Рейчел Сейфферт – лучшие книги

В этой книге - Германия, которую мы не знали: довоенный Берлин глазами молодого фотографа, дети-беженцы весны 1945-го, внук эсэсовца, спустя полвека расследующий преступления деда в Белоруссии. Трагедия Второй мировой особым образом отразилась на судьбах простых граждан страны, развязавшей самую жестокую войну XX века. Попытка разобраться "изнутри" в опыте войны, прошедшей через каждый дом и каждую семью, приводит порой к неожиданным и шокирующим откровениям. "Темная комната", дебютный роман Рейчел Сейфферт (р. 1971), дочери немки и австралийца, в 2001 году был включен в шорт-лист премии Букера.

From the award-winning author of the Booker Prize short-listed The Dark Room a startling portrait of the Nazis' arrival in Ukraine as they move to implement the final solution.

Otto Pohl, an engineer overseeing construction of a German road in Ukraine, awakens to the unexpected sight of SS men herding hundreds of Jews into an old brick factory . . .

Inside the factory, Ephraim anxiously scans the growing crowd, looking for his two sons. As anxious questions swirl around him "Where are they taking us? How long will we be gone?" he can't quell the suspicion that it would be just like his oldest son to hole up somewhere instead of lining up for the Germans, and just like his youngest to follow . . .

Yasia, a farmer's daughter who has come into town to sell produce, sees two young boys slinking through the shadows of the deserted streets and decides to offer them shelter . . .

As these lives become more and more intertwined Rachel Seiffert's prose rich with a rare compassion, courage, and emotional depth, an unflinching story is told: of survival, of conflicting senses of duty, of the oppressive power of fear and the possibility of courage in the face of terror.

Stevie comes from a long line of people who have cut and run. Just like he has.

Only he’s not so sure he was right to go. He’s been to London, taught himself to get by, and now he’s working as a laborer not so far from his childhood home in Glasgow. But Stevie hasn’t told his family—what’s left of them—that he’s back. Not yet.

He’s also not far from his uncle Eric, another one who left—for love this time. Stevie’s toughened himself up against that emotion. And as for his mother, Lindsey . . . well, she ran her whole life. From her father and Ireland, from her husband, and eventually from Stevie, too.

Moving between Stevie’s contemporary Glaswegian life and the story of his parents when they were young, The Walk Home is a powerful novel about the risk of love, and the madness and betrayals that can split a family. Without your past, who are you? Where does it leave you when you go against your family, turn your back on your home; when you defy the world you grew up in? If you cut your ties, will you cut yourself adrift? Yearning to belong exerts a powerful draw, and Stevie knows there are still people waiting for him to walk home.

An extraordinarily deft and humane writer, Rachel Seiffert tells us the truth about love and about hope.

Now a Major Motion Picture: in Lore, Rachel Seiffert powerfully examines the legacy of World War II on ordinary Germans--both survivors of the war and the generations that succeeded them.

It is spring of 1945, just weeks after the defeat of Germany. A teenage German girl named Lore has been left to fend for herself. Her parents have been arrested by the Allies, and she has four younger siblings to care for. Together, they set off on a harrowing journey to find their grandmother. As we follow Lore on a 500-mile trek through the four zones of occupation, Seiffert evokes the experiences of the individual with astonishing emotional depth and psychological acuity.

Rachel Seiffert’s first book, The Dark Room, shortlisted for the Booker Prize, announced the arrival of a major writer; Afterwards fulfills that promise with a stunning novel about war and its brutal after-effect.

Alice is the protagonist of Afterwards, but this book is about the guilt harboured by people around her. There are two men in her life: her maternal grandfather, David, recently widowed, and her boyfriend, Joseph, each of whom keeps his past from his loved ones. David served in Kenya during the Mau Mau rebellion; Joseph, during a stint in the British army, served in Northern Ireland. Both, we learn, live with the memory of having killed in the line of duty.

As Alice’s relationship with Joseph develops, she senses there is something about his past that he keeps hidden. This is particularly galling given the personal and emotional details she has revealed to him (namely, that Alice has never met her father, and her attempts to establish an epistolary relationship with him in adulthood foundered). After her grandmother’s death, Alice finds the time spent with her grandfather awkward. She doesn’t know him the way she did her grandmother, but feels obliged to visit and offer support. Gradually, it emerges that David’s cold manner is traceable to events in Kenya, where he and his wife met. And as Alice tries to get to the bottom of Joseph’s reticence, a series of heated family discussions brushes ever closer to David’s secrets.

The Dark Room tells the stories of three ordinary Germans: Helmut, a young photographer in Berlin in the 1930s who uses his craft to express his patriotic fervour; Lore, a twelve-year-old girl who in 1945 guides her young siblings across a devastated Germany after her Nazi parents are seized by the Allies; and, fifty years later, Micha, a young teacher obsessed with what his loving grandfather did in the war, struggling to deal with the past of his family and his country.