Мария Французская – лучшие книги

Эти сказочные повести – находка для специалиста и для любителя. По какой-то загадочной причине в истории русского перевода не находилось места для легендарной Марии Французской. Сказки эти не были переведены до сих пор, кроме двух-трех. На все языки переведены, но не на русский. Прашекспировский сюжет, мягкая, пластичная строфа, авторская метрика, причудливость подлинной сказки – чего только нет у Марии Французской… Нежный юмор и скромное достоинство автора – и все это теперь в нашем распоряжении.

Лирическая повесть "О жимолости" - древнейшая из дошедших до нас разработок знаменитого сюжета о Тристане и Изольде.

Bretagne, um 1170: Der ehrbare Ritter Bisclavret verschwindet sehr zum Ärger seiner Ehefrau jede Woche für drei Tage, ohne jemanden von seinem Verbleib in Kenntnis zu setzen. Als die Gattin erfährt, dass er sich in dieser Zeit in einen Werwolf verwandelt, sorgt sie durch eine List dafür, dass er nicht zurückkehren kann, und beginnt ein neues Leben. Der Werwolf sucht Zuflucht bei seinem Lehnsherrn und sinnt auf Rache…
Mit den bekannten Stimmen von Antje von der Ahe, Peter Weis, Jean Paul Baeck, Christian Stark, Bernd Kreibich, Sascha von Zambelly, Sabina Trooger, Rolf Berg, Marc Gruppe und Ursula Sieg.

Die Reihe Gruselkabinett wurde bereits mit dem HörKules, dem Hörspiel-Award, dem Vincent-Preis, dem Nyctalus, dem Ohrkanus und dem Deutschen Phantastik-Preis ausgezeichnet!

Though little is known about Marie de France, her work changed romantic writing forever. «The Lays of Marie de France» challenged social norms and the views of the church during the twelfth century concerning both love and the role of women. She wrote within a court unknown to scholars, in a form of Anglo-Norman French. Inspired by the Greeks and Romans long before her, Marie de France sought to write something not only morally instructive, but memorable, leaving an indelible imprint on the reader's memory. In her «Lays», Marie de France confronts the issue of love as a topic of suffering and misery, fraught with infidelity. What was revolutionary about this, however, was the fact that the infidelity she addressed was committed by women, and in some circumstances condoned. This challenged the submissive role of women in her time, and illustrated them with a sense of power and free will. Her condensed yet powerful imagery remains timeless, still relevant and evocative to modern day readers.

Это произведение сохранилось в составе двух рукописей: одна из них находится в Британском музее, другая — в Парижской национальной библиотеке. Впервые «Жимолость» была издана (вместе с другими произведениями Марии Французской) в 1820 г. Научное издание было осуществлено в 1885 г. Карлом Варнке. Затем появились издания Э. Хёпффнера (1921), А. Эверта (1844), Сальваторе Баттальи (1948), Жанны Лодс (1959), Жана Ришнера (1971). Перевод выполнен по переизданию К. Варнке («Die Lais der Marie de France», herausgegeben von K. Warnke. Halle, 1900) с проверкой по изданию Ж. Ришнера («Les Lais de Marie de France» publi és par J. Rychner. Paris, 1971). На русский язык «Жимолость» была ранее переведена М. Замаховской («Хрестоматия по западноевропейской литературе: Литература Средних веков». М., 1938, стр. 222-224).

The Lays or Laisof Marie de France were a series of twelve short narrative Breton lais by the poet Marie de France. They were written in Anglo-Norman and were probably composed in the late 12th century. The short, narrative poems generally focus on glorifying the concept of courtly love by the adventures of their main characters. But in translation their poetic quality has been superseded by the narrative content and it is in this form that the work is available to us today. Contents: The Lay of Gugemar The Lay of the Dolorous Knight The Lay of Eliduc The Lay of the Nightingale The Lay of Sir Launfal The Lay of the Two Lovers The Lay of the Were-Wolf The Lay of the Ash Tree The Lay of the Honeysuckle The Lay of Equitan The Lay of Milon The Lay of Yonec The Lay of the Thorn The Lay of Graelent A Story of Beyond the Sea The Chatelaine of Vergi &t;br/&t; pThe Lays or Laisof Marie de France were a series of twelve short narrative Breton lais by the poet Marie de France. They were written in Anglo-Norman and were probably composed in the late 12th century. The short, narrative poems generally focus on glorifying the concept of courtly love by the adventures of their main characters. But in translation their poetic quality has been superseded by the narrative content and it is in this form that the work is available to us today. Contents: The Lay of Gugemar The Lay of the Dolorous Knight The Lay of Eliduc The Lay of the Nightingale The Lay of Sir Launfal The Lay of the Two Lovers The Lay of the Were-Wolf The Lay of the Ash Tree The Lay of the Honeysuckle The Lay of Equitan The Lay of Milon The Lay of Yonec The Lay of the Thorn The Lay of Graelent A Story of Beyond the Sea The Chatelaine of Vergi

Though little is known about Marie de France, her work changed romantic writing forever. “The Lais of Marie de France” challenged social norms and the views of the church during the twelfth century concerning both love and the role of women. She wrote within a court unknown to scholars, in a form of Anglo-Norman French. Inspired by the Greeks and Romans long before her, Marie de France sought to write something not only morally instructive, but memorable, leaving an indelible imprint on the reader’s memory. In her “Lais”, Marie de France confronts the issue of love as a topic of suffering and misery, fraught with infidelity. What was revolutionary about this, however, was the fact that the infidelity she addressed was committed by women, and in some circumstances condoned. This challenged the submissive role of women in her time, and illustrated them with a sense of power and free will. Her condensed yet powerful imagery remains timeless, still relevant and evocative to modern day readers. This edition follows the translation of Eugene Mason and includes a biographical afterword.