Последние издания книг Тони Хиллермана

First there was the trouble at Saint Boneventure boarding school. A teacher is dead, a boy is missing, and a council woman has put a lot of pressure on Lieutenant Joe Leaphorn and Officer Jim Chee to find her grandson. Sitting on a rooftop watching sacred clowns perform their antics in a Pueblo ceremony, Chee spots the boy. Then, suddenly, the crowd is in commotion. One of the clowns has been savagely murdered. Without a single clue, Chee and Leaphorn must follow a serpentine trail through the Indian clans and nations, seeking the thread that links two brutal murders, a missing teenager, a band of lobbyists trying to put a toxic dump site on Pueblo land, and an invaluable memento given to the tribes by Abraham Lincoln in a fast-paced, flawless mystery that is Hillerman at his lyrical, evocative, spellbinding best.

At a moonlit Indian ruin—where "thieves of time" ravage sacred ground in the name of profit—a noted anthropologist vanishes while on the verge of making a startling, history-altering discovery. At an ancient burial site, amid stolen goods and desecrated bones, two corpses are discovered, shot by bullets fitting the gun of the missing scientist.

There are modern mysteries buried in despoiled ancient places. And as blood flows all too freely, Navajo Tribal Policemen Joe Leaphorn and Jim Chee must plunge into the past to unearth an astonishing truth and a cold-hearted killer.

Since his retirement from the Navajo Tribal Police, Joe Leaphorn has occasionally been enticed to return to work by former colleagues who seek his help when they need to solve a particularly puzzling crime. They ask because Leaphorn, aided by officers Jim Chee and Bernie Manuelito, always delivers.

But this time the problem is with an old case of Joe's—his "last case," unsolved, and one that continues to haunt him. And with Chee and Bernie just back from their honeymoon, Leaphorn is pretty much on his own.

The original case involved a priceless, one-of-a-kind Navajo rug supposedly destroyed in a fire. Suddenly, what looks like the same rug turns up in a magazine spread. And the man who brings the photo to Leaphorn's attention has gone missing. Leaphorn must pick up the threads of a crime he'd thought impossible to untangle. Not only has the passage of time obscured the details, but it also appears that there's a murderer still on the loose.

Карен Робардс. "Приманка".
Когда владелица рекламного агентства Мадди Фицджеральд становится мишенью серийного убийцы, агент ФБР Сэм Маккейб не может не заметить, насколько хороша эта девушка с глазами цвета спелого меда.
Мадди может быть отличной приманкой для убийцы. Остается только уговорить ее. Однако у Мадди слишком независимый характер и... темное прошлое.

Сохейр Хашогги. "Мозаика".
Дина Ахмад - владелица процветающего цветочного бутика, она успешна, красива, и, главное, у нее замечательная семья. Но однажды судьба наносит сокрушительный удар: вернувшись с работы домой, Дина узнает, что ее восьмилетние сын и дочь исчезли. Ее благополучной жизни приходит конец.
Эта книга - рассказ о любви и предательстве, рассказ о женщине, которая борется за свое счастье.

Тони Хиллерман. "Человек-Скелет".
У бедного жителя индейской резервации обнаруживается ценнейший бриллиант, исчезнувший почти полвека назад. Проводя расследование, лейтенант Липхорн и сержант Чи узнают, как необычным образом оживает древняя легенда индейцев о Человеке-Скелете и об опасностях, таящихся среди величественных скал Большого Каньона.

Джон Катц. "Год собаки".
В тихую, размеренную жизнь Джона Катца врывается Девон - отказный пес, гордый, независимый и ранимый. В считанные часы он превращает мир своего хозяина в хаос. Немало трудных минут приходится пережить Джону и Девону, но, в конце концов, между ними рождается взаимопонимание, уважение и любовь.
О том, как человек и собака нашли путь друг к другу, рассказывается в этой трогательной и очень доброй книге.

The victim, well dressed but stripped of identification, is found at the edge of the vast Jicarilla Apache natural gas field just inside the jurisdiction of the Navajo Tribal Police, facing Sergeant Jim Chee with a complex puzzle.

Why did the Washington office of the FBI snatch custody of this case from its local agents, cover it with secrecy, and call it a hunting accident? What was the victim seeking among the maze of pipelines and pumping stations in America's largest gas field? Was he investigating the embezzlement of billions of dollars from the Indian Tribal royalty trust in the Department of the Interior?

On a level nearer to Chee's heart, did the photographs Bernie Manuelito took on an exotic game ranch near the Mexican border reveal something connected with this crime? Did Bernie, once a member of Chee's squad but now a rookie Border Patrol Officer, put herself in terrible danger?

Tony Hillerman leads his readers through another of his intricate plots to the solution of this crime, with a cast of vivid characters: a Washington political mogul and his more-or-less renegade pilot; a customs official who bends the rules; a Mexican smuggler with a conscience; and, finally, "Legendary Lieutenant" Joe Leaphorn, now retired, who connects the lines on a dusty old map to find the answers -- and the Sinister Pig -- among the great scimitar-horned oryx grazing on the historic Tuttle Ranch.

Officer Bernadette Manuelito found the dead man slumped over in the cab of a blue pickup abandoned in a dry gulch off a dirt road--with a rich ex-con's phone number in his pocket ... and a tobacco tin nearly filled with tracer gold. It's her initial mishandling of the scene that spell trouble for her supervisor, Sgt. Jim Chee of the Navajo Tribal Police--but it's the echoes of a long ago crime that call the legendary former Lieutenant Joe Leaphorn out of retirement. Years earlier, Leaphorn followed the trail of a beautiful, young, and missing wife to a dead end, and his failure has haunted him ever since. But ghosts never sleep in these high, lonely Southwestern hills. And the twisted threads of craven murders past and current may finally be coming together, thanks to secrets once moaned in torment on the desert wind.

Alternate cover edition can be found here.

Homicide is always an abomination, but there is something exceptionally disturbing about the victim discovered in a high lonely place, a corpse with a mouth full of sand, abandoned at a crime scene seemingly devoid of tracks or useful clues. Though it goes against his better judgment, Navajo Tribal Police Lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer. There is palpable evil in the air, and Leaphorn's pursuit of a Wolf-Witch is leading him where even the bravest men fear, on a chilling trail that winds perilously between mysticism and murder.

In this affectionate and unvarnished recollection of his past, Tony Hillerman looks at seventy-six years spent getting from hard-times farm boy to bestselling author. Using the gifts of a talented novelist and reporter, Hillerman draws brilliant portrait not just of his life, but of the world around him.

When Acting Lt. Jim Chee catches a Hopi poacher huddled over a butchered Navajo Tribal police officer, he has an open-and-shut case--until his former boss, Joe Leaphorn, blows it wide open. Now retired from the Navajo Tribal Police, Leaphorn has been hired to find a hot-headed female biologist hunting for the key to a virulent plague lurking in the Southwest. The scientist disappeared from the same area the same day the Navajo cop was murdered. Is she a suspect or another victim? And what about a report that a skinwalker--a Navajo witch--was seen at the same time and place too? For Leaphorn and Chee, the answers lie buried in a complicated knot of superstition and science, in a place where the worlds of native peoples and outside forces converge and collide.

From New York Times bestselling author Tony Hillerman comes another thrilling mystery featuring Leaphorn & Chee who must investigate a cold case that has far more personal consequences than expected.

“Gripping.”—New York Times Book Review

Human bones lie on a ledge under the peak of Ship Rock mountain, the remains of a murder victim undisturbed for more than a decade. Three hundred miles across the Navajo reservation, a harmless old canyon guide is felled by a sniper's bullet.

Joe Leaphorn, recently retired from the Navajo Tribal Police, believes the shooter and the skeleton are somehow connected and recalls a chilling puzzle he was previously unable to solve. But Acting Lieutenant Jim Chee is too busy to take an interest in a dusty cold case . . . until the reborn violence of it hits much too close to home.

Edgar Allan Poe's "Murders in the Rue Morgue" launched the detective story in 1841. The genre began as a highbrow form of entertainment, a puzzle to be solved by a rational sifting of clues. In Britain, the stories became decidedly upper crust: the crime often committed in a world of manor homes and formal gardens, the blood on the Persian carpet usually blue. But from the beginning, American writers worked important changes on Poe's basic formula, especially in use of language and locale. As early as 1917, Susan Glaspell evinced a poignant understanding of motive in a murder in an isolated farmhouse. And with World War I, the Roaring '20s, the rise of organized crime and corrupt police with Prohibition, and the Great Depression, American detective fiction branched out in all directions, led by writers such as Dashiell Hammett and Raymond Chandler, who brought crime out of the drawing room and into the "mean streets" where it actually occurred.
In The Oxford Book of American Detective Stories, Tony Hillerman and Rosemary Herbert bring together thirty-three tales that illuminate both the evolution of crime fiction in the United States and America's unique contribution to this highly popular genre. Tracing its progress from elegant "locked room" mysteries, to the hard-boiled realism of the '30s and '40s, to the great range of styles seen today, this superb collection includes the finest crime writers, including Erle Stanley Gardner, Raymond Chandler, Ross Macdonald, Rex Stout, Ellery Queen, Ed McBain, Sue Grafton, and Hillerman himself. There are also many delightful surprises: Bret Harte, for instance, offers a Sherlockian pastiche with a hero named Hemlock Jones, and William Faulkner blends local color, authentic dialogue, and dark, twisted pride in "An Error in Chemistry." We meet a wide range of sleuths, from armchair detective Nero Wolfe, to Richard Sale's journalist Daffy Dill, to Robert Leslie Bellem's wise-cracking Hollywood detective Dan Turner, to Linda Barnes's six-foot tall, red-haired, taxi-driving female P.I., Carlotta Carlyle. And we sample a wide variety of styles, from tales with a strongly regional flavor, to hard-edged pulp fiction, to stories with a feminist perspective. Perhaps most important, the book offers a brilliant summation of America's signal contribution to crime fiction, highlighting the myriad ways in which we have reshaped this genre. The editors show how Raymond Chandler used crime, not as a puzzle to be solved, but as a spotlight with which he could illuminate the human condition; how Ed McBain, in "A Small Homicide," reveals a keen knowledge of police work as well as of the human sorrow which so often motivates crime; and how Ross Macdonald's Lew Archer solved crime not through blood stains and footprints, but through psychological insight into the damaged lives of the victim's family. And throughout, the editors provide highly knowledgeable introductions to each piece, written from the perspective of fellow writers and reflecting a life-long interest--not to say love--of this quintessentially American genre.
American crime fiction is as varied and as democratic as America itself. Hillerman and Herbert bring us a gold mine of glorious stories that can be read for sheer pleasure, but that also illuminate how the crime story evolved from the drawing room to the back alley, and how it came to explore every corner of our nation and every facet of our lives.

Edited by Tony Hillerman, the Southwest's foremost suspense writer, this first-ever collection of mystery stories set in the West contains 20 original entries by such luminary mystery writers as Marcia Muller, Susan Dunlap, and Robert Campbell.

Впервые на русском языке произведение известного американского писателя Тони Хиллермана, автора многочисленных детективов. Герой романа - сотрудник племенной полиции навахо Джим Чи благодаря своему мастерству следопыта, тонкой проницательности и прекрасному владению дедуктивным методом распутывает загадочное преступление.

The car fire didn't kill Navajo Tribal Policeman Delbert Nez, a bullet did. Officer Jim Chee's good friend Del lies dead, and a whiskey-soaked Navajo shaman is found with the murder weapon. The old man is Ashie Pinot. He's quickly arrested for homicide and defended by a woman Chee could either love or loath. But when Pinto won't utter a word of confession or denial, Lt. Joe Leaphorn begins an investigation. Soon, Leaphorn and Chee unravel a complex plot of death involving an historical find, a lost fortune...and the mythical Coyote, who is always waiting, and always hungry.

Don’t miss the TV series, Dark Winds , based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+! The sixth installment in New York Times bestselling author Tony Hillerman's Leaphorn and Chee series—an electrifying thriller of revenge, secrets, and murder. “One of the best of the series.”— New York Times Book Review Old Joseph Joe sees it all. Two strangers spill blood at the Shiprock Wash-O-Mat. One dies. The other drives off into the dry lands of the Big Reservation, but not before he shows the old Navajo a photo of the man he seeks. This is all Tribal Policeman Jim Chee needs to set him off on an odyssey that moves from a trapped ghost in an Indian hogan to the seedy underbelly of L.A. to an ancient healing ceremony where death is the cure, and into the dark heart of murder and revenge.

Don’t miss the TV series, Dark Winds , based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+! “Hillerman . . . is in a class by himself.”— Los Angeles Times The fourth novel in New York Times bestselling author Tony Hillerman’s highly acclaimed Leaphorn and Chee series. A dying man is murdered. A rich man’s wife agrees to pay three thousand dollars for the return of a stolen box of rocks. A series of odd, inexplicable events is haunting Sergeant Jim Chee of the Navajo Tribal Police and drawing him alone into the Bad Country of the merciless Southwest, where everything good struggles to survive, including Chee. Because an assassin waits for him there, protecting a thirty-year-old vision that greed has sired and blood has nourished. And only one man will walk away.

Hillerman discusses the craft of mystery writing, his approach to plot, characterization, and setting, and the wrinkles and twists that make his brand of fiction unique.

With the attempted murder of Officer Jim Chee, Lieutenant Joe Leaphorn finds three unsolved homicides may be linked to witchcraft buried deep within the Navajo culture.

A noted anthropologist vanishes at a moonlit Indian ruin where "thieves of time" ravage sacred ground for profit. When two corpses appear amid stolen goods and bones at an ancient burial site, Navajo Tribal Policemen Lt. Joe Leaphorn and Officer Jim Chee must plunge into the past to unearth the astonishing truth behind a mystifying series of horrific murders.