Новинки Раны Дасгупты

Membranes - porous biological interfaces which regulate flows between one zone and another - are the foundational image for an issue guest-edited by Granta contributor and best-selling novelist Rana Dasgupta. Featuring new poetry from Andrew McMillan and Tishani Doshi, photography from Ruchir Joshi, Arturo Soto Gutierrez, Monica de la Torre and Anita Khemka, as well as cutting-edge fiction and thought-provoking essays: Fatin Abbas on the border between Sudan and S

A portrait of Delhi and its new elites—and a story of global capitalism unbound

Commonwealth Prize–winning author Rana Dasgupta examines one of the most important trends of our time: the growth of the global elite. Since the economic liberalization of 1991, wealth has poured into India, and especially into Delhi. Capital bears witness to the extraordinary transmogrification of India’s capital city, charting its emergence from a rural backwater to the center of the new Indian middle class. No other city on earth better embodies the breakneck, radically disruptive nature of the global economy’s growth over the past twenty years.

India has not become a new America, though. It more closely resembles post–Soviet Russia with its culture of tremendous excess and undercurrents of gangsterism. But more than anything else, India’s capital, Delhi, is an avatar for capitalism unbound. Capital is an intimate portrait of this very distinct place as well as a parable for where we are all headed.

In the style of V. S. Naipaul’s now classic personal journeys, Dasgupta travels through Delhi to meet with extraordinary characters who mostly hail from what Indians call the new Indian middle class, but they are the elites, by any measure. We first meet Rakesh, a young man from a north Indian merchant family whose business has increased in value by billions of dollars in recent years. As Dasgupta interviews him by his mammoth glass home perched beside pools built for a Delhi sultan centuries before, the nightly party of the new Indian middle class begins. To return home, Dasgupta must cross the city, where crowds of Delhi’s workers, migrants from the countryside, sleep on pavements. The contrast is astonishing.

In a series of extraordinary meetings that reveals the attitudes, lives, hopes, and dreams of this new class, Dasgupta meets with a fashion designer, a tech entrepreneur, a young CEO, a woman who has devoted her life to helping Delhi’s forgotten poor—and many others. Together they comprise a generation on the cusp, like that of fin-de-siècle Paris, and who they are says a tremendous amount about what the world will look like in the twenty-first century.

Рейс на Токио отменяется. Пассажиры, застрявшие в крошечном аэропорту, развлекают друг друга странными историями. Сказанием о сыне Роберта Де Ниро, дочери Мартина Скорсезе и их могущественных врагах - магах... Притчей о двойниках, обреченных любить одну и ту же женщину... Легендой о китайском юноше-парикмахере, которому всегда сопутствовала удача… Тринадцать историй из тринадцати городов - мегаполисов Европы, Азии, США и Латинской Америки. Тринадцать жутковатых, смешных, трагических и забавных сказок контркультуры!

Thirteen passengers are stranded at an airport. Tokyo, their destination, is covered in snow and all flights are cancelled. To pass the night they form a huddle by the silent baggage carousels and tell one another stories. Thus begins Rana Dasgupta's Canterbury Tales for our times.
In the spirit of Borges and Calvino, Dasgupta's writing combines an energetically modern landscape with a timeless, beguiling fairy-tale ethos, while bringing to life a cast of extraordinary individuals-some lost, some confused, some happy-in a world that remains ineffable, inexplicable, and wonderful.
A Ukrainian merchant is led by a wingless bird back to a lost lover; Robert De Niro's son masters the transubstantiation of matter and turns it against his enemies; a man who manipulates other people's memories has to confront his own past; a Japanese entrepreneur risks losing everything in his obsession with a doll; a mute Turkish girl is left alone in the house of a German man who is mapping the world.
Told by people on a journey, these are stories about lives in transit, stories that grow into an epic cycle about the hopes and dreams and disappointments that connect people everywhere.

'A terrific portrait of Delhi right now' SALMAN RUSHDIE &t;br/&t; 'An astonishing tour de force by a major writer at the peak of his powers' WILLIAM DALRYMPLE &t;br/&t; WINNER OF THE RYSZARD KAPUSCINSKI AWARD FOR LITERARY REPORTAGE 2017 SHORTLISTED FOR THE ORWELL PRIZE 2015 &t;br/&t; When Rana Dasgupta arrived in Delhi at the turn of the twenty-first century, he had no intention of staying for long, but the city beguiled him – he 'fell in love and in hate with it'
– and fifteen years later, Delhi is still his home. &t;br/&t; Over these fifteen years, he has watched as the tumult of destruction and creation which accompanies India's economic boom transformed the face of the city. In Capital, he explores the life-changing consequences for Delhi's people, meeting with billionaires and bureaucrats, drug dealers and metal traders, slum dwellers and psychoanalysts. These encounters, interwoven with over a century of history, plunge us into Delhi's intoxicating, sometimes terrifying, story of capitalist transformation – one that has repercussions not only for India, but for everybody's future.