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A luminous memoir of love and grief from the author of Common People

Alison Light met the radical social historian, Raphael Samuel, in London in 1986. Twenty years her senior, Raphael was a charismatic figure on the British Left, utterly driven by his work and by a commitment to collective politics. Within a year they were married. Within ten, Raphael would be dead.

Theirs was an attraction of opposites - he from a Jewish Communist family with its roots in Russia and Eastern Europe, she from the English working class. In this chronicle of a passionate marriage, Alison Light peels back the layers of their time together, its intimacies and its estrangements.

She tells of moving into Raphael's cluttered 18th-century house in Spitalfields and into his equally full, unconventional life; of the whirlwind of change outside their door which brutally transformed London's old East End districts; of being widowed at 41, and finding inspiration in her friendship with Raphael's mother. Finally she reflects on the power of mourning and how it shapes a life.

Through its frank and touching account of a marriage between two very different people, it celebrates the capacity we all have to share our lives and to change our selves.

Family history is a massive phenomenon of our times but what are we after when we go in search of our ancestors? Beginning with her grandparents, Alison Light moves between the present and the past, in an extraordinary series of journeys over two centuries, across Britain and beyond.

Epic in scope and deep in feeling, Common People is a family history but also a new kind of public history, following the lives of the migrants who travelled the country looking for work. Original and eloquent, it is a timely rethinking of who the English were - but ultimately it reflects on history itself, and on our constant need to know who went before us and what we owe them.

A revealing and personal new perspective on the Bloomsbury set and the servants who shared their lives.

When Virginia Woolf wrote A Room of One’s Own in 1929, she established her reputation as a feminist, a woman who could imagine a more open and liberal reality, and an advocate for the female voice. Indeed the Bloomsbury set has often been identified with liberal, open-minded views; Woolf’s circle of artists and writers were considered Bohemians ahead of their time. But they were also of their time. Like thousands of other British households, Virginia Woolf’s relied on live-in domestics for the most intimate of daily tasks. That room of her own she so valued was cleaned, heated, and supplied with meals by a series of cooks and maids throughout her childhood and adult life. In Mrs. Woolf and the Servants, Alison Light gives depth and dignity to the long-overlooked servants who worked for the Bloomsbury intellectuals.

The result is twofold. For one, Light adds revealing nuances to our picture of Virginia Woolf, both as a woman and as writer. She also captures a fascinating period of British history, primarily between the wars, when modern oil stoves were creeping into kitchens to replace coal, and young women were starting to dream of working in hat shops rather than mansions.

Despite the liberal outlook of the Bloomsbury set, and their conscious efforts to leave their Victorian past behind, their homes were nevertheless divided into the worlds of "us" and "them." Alison Light writes with insight and charm about this fraught side of Bloomsbury, and hers is a refreshingly balanced portrait of Virginia Woolf, flaws and all.