Том Рэкман – лучшие книги

1950 году в Риме появляется газета, плод страсти и фантазии одного мультимиллионера. Более полувека она удивляет и развлекает читателей со всех уголков света. Но вот начинается эпоха интернета, тираж газеты стремительно падает, у нее до сих пор нет собственного сайта, будущее выглядит мрачным. Однако сотрудники издания, кажется, этого не замечают. Автор некрологов имитирует страшную занятость, чтобы не работать. Главный редактор обдумывает, не возобновить ли ей роман с давним любовником. Престарелая читательница озабочена тем, чтобы прочесть все старые номера газеты, и тем самым становится пленницей прошлого. А издателя, похоже, гораздо…

Rome, 1955

The artists are gathering together for a photograph. In one of Rome's historic villas, a party is bright with near-genius, shaded by the socialite patrons of their art. Bear Bavinsky, creator of vast, masculine, meaty canvases, is their god. Larger than life, muscular in both figure and opinion, he blazes at art criticism and burns half his paintings. He is at the centre of the picture. His wife, Natalie, edges out of the shot.

From the side of the room watches little Pinch - their son. At five years old he loves Bear almost as much as he fears him. After Bear abandons their family, Pinch will still worship him, striving to live up to the Bavinsky name; while Natalie, a ceramicist, cannot hope to be more than a forgotten muse. Trying to burn brightly under his father's shadow - one of the twentieth century's fiercest and most controversial painters - Pinch's attempts flicker and die. Yet by the end of a career of twists and compromises, Pinch will enact an unexpected rebellion that will leave forever his mark upon the Bear Bavinsky legacy.

What makes an artist? In The Italian Teacher, Tom Rachman displays a nuanced understanding of twentieth-century art and its demons, vultures and chimeras. Moreover, in Pinch he achieves a portrait of painful vulnerability and realism: talent made irrelevant by personality. Stripped of egotism, authenticity or genius, Pinch forces us to face the deep held fear of a life lived in vain.

The Rise & Fall of Great Powers begins in a dusty bookshop. What follows is an abduction, heated political debate, glimpses into strangers’ homes, and travel around the globe. It’s a novel of curious personalities, mystery, and lots of books: volumes that the characters collect, covet, steal.

Dora Frenhofer, a once successful but now aging and embittered novelist, knows her mind is going. She is determined, however, to finish her final book, and reverse her fortunes, before time runs out. Alone in her London home during the pandemic, she creates, and is in turn created by, the fascinating real characters from her own life.

Like a twenty-first-century Scheherazade, Dora spins stories to ward off her end. From New Delhi to New York, Copenhagen to Los Angeles, Australia to Syria to Paris, Dora’s chapters trot the globe, inhabiting the perspectives of her missing brother, her estranged daughter, her erstwhile lover, and her last remaining friend, among others in her orbit. As her own life comes into ever sharper focus, so do the signal events that have made her who she is, leaving us in Dora’s thrall until, with an unforeseen twist, she snaps the final piece of the puzzle into place.

The Imposters is Tom Rachman at his inimitable best. With his trademark style — at once “deliciously ironic and deeply affectionate” (The Washington Post) — he has delivered a novel whose formal ingenuity and flamboyant technique are matched only by its humanity and generosity.