Новинки Брэда Паркса

Беда всегда ближе, чем ты думаешь. Мелани выучила этот урок еще в детстве, мотаясь от одной приемной семьи к другой. И сейчас, когда у нее есть любящий муж, стабильная работа и прекрасный сын по имени Алекс, она думает, что дни смятения остались позади… пока не сталкивается с одним из самых страшных кошмаров для матери – мальчика по неизвестным причинам забирают органы опеки. Дальнейшее все больше напоминает кошмарный сон. Полиция обыскивает дом Мелани и находит наркотики. Теперь улики против нее неопровержимы, и если Мелани не докажет свою невиновность, то навсегда потеряет Алекса. К делу Мелани приставляют государственного адвоката…

Дела у федерального судьи Скотта Сэмпсона идут как нельзя лучше — двое здоровых детей, любящая жена Элисон, трудная, но приносящая удовлетворение работа и наполненная семейными радостями повседневная жизнь. По крайней мере, так можно было сказать до 17.52 той среды. Той самой среды, с которой начался кошмар. В это время домой вернулась Элисон. Одна. Нельзя идти в полицию, нельзя идти в ФБР, нельзя обращаться к властям. Близнецы будут живы и невредимы до тех пор, пока судья будет делать то, что ему велено. "Ничего не предпринимай, ничего не говори…"

As long as Newark Eagle-Examiner reporter Carter Ross turns in his stories on deadline, no one bats an eye if he doesn't wander into the newsroom until 10 or 11 in the morning. So it's an unpleasant surprise when he's awakened at 8:38 a.m. by a phone call from his boss, telling him a local policeman was killed and to get the story. Shaking himself awake, Carter heads off to interview the cop's widow. And then he gets another call: the story's off, the cop committed suicide.

But Carter can't understand why a man with a job he loved, a beautiful wife, and plans to take his adorable children to Disney World would suddenly kill himself. And when Carter's attempts to learn more are repeatedly blocked, it's clear someone knows more than he's saying about the cop's death. The question is, who? And what does he have to hide? Carter, with his usual single-minded devotion to a good story—and to the memory of a Newark policeman—will do whatever it takes to uncover the truth.

In The Good Cop, Brad Parks is back with all the humor, charm, and human insight his readers have come to expect, and more.

Reading his own newspaper's obituaries, veteran reporter Carter Ross comes across that of a woman named Nancy Marino, who was the victim of a hit-and-run while she was on the job delivering copies of that very paper, the Eagle-Examiner. Struck by the opportunity to write a heroic piece about an everyday woman killed too young, he heads to her wake to gather tributes and anecdotes. It's the last place Ross expects to find controversy, which is exactly what happens when one of Nancy's sisters convinces him that the accident might not have been accidental at all.

It turns out that the kind and generous Nancy may have made a few enemies, starting with her boss at the diner where she was a part-time waitress, and even including the publisher of the Eagle-Examiner. Carterâ€s investigation of this seemingly simple story soon has him in big trouble with his full-time editor and sometime girlfriend, Tina Thompson, not to mention the rest of his bosses at the paper, but he can't let it go of the story is just too good, and it keeps getting better. But will his nose for trouble finally take him too far?

Brad Parks's smart-mouthed, quick-witted reporter returns in The Girl Next Door is another action-packed entry in his award-winning series, written with an unforgettable mix of humor and suspense.

Four bodies, each with a single bullet wound in the back of the head, stacked like cord-wood in a weed-choked vacant lot: That's the front-page news facing Carter Ross, investigative reporter with the Newark Eagle-Examiner. Immediately dispatched to the scene, Carter learns that the four victims an exotic dancer, a drug dealer, a hustler, and a mama's boy came from different parts of the city and didn't seem to know one another.

The police, eager to calm jittery residents, leak a theory that the murders are revenge for a bar stickup, and Carter's paper, hungry for a scoop, hastily prints it. Carter doesn't come from the streets, but he understands a thing or two about Newark's neighborhoods. And he knows there are no quick answers when dealing with a crime like this.

Determined to uncover the true story, he enlists the aide of Tina Thompson, the paper's smoking-hot city editor, to run interference at the office; Tommy Hernandez, the paper's gay Cuban intern, to help him with legwork on the streets; and Tynesha Dales, a local stripper, to take him to Newark's underside. It turns out that the four victims have one connection after all, and this knowledge will put Carter on the path of one very ambitious killer.

Faces of the Gone won the Shamus Award for Best First Novel and the Nero Award for Best American Mystery--it is the first book to receive both awards. The book was named to lists of the year's best mystery debuts by the Chicago Sun-Times and South Florida Sun-Sentinel.