Лучшие книги Джона Уэбстера

Джон Форд – один из крупнейших английских драматургов шекспировской плеяды. Юрист по профессии, он получил классическое образование в Оксфорде. Дебютировал как поэт, автор поэм, элегий и сонетов. Трагедия «Как жаль, что она шлюха», изданная в 1633 году, – самое сильное драматургическое произведение Форда. Западный кинематограф дважды брался за эту душераздирающую историю любви брата и сестры. Не так давно известный театральный режиссер Роман Виктюк обратился к этой пьесе, поставив спектакль «Крылья из пепла». Анабелла – известная красавица, к которой сватаются толпы женихов, представить, что она будет верной Джованни невозможно. Ее…

The evils of greed and ambition overwhelm love, innocence, and the bonds of kinship in this dark tragedy, first presented circa 1613. John Webster's great Jacobean drama focuses on a secret marriage that strikes the disastrous spark to an inferno of violence. When the Duchess of Malfi marries Antonio, a household steward, her two fiendishly jealous brothers ― hoping to inherit her title and estates ― plant a household spy whose treachery leads to a bloody and horrifying climax.
Often compared to Shakespeare in terms of his dynamic plots and poetic lyricism, Webster created radical, profoundly original works that feature shifting perspectives and thought-provoking challenges to conventional moral judgments. Required reading for courses in seventeenth-century English literature, this provocative masterpiece from the Golden Age of English drama will not only be welcomed by students and teachers of English literature but also a wide audience of general readers.

В книгу включены пьесы английских драматургов первой трети XVII века: С.Тернера, Т.Мидлтона, Д.Форда и У.Роули, Д.Уэбстера, Б.Джонсона и Д.Шерли.
Представлены основные жанры: трагедия, трагикомедия, комедия.

Трагедия в пяти действиях

Предлагаемый вниманию читателей новый сборник пьес современников Шекспира значительно пополняет нашу библиотеку английской драмы эпохи Возрождения. За исключением "Вольпоне" Бена Джонсона, семь пьес публикуются на русском языке впервые. Если с такими авторами, как Бен Джонсон, Томас Хейвуд, Томас Деккер, Джон Флетчер и Джон Уэбстер, русский читатель уже встречался, то с Джорджем Чепменом, Филиппом Мессинджером и Джемсом Шерли он знакомится впервые.

Произведения, выбранные для перевода и вошедшие в настоящий сборник, принадлежат к числу значительных явлений английской драмы эпохи Возрождения, и знакомство с ними обогатит читателя. Расширится и его понимание некоторых произведений Шекспира, которые мы теперь можем увидеть на фоне современной ему драматургии.

A new volume of the greatest revenge tragedies of the seventeenth-century stage

These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores power, sex, and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford's masterpiece 'Tis Pity She's a Whore explores the taboo themes of incest and forbidden love in a daring reworking of Romeo and Juliet.

For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This volume offers John Webster's two great Jacobean tragedies, The White Devil and The Duchess of Malfi, together with his brilliant tragicomedy, The Devil's Law-Case, and the comedy written with William Rowley, A Cure for a Cuckold.

Webster is a radically and creatively experimental dramatist. His tragedies deploy shifting dramatic perspectives which counteract and challenge conventional moral judgements, while the predominantly gentler tone of his comedies and tragicomedies responds inventively to contemporary changes in dramatic taste and fashion. All four plays display the provocative intelligence of a profoundly original playwright.

Under the General Editorship of Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is detailed annotation, a glossary, and a critical introduction which traces Webster's artistic development, defends him against charges of over-indulgence in violence, and explores his sophisticated staging and scenic forms.

Following Queen Elizabeth I’s reign, the new court of King James was beset by political instability and moral corruption. This atmosphere provided fertile ground for the dramatists of the age, who explored the ways in which social decadence and the abuse of power breed resentment, leading inexorably to violent retribution. In Cyril Tourneur’s The Revenger’s Tragedy, the debauched son of an Italian Duke attempts to rape the virtuous Gloriana—a veiled reference to Elizabeth I. John Webster’s The White Devil depicts a sinister world of intrigue and murderous infidelity, while The Changeling, perhaps Thomas Middleton’s supreme achievement, powerfully portrays a woman bringing about her own unwitting destruction. All three are masterpieces of brooding intensity, dominated by images of decay, disillusionment, and death.

The lyrical, bloodthirsty tragedies and witty urban comedies in this original collection were first performed during the reign of King James I (1603—25). Though nearly four centuries old, they display surprisingly modern sensibilities regarding sex, violence, morality, and honor. Brilliantly introduced and annotated by Frank Kermode, these seven Jacobean masterpieces are the finest and most representative plays of a time when drama was the most vital and important mirror of English society.

The second volume in the Cambridge Edition of the Works of John Webster contains The Devil's Law-Case, A Cure for a Cuckold, and Appius and Virginia. This critical edition preserves the original spelling and incorporates the most recent editorial scholarship, including valuable information on Webster's share in the collaborative plays. In particular, it integrates the plays' theatrical aspects with bibliographical and literary features.