxic substance, its paraphernalia, and the era surrounding it.

From the cave paintings of Lascaux, to the Madonnas of the Renaissance Italians, from the revolutionary Impressionists to the provocative canvases of the Pop Art movement—30 Millennia of Painting reunites the essential works of pictorial art, spanning the history of art from prehistory to the present. Featuring a thousand internationally recognizable paintings, these cultural treasures are presented in historical context, along with extended captions and biographies of one hundred of the most influential artists. An artistic, cultural, and educational resource, this book invites us to consider the interaction between history and art, and the influence artists through the ages have had on each other, as well as the future of the discipline. A veritable voyage through time and space, art and history, this guide offers a global vision of the evolution of painting.

Paul Klee is one of those artists you can hardly classify in one movement of art history. Close to Wassily Kandinsky and Franz Marc, he was an important member of Der Blaue Reiter, an expressionist group of painters. Later, went on to be involved in the Bauhaus and even gave painting lessons in Dessau’s school. According to him, art had nothing to do with production, but was all about making things clearly visible. In his paintings, Klee’s subtlety combined the tendencies of the beginning of the 20th century. To German Expressionism, he injected elements of Cubism and Orphism, sprinkling his works with a surrealistic and melancholic poetry. The author leads us through the marvels of Klee’s world where each brush stroke echoes the power of colors.

Born in 1912, in a small town in Wyoming, Jackson Pollock embodied the American dream as the country found itself confronted with the realities of a modern era replacing the fading nineteenth century. Pollock left home in search of fame and fortune in New York City. Thanks to the Federal Art Project he quickly won acclaim, and after the Second World War became the biggest art celebrity in America. For De Kooning, Pollock was the “icebreaker”. For Max Ernst and Masson, Pollock was a fellow member of the European Surrealist movement. And for Motherwell, Pollock was a legitimate candidate for the status of the Master of the American School. During the many upheavals in his life in Nez York in the 1950s and 60s, Pollock lost his bearings – success had simply come too fast and too easily. It was during this period that he turned to alcohol and disintegrated his marriage to Lee Krasner. His life ended like that of 50s film icon James Dean behind the wheel of his Oldsmobile, after a night of drinking.