Новинки Джесмин Уорд

В этой истории три рассказчика. Леони, далеко не идеальная мать двоих детей, в вечном конфликте с собой и с окружающими. Ее тринадцатилетний сын Джоджо, который куда больше, чем Леони, заботится о своей пятилетней сестренке, учится у деда тому, что значит быть мужчиной. И еще один рассказчик — это погибший в тюрьме Парчман мальчик Ричи, ровесник Джоджо. Леони с детьми отправляется в ту самую тюрьму, забирать их только что освобожденного отца, Майкла. В пути по Миссисипи и сами герои, и читатели узнают многое и о тайнах семьи, и о тяготах жизни на американском Юге.

From Jesmyn Ward—the two-time National Book Award winner, youngest winner of the Library of Congress Prize for Fiction, and MacArthur Fellow—comes a haunting masterpiece, sure to be an instant classic, about an enslaved girl in the years before the Civil War.

“‘Let us descend,’ the poet now began, ‘and enter this blind world.’” — Inferno, Dante Alighieri

Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.

Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.

From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet, a masterwork for the ages.

Hurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family. Esch and her three brothers are stockpiling food, but there isn't much to save. Lately, Esch can't keep down what food she gets; at fifteen, she has just realized that she's pregnant. Her brother Skeetah is sneaking scraps for his prized pit bull's new litter, dying one by one. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the…

A collection of the year's best stories selected by celebrated two-time National Book Award winner Jesmyn Ward.

In her introduction to The Best American Short Stories 2021, guest editor JesmynWard says that the best fiction offers the reader a sense of repair.The stories in this year's collection accomplish just that, immersing the reader in powerfully imagined worlds and allowing them to bring some of that power into their own lives. From a stirring portrait of Rodney King's final days to a surreal video game set in the Middle East, with real consequences, to an indigenous boy's gripping escape from his captors, this collection renders profoundly empathetic depictions of the variety of human experience. These stories are poignant reminders of the possibilities of fiction: as you sink into world after world, become character after character, as Ward writes, youforget yourself, and then, upon surfacing, know yourself and others anew.

As an adult, I learned this: persist. Work hard.
Face rejection, weather the setbacks, until you meet the gatekeeper who will open a door for you.
Jesmyn Ward grew up in a poor, rural community in Mississippi. Today, as the first woman to win the National Book Award twice, she is celebrated as one of America's greatest living writers.
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Trzynastoletni Jojo na swój sposób próbuje zrozumieć, co znaczy być dobrym człowiekiem. Stopniowo poznaje świat, czepiąc zarówno z bliskich mu wzorców, rodzinnych opowieści oraz legend.
Splot wydarzeń zabierze go w podróż do więzienia stanowego Parchman w mrocznym sercu Missisipi, gdzie natrafi na pewnego udręczonego chłopca, który nosi w sobie całe zło amerykańskiego Południa. On również nauczy Jojo czegoś na temat człowieczeństwa, a także dziedzictwa, przemocy i miłości.

The heart of Jesmyn Ward’s Sing, Unburied, Sing is story—the yearning for a narrative to help us understand ourselves, the pain of the gaps we’ll never fill, the truths that are failed by words and must be translated through ritual and song...Ward’s writing throbs with life, grief, and love, and this book is the kind that makes you ache to return to it.” —Buzzfeed In Jesmyn Ward’s first novel since her National Book Award–winning Salvage the Bones, this singular American writer brings the archetypal road novel into rural twenty-first-century America. An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied,…

In Jesmyn Ward's first novel since her National Book Award winning Salvage the Bones, this singular American writer brings the archetypal road novel into rural twenty-first-century America. Drawing on Morrison and Faulkner, The Odyssey and the Old Testament, Ward gives us an epochal story, a journey through Mississippi's past and present that is both an intimate portrait of a family and an epic tale of hope and struggle. Ward is a major American writer, multiply awarded and universally lauded, and in Sing, Unburied, Sing she is at the height of her powers. Jojo and his toddler sister, Kayla, live with their grandparents, Mam and Pop, and…

National Book Award winner Jesmyn Ward takes James Baldwin’s 1963 examination of race in America, The Fire Next Time, as a jumping off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time.

In light of recent tragedies and widespread protests across the nation, The Progressive magazine republished one of its most famous pieces: James Baldwin’s 1962 “Letter to My Nephew,” which was later published in his landmark book, The Fire Next Time. Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: “You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon.”

Award-winning author Jesmyn Ward knows that Baldwin’s words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. And she has turned to some of her generation’s most original thinkers and writers to give voice to their concerns.

The Fire This Time is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume.

In the fifty-odd years since Baldwin’s essay was published, entire generations have dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a “post-racial” society is an inaccurate and harmful reflection of a truth the country must confront. Baldwin’s “fire next time” is now upon us, and it needs to be talked about.

Contributors include Carol Anderson, Jericho Brown, Garnette Cadogan, Edwidge Danticat, Rachel Kaadzi Ghansah, Mitchell S. Jackson, Honoree Jeffers, Kima Jones, Kiese Laymon, Daniel Jose Older, Emily Raboteau, Claudia Rankine, Clint Smith, Natasha Trethewey, Wendy S. Walters, Isabel Wilkerson, and Kevin Young.

Ein Südstaatenroman aus der Hand einer jungen afro-amerikanischen Autorin, das verspricht Neuland. Jesmyn Ward legt die Selbsterzählung einer schwangeren Fünfzehnjährigen mit Namen Esch vor, die ihr Gefühlschaos mit der Lektüre griechischer Mythen zu ordnen sucht. Ein schwarzes Mädchen in einer desolaten Familie, angesiedelt am Stadtrand irgendwo am Mississippi-Delta, ist sie im auftretenden Figurenkanon eine der schwächsten Personen. Als Ich-Erzählerin aber hat sie alle Fäden in der Hand, und die sind zahlreich und überraschen durch eine originelle poetologische Textur. Da gibt es ihre eigene erotische Liebesgeschichte, erzählerisch enggeführt mit der im Wortsinn verrückten Hundeliebe ihres Bruders. Es gibt die sozialrealistische Familiengeschichte als ökonomisches und moralisches Überlebensthema, es gibt ökopoetische Naturmeditationen sowie einen romantischen Hauch griechischer Mythologie. Und am dramatisch-düsteren Horizont droht der Jahrhundertorkan Katrina. In zwölf Kapiteln erzählt Esch mit unermüdlicher Ausdruckskraft die zwölf Tage vor dem Sturm, ein Südstaatenalltag mit naturgewaltigem Finale.

A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down Bois Sauvage, Mississippi, 2005. Esch a quatorze ans, un père désabusé et une fratrie bancale : Randall qui rêve d'échappée, Skeet et son pitbull, Junior, en mal de tendresse. Grandie trop vite sur une terre oubliée, enceinte, elle l'ignore mais dans dix jours, une tornade va frapper la Louisiane. C'est Katrina, la mère de tous les ouragans, qui telle Médée est venue semer la désolation...

Ode sublime à l'amour, à la nature et à la rédemption, Bois sauvage est un roman envoûtant, aux accents faulknériens, porté par un lyrisme sensuel et une grâce insensée.

In five years, Jesmyn Ward lost five young men in her life—to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write about the experience of living through all the dying, she realized the truth—and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own.

A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. While brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that comprise the novel's…

Set in a rural town on the Mississippi Gulf Coast, Where the Line Bleeds tells the story of fraternal twins Joshua and Christophe, who are graduating high school as the novel begins. The two boys both anticipate and dread their lives as adults. Joshua finds a job working as a dock laborer on the Gulf of Mexico, but Christophe has less luck: Unable to find a job, and desperate to alleviate his family’s poverty, he starts to sell drugs. Joshua does not approve, but his clumsy concern fractures the twins’ relationship. When their long-missing addict father reappears, he provokes a shocking confrontation between himself and the brothers—one that will ultimately damn or save them.

Where the Line Bleeds is unforgettable for the intense clarity of how the main relationships are rendered: the love but growing tension between the twins; their devotion to the slowly failing grandmother to raised them, and the sense of obligation they feel toward her; and most of all, the alternating pain, bewilderment, anger, and yearning they feel for the parents who abandoned them—their mother for a new life in the big city of Atlanta, and their father for drugs, prison, and even harsher debasements.

Jesmyn Ward herself grew up in a small Mississippi town near New Orleans, and this book makes palpable her deep knowledge and love of this world: black, Creole, poor, drug-riddled, yet shored by strong family ties and a sense of community that balances hope and fatalism, grief and triumph. Hers is an important new voice in American fiction, distinguished by its simple, patient, and utterly focused attentiveness to the physical details of her characters and their lives.