Новинки Деб Олин Анферт

Это невероятная история о людях и курах. Джейни и Кливленд, работающие инспекторами птицефабрик, решают, что куры, содержащиеся в жутких условиях, заслуживают свободы. Ради спасения птиц разворачивается тайная кампания, в которой участвуют сотни энтузиастов — защитников прав животных. Но, увы, благие намерения, как это часто бывает, приводят к череде катастроф.

Two auditors for the U.S. egg industry go rogue and conceive a plot to steal a million chickens in the middle of the night―an entire egg farm’s worth of animals. Janey and Cleveland―a spirited former runaway and the officious head of audits―assemble a precarious, quarrelsome team and descend on the farm on a dark spring evening. A series of catastrophes ensues. Deb Olin Unferth’s wildly inventive novel is a heist story of a very unusual sort. Swirling with a rich array of voices, Barn 8 takes readers into the minds of these renegades: a farmer’s daughter, a former director of undercover investigations, hundreds of activists, a forest…

When Daphne loses custody of her son, she is willing to do whatever it takes to get him back--even if it means enlisting the help of the wayward love of her life, a trio of housepainters, a flock of passenger pigeons, a landlady from hell, a super-sized bag of mite-killing powder, and more parrots than she knows what to do with.

I, Parrot, by acclaimed author Deb Olin Unferth with stunning illustrations by artist Elizabeth Haidle, dips into the surreal with poignancy and humor. In this riveting, funny, and tragic graphic novel, Daphne must risk everything. Her quest is ultimately a tale about civilization's decline, the heartbreak of extinction, and the redemption found in individual revolution.

For more than ten years, Deb Olin Unferth has been publishing startlingly askew, wickedly comic, cutting-edge fiction in magazines such as Granta, Harper’s Magazine, McSweeney’s, NOON, and The Paris Review. Her stories are revered by some of the best American writers of our day, but until now there has been no stand-alone collection of her short fiction.

Wait Till You See Me Dance consists of several extraordinary longer stories as well as a selection of intoxicating very short stories. In the chilling “The First Full Thought of Her Life,” a shooter gets in position while a young girl climbs a sand dune. In “Voltaire Night,” students compete to tell a story about the worst thing that ever happened to them. In “Stay Where You Are,” two oblivious travelers in Central America are kidnapped by a gunman they assume to be an insurgent—but the gunman has his own problems.

An Unferth story lures you in with a voice that seems amiable and lighthearted, but it swerves in sudden and surprising ways that reveal, in terrifying clarity, the rage, despair, and profound mournfulness that have taken up residence at the heart of the American dream. These stories often take place in an exaggerated or heightened reality, a quality that is reminiscent of the work of Donald Barthelme, Lorrie Moore, and George Saunders, but in Unferth’s unforgettable collection she carves out territory that is entirely her own.

Rising literary star Deb Olin Unferth offers a new twist on the coming-of-age memoir in this utterly unique and captivating story of the year she ran away from college with her Christian boyfriend and followed him to Nicaragua to join the Sandinistas.

Despite their earnest commitment to a myriad of revolutionary causes and to each other, the couple find themselves unwanted, unhelpful, and unprepared as they bop around Central America, looking for "revolution jobs." The year is 1987, a turning point in the Cold War. The East-West balance has begun to tip, although the world doesn't know it yet, especially not Unferth and her fiancé (he proposes on a roadside in El Salvador). The months wear on and cracks begin to form in their relationship: they get fired, they get sick, they run out of money, they grow disillusioned with the revolution and each other. But years later the trip remains fixed in her mind and she finally goes back to Nicaragua to try to make sense of it all. Unferth's heartbreaking and hilarious memoir perfectly captures the youthful search for meaning, and is an absorbing rumination on what happens to a country and its people after the revolution is over.

A man follows his wife. The wife follows a stranger. The stranger leaves town and the man goes after him, determined to settle the score. But the man is not the only one looking for the stranger, and the stranger has troubles of his own. Amid all this, the earth quakes, a boy leaps out a window, and a dolphin swims free. Of course people have adventures of this kind —of course! of course!— but we’ve never heard of it before. With deadpan humor and skewed wordplay, Deb Olin Unferth weaves a mystery of hope and heartbreak.