Последние издания книг Эрика Рюкера Эддисона

«Контекстуализированная концепция психоида Юнга» изучает вопрос связи тела и разума с точки зрения юнгианского клинического подхода. Загадочный, не до конца понятный элемент работы Юнга, этот концепт все же занимает фундаментальное место в его общем понимании психики, поскольку с точки зрения Юнга психоидное бессознательное является основой архетипического опыта.
Эта книга в новом ключе исследует концепцию психоида, опираясь как на труды Юнга, так и на беседы с терапевтами об их клинической практике. Данная книга является важным дополнением к юнгианской теории, демонстрируя пользу его концепции психоида в наши дни и предлагая широкий спектр взглядов на ее применение в клинической и культурной практике.

The second volume in the classic epic trilogy of parallel worlds, admired by Tolkien and the great prototype for The Lord of the Rings and modern fantasy fiction.A lady strays from a garden path and enters a different realm. A king wages dynastic war for control of three kingdoms. As villains plot to take control of an alternate world inhabited by the souls of the dead, a mysterious, magical woman seeks her destiny, igniting a splendid pageantry of battles and quests, poisonous love and triumphant passion, doomed loyalties and unsurpassed courage.And while Edward Lessingham engages in an earthly romance in twentieth-century England, seduction in Zimiamvia takes place over the most lavish of banquets…

Когда впервые вышел "Властелин Колец" Дж. Р. Р. Толкина, обозреватели поняли, что его можно по праву сравнить только с одной книгой, великим фантастическим романом Э. Р. Эддисона "Змей Уроборос". Действие этого потрясающего романа о необыкновенных приключениях разворачивается на далекой, захватывающе красивой планете, населенной лордами и королями, могучими воинами и красавицами с волосами, как вороново крыло. Это рассказ о великой войне за власть, героических деяних и изощренном коварстве. Впервые на русском языке — в переводе легендарной Валерии Маториной!

The lost classic masterpiece of magical realms, admired by Tolkien and the great prototype for The Lord of the Rings and modern fantasy fiction.
On the far side of darkness lies a world where two mighty forces are making ready for a war of kingdom against kingdom, warrior against witch, and honour against treachery. It is a world that beckons Edward Lessingham and is totally at odds with his Edwardian background. Torn by greater passions than mere mortals can know, the adventure-loving lords of Demonland are pitted against the cruel enchantments of the witch-king Gorice XII. As swords cross with clash of steel, they begin their odyssey in glory and terror.
E.R. Eddison’s masterpiece stands as one of the great prototypes of modern fantasy fiction. The intricately woven themes of high adventure, sorcery and the conflict between good and evil transport the reader to epic worlds beyond imagination.

"The Worm Ouroboros" is a heroic high fantasy novel by Eric Rucker Eddison, first published in 1922. The book describes the protracted war between the domineering King Gorice of Witchland and the Lords of Demonland in an imaginary world that appears mainly medieval and partly reminiscent of Norse sagas. The work is slightly related to Eddison's later Zimiamvian Trilogy, and collectively they are sometimes referred to as the Zimiamvian series.

Короли Ведьмландии всегда претендовали на земли Демонландии. В поединке за право владеть Демонландией лорд Голдри Блазко убил короля Ведьмландии Гориса XI. Но новый король, Горис XII, не собирается выполнять обязательства покойного отца. Для захвата Демонландии он собирается прибегнуть к могущественной магии.

Короли Ведьмландии всегда претендовали на земли Демонландии. В поединке за право владеть Демонландией лорд Голдри Блазко убил короля Ведьмландии Гориса XI. Но новый король, Горис XII, не собирается выполнять обязательства покойного отца. Для захвата Демонландии он собирается прибегнуть к могущественной магии.

The Worm Ouroboros weaves strands from Norse saga, Greek myth, and Elizabethan drama together with magical adventure to produce one of the most eccentric masterpieces of English literature. Anticipating J. R. R. Tolkien by a few decades, E. R. Eddison imagined an Other World full of wonders and a huge cast of warriors, witches, and monsters. He also invented one of the truly distinctive styles in English prose. Its language is densely ornamented and deliberately archaic, but also precise, vigorous, and flexible enough to convey wistful tenderness one minute and violent action the next. In the decades since its first publication in 1922, The Worm Ouroboros has become a touchstone for lovers of fantasy literature, influencing several generations of writers and treasured by readers who fall under its spell.

The first volume in the classic epic trilogy of parallel worlds, admired by Tolkien and the great prototype for The Lord of the Rings and modern fantasy fiction.According to legend, the Gates of Zimiamvia lead to a land ‘that no mortal foot may tread, but that souls of the dead that were great upon earth do inhabit.’ Here they forever live, love, do battle, and even die again.Edward Lessingham – artist, poet, king of men and lover of women – is dead. But from Aphrodite herself, the Mistress of Mistresses, he has earned the promise to live again with the gods in Zimiamvia in return for her own perilous future favours.This sequel to The Worm Ouroboros recounts the story of Lessingham’s first day in this strange Valhalla, where a lifetime is a day and where – among enemies, enchantments, guile and triumph – his destiny can be rewritten.

The third volume in the classic epic trilogy of parallel worlds, admired by Tolkien and the great prototype for The Lord of the Rings and modern fantasy fiction.E. R. Eddison was the author of three of the most remarkable fantasies in the English language: The Worm Ouroboros, Mistress of Mistresses and A Fish Dinner in Memison. Linked together as separate parts of one vast romantic epic, fans who clamoured for more were finally rewarded 13 years after Eddison’s death with the publication of the uncompleted fourth novel, written during the dark years of the Second World War.This new edition of The Mezentian Gate includes additional narrative fragments of the story missing from the original 1958 edition. Together with an illuminating introduction by Eddison scholar Paul Edmund Thomas, this volume returns Edward Lessingham to the extravagant realm of Zimiamvia and concludes one of the most extraordinary and influential fantasy series ever written.

A poignant memoir and tribute to the Oxford poet Nairnby the author who went on to create The Worm Ouroborosand the groundbreaking Zimiamvia fantasy trilogy.Eric Rucker Eddison’s first book, originally published privately in hardback during the First World War, is a poignant memoir and tribute to the Oxford poet Philip Sidney Fletcher Nairn, whose work was so inspired by his Scottish ancestry, life in the Lake District, and his subsequent travels across Asia.This first official paperback edition includes a poignant and evocative biography, a dozen photographs, and more than 50 of Nairn’s poems, and marks the centenary of his untimely death in Kuala Lumpur in May 1914, aged just 30 years old.

Egil’s Saga is the 10th-century Nordic equivalent of The Iliad and The Odyssey. Translated from the Icelandic withan introduction, notes and an essay, this is the first time Eddison’s version of this epic heroic saga has been made available as a digital book.The saga of Egil, son of Grim the Bald, tells the exciting tale of a medieval warrior-poet and his many Viking adventures. Challenged by his ugly appearance and haunted by rumours that his grandfather was a werewolf, Egil devotes himself to Odin, god of kings, warriors and poets, and determines to avenge his father’s exile from Norway. With action ranging across Iceland and Scandinavia down to Scotland and England, Egil’s thrilling encounters include kings, sorcerers, berserkers and outlaws, as the story follows his transformation from youthful savagery to mature wisdom.Sometimes considered the greatest of the Icelandic sagas, Egil’s Saga is the 10th-century Nordic equivalent of The Iliad and The Odyssey. Eddison’s acclaimed translation, published in 1930, has been long unavailable, and demonstrates the author’s amazing capacity for evocative and erudite language. It reflects the swift dramatic terseness and vivid character-drawing which made the saga style in prose narrative such an enduring model for modern historical and fantasy literature, and his meticulous translation includes elaborate notes and annotations.