Лучшие книги Эдварда Эстлина Каммингса

In 1917 young Edward Estlin Cummings went to France as a volunteer with a Red Cross ambulance unit on the western front. But his free-spirited, insubordinate ways soon got him tagged as a possible enemy of La Patrie, and he was summarily tossed into a French concentration camp at La Ferte-Mace in Normandy. Under the vilest conditions, Cummings found fulfillment of his ever elusive quest for freedom. The Enormous Room, his account of his four-month confinement, reads like a latter-day Pilgrim's Progress, a journey into dispossession, to a place among the most debased and deprived of human creatures. Cummings's hopeful tone reflects the…

E. E. Cummings is without question one of the major poems of this century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of Cummings's wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which Cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.

Двуязычное издание стихотворений Каммингса в переводах Владимира Британишского, куда вошли стихи из всех 12 сборников Каммингса 1923 – 1963 гг.

Published in 1958, 95 Poems is the last book of new poems published in Cummings's lifetime. Remarkable for its vigor, freshness, interest in ordinary individuals, and awareness of the human life cycle, the book reflects Cummings's observations on nature and his prevailing gratitude for whatever life offers: "Time's a strange fellow: more he gives than takes." This new edition joins other individual uniform Liveright paperback volumes drawn from the Complete Poems, most recently Etcetera and 22 and 50 Poems.

E. E. Cummings (1894-1962) was among the most influential, widely read, and revered modernist poets. His many awards included an Academy of American Poets Fellowship, two Guggenheim Fellowships, and the Bollingen Prize. Among his many volumes are The Enormous Room and Tulips & Chimneys.

This centennial edition of E. E. Cumming's Complete Poems, published in celebration of his birth on October 14, 1894, contains all of the poems published or designated for publication by the poet in his lifetime.
At the time of his death in 1962, E. E. Cummings was, next to Robert Frost, the most widely read poet in America. Combining Thoreau's controlled belligerence with the brash abandon of an uninhibited bohemian, Cummings, together with Pound, Eliot, and William Carlos Williams, helped bring about the twentieth-century revolution in literary expression. He is recognized on the one hand as the author of some of the most beautiful lyric poems written in the English language, and on the other as one of the most inventive American poets of his time—in the worlds of Richard Kostelanetz, "the major American poet of the middle-twentieth-century.

An eye-opening selection of Cumming's more avant-garde poetry and prose.
As a poet, Cummings was a pioneer not only in linguistic and typographic inventions, but also in sound and concrete poetry. But his prose is no less experimental; he wrote memoirs, essays, and fiction that are constantly provocative and often radically experimental. To read the avant-garde Cummings is to read a writer who consistently broke with established norms, "Never to rest and never to have: only to grow". To not read the avant-garde Cummings is to not read Cummings.

Reissued in an edition newly offset from the authoritative Complete Poems 1904-1962, edited by George James Firmage.

E. E. Cummings, along with Pound, Eliot, and Williams, helped bring about the twentieth-century revolution in literary expression. He is recognized as the author of some of the most beautiful lyric poems written in the English language and also as one of the most inventive American poets of his time.
Fresh and candid, by turns earthy, tender, defiant, and romantic, Cummings's poems celebrate the uniqueness of each individual, the need to protest the dehumanizing force of organizations, and the exuberant power of love.

"No Thanks" was first published in 1935; although Cummings was by then in mid-career, he had still not achieved recognition, and the title refers ironically to publishers' rejections.

"No Thanks" contains some of Cummings's most daring literary experiments, and it represents most fully his view of life and romantic individualism. The poems celebrate an openly felt response to the beauties of the natural world, and they give first place to love, especially sexual love, in all its manifestations. The volume includes such favorites as "sonnet entitled how to run the world)," "may I feel said he," "Jehovah buried. Satan dead," "be of love (a little)," and the now-famous grasshopper poem.