Лучшие книги Сэйры Смит

Портсмут августа 1905 года стал переломным моментом не только в мировой истории, но и в жизни молодой девушки Сьюзен Вентворт. Морской офицер в кафе обратил внимание на то, что она читала «Дракулу» Стокера. Он представился графом Ференцом Зохари и предложил узнать вампиров поближе.

Хорошо быть Супергероем. Бэтмен, Атом, Флэш... Но Супергерои старятся, потом умирают. А те, кто умереть не могут, потеряв друзей и любимых, теряют и интерес к жизни. Времена Талантов прошли. Бессмертие — тяжкое бремя.

Glasgow, 1817: Jean Campbell - a young, Deaf woman - is witnessed throwing a child into the River Clyde from the Old Bridge.
If found guilty she faces one of two fates; death by hanging or incarceration in an asylum. But Jean's deafness leaves her isolated and unable to defend herself, until the authorities call in Robert Kinniburgh, a talented teacher from the Deaf & Dumb Institution.
Through a difficult process of trial and error, Robert and Jean manage to find a rudimentary way of communicating with each other. As Jean grows to trust Robert, she reveals what really happened on that bridge over the river Clyde. And Robert, now embroiled in this dark case, must act quickly to ensure justice is served, before it is too late.

In the burgeoning industrial city of Glasgow in 1817 Jean Campbell - a young, Deaf woman - is witnessed throwing a child into the River Clyde from the Old Bridge.

No evidence is yielded from the river. Unable to communicate with their silent prisoner, the authorities move Jean to the decaying Edinburgh Tolbooth in order to prise the story from her. The High Court calls in Robert Kinniburgh, a talented teacher from the Deaf & Dumb Institution, in the hope that he will interpret for them and determine if Jean is fit for trial. If found guilty she faces one of two fates; death by hanging or incarceration in an insane asylum.

Through a process of trial and error, Robert and Jean manage to find a rudimentary way of communicating with each other. As Robert gains her trust, Jean confides in him, and Robert begins to uncover the truth, moving uneasily from interpreter to investigator, determined to clear her name before it is too late.

Based on a landmark case in Scottish legal history Hear No Evil is a richly atmospheric exploration of nineteenth-century Edinburgh and Glasgow at a time when progress was only on the horizon. A time that for some who were silenced could mean paying the greatest price.

Since losing both of her parents, fifteen-year-old Katie can see and talk to ghosts, which makes her a loner until fellow student Law sees her drawing of a historic house and together they seek a treasure rumored to be hidden there by illegal slave-traders.

Law Walker knew Katie Mullens before she was crazy. Before her mother died. Law knows Katie’s crazy now, but she’s always been talented. And she keeps filling sketch pads even though her drawings have gone a little crazy as well—dark, bloody. What Law doesn’t know is that these drawings are real. Or were real. Katie draws what she sees—and Katie sees dead people. People who have died—recently, and not so recently—in accidents, from suicide, even a boy who was trapped in a house that burned down more than 100 years ago. And it’s this boy who makes Law want to get to know Katie all over again. So what if his dad doesn’t want him dating a white girl? So what if people think Katie is dangerous? The ghost boy is hiding a secret that Law needs to know—and it’s much bigger, much more shocking than anyone ever expected.