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Book 17 of the nationally bestselling Joanne Kilbourn series is classic Gail Bowen: masterfully compelling storytelling that combines a modern, urban family with a gripping, satisfying mystery.

As Joanne Kilbourn-Shreve, her husband, Zack, and their soon-to-be seventeen-year-old daughter, Taylor, rush through the rain from their cottage to their car, the Thanksgiving weekend they just spent at the lake with Zack's law partners is already slipping away, burnished into memory as pleasantly as the hundreds of other weekends the Falconer-Shreve families have shared at Lawyers' Bay. Thoughts of the weekend past will now focus on the future and be prefaced by the words "next time."
Within weeks, a triple homicide will rip apart the lives of those related to the lawyers who, at the end of their first year in law school, only half-jokingly styled themselves "The Winners' Circle." Dazed by grief, Joanne will seek answers to an impossible question: "Why did they die?"
The facts behind the suicide of Christopher Altieri, known by his law partners as "the conscience of The Winners' Circle," appear to provide insights, but for Joanne those insights raise new, unsettling questions. Knitting this powerful narrative together is Joanne's unshakeable belief that the only thing worse than knowing is not knowing

The ninth novel of Gail Bowen’s popular series finds Canada’s favourite amateur sleuth, Joanne Kilbourn, on holiday at a cottage borrowed from a lawyer friend, one of a cluster of summer homes owned by lawyers from the same prestigious firm. When one of them kills himself the night after a long talk with Joanne, she is pushed into investigating just what her neighbours are involved with, an investigation that has startling – and fatal – consequences.

Bowen’s depiction of this community of lawyers, each in his or her way now divorced from the ideals of justice and mercy that once motivated them all, is both compassionate and hard-nosed. There is Zack, the charming but controlling paraplegic; Blake and Lily, whose daughter, Gracie, struggles to keep her dignity as her parents’ marriage falls apart; Noah, who would rather practise carpentry than the law, and his wife, Delia, who is consumed by worry about the firm. The mounting stress among these lawyers is palpable as Joanne delves into their lives. And Joanne faces her own personal anxieties too when she discovers that her former lover, Inspector Alex Kequahtooway, is mixed up in what seems to be some very sordid legal business.


From the Hardcover edition

Award-winning mystery writer Gail Bowen’s first three masterful mysteries featuring amateur sleuth Joanne Kilbourn are now collected in a single volume. In Deadly Appearances , a successful politician sips his water before a speech at a

When a prisoner is shot to death in the exercise yard of a Saskatchewan penitentiary, Joanne Kilbourn finds herself haunted by a part of her past she wished had never happened. The dead prisoner is Kevin Tarpley, the man who six years earlier had brutally killed her politician husband, Ian, in a seemingly senseless act alongside the TransCanada Highway.

The haunting takes on a more menacing cast several days later when Tarpley’s sinister wife, Maureen, is discovered dead in a snow-swept Regina parking lot. A brightly coloured scarf is found wound tightly around her neck, a scarf that belongs to none other than Joanne Kilbourn. Soon this single mother, author, university professor, and TV-show panelist is deemed the “number one” suspect in Maureen Tarpley’s demise.

Joanne knows there has to be a connection between these two murders. But what is it? A cryptic letter sent to Joanne by Kevin Tarpley just days before his death intimates that Ian Kilbourn’s killing may not have been as senseless as first assumed. In fact, there are hints that some of Ian’s political colleagues may have been involved. But how deeply and in what way?

Then there’s the faded photograph of a pretty young woman and her baby that Joanne finds tucked in the wallet of her dead husband. Does it offer any clue to Ian’s murder, or to the deaths of the Tarpleys? Warily, Joanne Kilbourn is forced to follow a tangled trail deep into a heartbreaking past she never knew existed.

A Colder Kind of Death is the fourth novel featuring Gail Bowen’s “reluctant sleuth,” Joanne Kilbourn. With its deft mix of wry humour and mayhem, closely observed family scenes and gripping suspense, warm characterization and betrayal, it confirms Gail Bowen’s stature as one of the greats of mystery fiction.


From the Hardcover edition.

Murder is the last thing on Joanne Kilbourn’s mind on a perfect morning in May. Then the phone rings, and she learns that her daughter Mieka has found the corpse of a young woman in an alley near her store. So begins Joanne’s chilling collision with evil in Gail Bowen’s riveting third mystery, The Wandering Soul Murders.

Joanne is stunned and saddened by the news that the dead woman, at seventeen, was already a veteran of the streets. When, just twenty-four hours later, her son’s girlfriend is found dead, drowned in a lake in Saskatchewan’s Qu’Appelle Valley, Joanne’s sunny world is shattered. Her excitement about Mieka’s upcoming marriage, her involvement in the biography she is writing, even her pleasure at her return to Regina all fade as she finds herself drawn into a twilight world where money can buy anything and there are always people willing to pay

Verdict in Blood is Gail Bowen’s sixth novel featuring Joanne Kilbourn, one of Canada’s most beloved sleuths. Teacher, friend, lover, single mother, and now grandmother, Joanne has a quick intelligence and a boundless compassion, which repeatedly get her into – and out of – trouble.

In Verdict in Blood, Joanne’s good friend Hilda McCourt is visiting her in Regina, Saskatchewan, when Judge Justine Blackwell’s corpse is found sprawled across one of the limestone slabs of the Boy Scout memorial in Wascana Park. Blackwell, known for the harsh sentences she’s handed down over the years, had lately been seeking out people she’d once incarcerated and trying to help them. Had she had a genuine change of heart, or had she been getting senile? Even the fearsome judge herself had wondered. Just the night before her death, she’d asked Hilda to make an assessment of her mental condition.

Now she’s dead, the matter is urgent: Which of her two wills should prevail – the one leaving everything to her daughters, including the famous sixties singer Lucy Blackwell, or the one leaving it all to Culhane House, a halfway house for ex-cons? Whoever stood to lose could be her murderer, and Hilda has to decide. Before too long, Joanne (who has problems enough of her own with her lover, Alex, and his troubled nephew, Eli) finds herself once again embroiled in intrigue.