Последние издания книг Кристофер Фаулер

One night, Arthur Bryant witnesses a drunk middle-aged lady coming out of a pub in a London backstreet. The next morning, she is found dead at the exact spot where their paths crossed. Even more disturbing, the pub has vanished. Bryant is convinced that he saw them as they were over a century before, but the elderly detective has already lost the funeral urn of an old friend. Could he be losing his mind as well?
Then it becomes clear that a number of women have met their ends in London pubs. It seems a silent, secret killer is at work, striking in full view...and yet nobody has a clue how, or why - or where he'll attack next. The likeliest suspect seems to be a mental patient with a reason for killing. But knowing who the killer is and catching him are two very different propositions.
As their new team at the Peculiar Crimes Unit goes in search of a madman, the octogenarian detectives ready themselves for the pub crawl of a lifetime, and come face to face with their own mortality...

London is under siege. A banking scandal has filled the city with violent protests, and as the anger in the streets detonates, a young homeless man burns to death after being caught in the crossfire between rioters and the police.
But all is not as it seems; an opportunistic killer is using the chaos to exact revenge, but his intended victims are so mysteriously chosen that the Peculiar Crimes Unit is called in to find a way of stopping him.
Using their network of eccentric contacts, elderly detectives Arthur Bryant and John May hunt down a murderer who adopts incendiary methods of execution. But they soon find their investigation taking an apocalyptic turn as the case comes to involve the history of mob rule, corruption, rebellion, punishment and the legend of Guy Fawkes.
At the same time, several members of the PCU team reach dramatic turning points in their lives - but the most personal tragedy is yet to come, for as the race to bring down a cunning killer reaches its climax, Arthur Bryant faces his own devastating day of reckoning.
'I always said we'd go out with a hell of a bang,' warns Bryant.

When a bomb devastates the office of London's most unusual police unit and claims the life of its oldest detective, Arthur Bryant, his surviving partner John May searches for clues to the bomber's identity. His search takes him back to the day the detectives first met as young men in 1940. In Blitz-ravaged London, a beautiful dancer rehearsing for a sexy, sinister production of 'Orpheus In The Underworld' is found without her feet. Bryant & May's investigation plunges them into a bizarre gothic mystery, where a faceless man stalks terrified actors and death strikes in darkness. Tracking their quarry through the blackout, searching for a murderer who'll stop at nothing to be free of a nightmare, the duo unwittingly follow the same path Orpheus took when leading Euridyce from the shadows of Hell. Back in the present day, John May starts to wonder if their oldest adversary might be the killer who took his partner's life. He must work alone to solve a puzzle that began over half a century earlier... In a war-shaken city of myths, rumours and fear, Bryant & May discover that a house is not always a home, nothing is as it appears, the most cunning criminals hide in plain sight, and the devil has all the best tunes. Dark drama and black comedy combine as Bryant & May take centre stage in their first great case.

Originally built to house the workers of Victorian London, Balaklava Street is now an oasis in the heart of Kentish Town and ripe for gentrification. But then the body of an elderly woman is found at Number 5. Her death would appear to have been peaceful but for the fact that her throat is full of river water. It falls to the Met's Peculiar Crimes Unit, led by London's longest-serving detectives, Arthur Bryant and John May, to search for something resembling a logical solution. Their initial investigations draw a blank and Bryant's attention is diverted into strange and arcane new territory, while May finds himself in hot water when he attempts to save the reputation of an academic whose knowledge of the city's forgotten underground rivers looks set to ruin his career. In the meantime, the new owner of Number 5 is increasingly unsettled by the damp in the basement of her home, the particularly resilient spiders and the ghostly sound of rushing water . . . Pooling their information to investigate hitherto undiscovered secrets of the city, Bryant and May make some sinister connections and realize that, in a London filled with the rich, the poor and the dispossessed, there's still something a desperate individual is willing to kill for - and kill again to protect. With the PCU facing an uncertain future, the death toll mounts and two of British fiction's most enigmatic detectives must face madness, greed and revenge, armed only with their wits, their own idiosyncratic practices and a plentiful supply of boiled sweets, in a wickedly sinuous mystery that goes to the heart of every London home.

A controversial artist is found dead in her own art installation inside a riverside gallery with locked doors and windows - the only witness is a small boy who insists the murderer was a masked man on a horse. A television presenter is struck by lightning while indoors... Two seemingly impossible crimes that only Arthur Bryant and John May of the Met's Peculiar Crimes Unit might be able to solve. But Bryant has lost his nerve following a disastrous public appearance, and May is fighting to keep the unit from closure. Worse still, the case of the Leicester Square Vampire, an unsolved mystery from the past that changed both their lives, has…

Long regarded an anachronism and a thorn in the side of its superiors, the Peculiar Crimes Unit is to be disbanded. For octogenarian detectives Arthur Bryant and John May, it seems retirement is now the only option. But then a headless body is found in a freezer, and on the perimeter of a massive construction site near King's Cross, a gigantic figure has been spotted - dressed in deerskin and sporting antlers made of knives and suddenly, with limited resources and very little time, the PCU are back in business...

The defenestration of a ruthless theatre impresario's young son was definitely not the best way to end the play's first night party. And the crime scene itself was most unusual: a locked bedroom, with no sign of forced entry, no prints or traces of blood, just a sinister, life-size puppet of Mr Punch lying on the floor... Everyone at the party - from the dodgy producer and rakish male lead to the dour set designer and the assistant stage manager (the wild daughter of a prominent civil servant) - is a suspect. It's a perfect case for Bryant and May and the Peculiar Crimes Unit but the Home Office, wary of the PCU's eccentric methods and intensely aware of the potential political embarrassment, wants them off the investigation. The elderly detectives are not so easily deterred, however. Delving into the history of London theatre and the gruesome origins of 'Punch and Judy', they uncover a maniacal killer is at work - one who must be caught before it's curtains for everyone!

Winner of CrimeFest 2013's 'eDunnit Award' for 'the best crime fiction ebook published in 2012 in both hardcopy and in electronic format'. Two small children are playing a game called 'Witch-Hunter'. They place a curse on a young woman taking lunch in a church courtyard and wait for her to die. An hour later the woman is indeed found dead inside St Bride's Church - a building that no-one else has entered. Unfortunately Bryant & May are refused the case. Instead, there are hired by their greatest enemy to find out why his wife has suddenly started behaving strangely. She's become an embarrassment to him at government dinners, and he is…

It’s the late 1970s and 20-something Christopher Fowler is a film freak, obsessively watching lousy films in run-down fleapit cinemas. He longs to be a famous screenwriter and put his dreams on the big screen. And so he heads for Wardour Street, Britain’s equivalent of Hollywood. But he’s made a spectacular mistake, arriving just as the nation’s filmmakers are falling to their knees, brought low by the arrival of video and the destruction of the old movie palaces. The only films being made are smutty low budget farces and TV spinoffs and instead of being asked to write another 'Bullitt’, he's churning out short films advertising boilers and nylon sheets. Somehow, against the odds, he finds success – although in a very different guise to the one he expected. From the sticky Axminster of the local cinema to the red carpet at Cannes, Film Freak is a grimly hilarious and acutely observed trawl through the arse-end of the British film industry that turns into an ultimately affecting search for friendship and happiness.

It’s a fresh start for the Met's oddest investigation team, the Peculiar Crimes Unit. Their first case involves two teenagers who see a dead man rising from his grave in a London park. And if that's not alarming enough, one of them is killed in a hit and run accident. Stranger still, in the moments between when he was last seen alive and found dead on the pavement, someone has changed his shirt... Much to his frustration, Arthur Bryant is not allowed to investigate. Instead, he has been tasked with finding out how someone could have stolen the ravens from the Tower of London. All seven birds have vanished from one of the most secure…

Серая жизнь Мартина, клерка одного из лондонских магазинов, неожиданно полностью меняется. Вечно недовольный собой и своей жизнью, он вдруг становится блестящим плейбоем и покорителем сердец. Спанки, повстречавшийся ему демон в человеческом облике, дает все - от дорогих нарядов и машин до чужих талантов, обаяния и просто удачи.
Но свет меркнет для Мартина, когда он узнает, какую цену требует за все это Спанки…

The defenestration of a ruthless theatre impresario's young son was definitely not the best way to end the play's first night party. And the crime scene itself was most unusual: a locked bedroom, with no sign of forced entry, no prints or traces of blood, just a sinister, life-size puppet of Mr Punch lying on the floor... Everyone at the party - from the dodgy producer and rakish male lead to the dour set designer and the assistant stage manager (the wild daughter of a prominent civil servant) - is a suspect. It's a perfect case for Bryant and May and the Peculiar Crimes Unit but the Home Office, wary of the PCU's eccentric methods and…

They were popular, influential and often hugely successful, but then they vanished from bookshelves, even in their own lifetimes.

There are a great many authors we grew up with whose books became touchstones in our lives, who have simply disappeared. Adopting false identities, switching genders, losing fortunes, descending into alcoholism, discovering new careers, the stories of the missing authors are often more surprising than any of the fictions they wrote.
But their books live on in our homes and our memories. They’re passed to our children, to our friends, to secondhand shops. And sometimes they surprise everyone by revealing their secrets…

These are the extraordinary stories of over one hundred forgotten authors. Some chose their own fates, some were simply unlucky, but many should be remembered and revered by all book lovers.

Англия, день завтрашний. Страна в глубоком экономическом и моральном упадке; близится катастрофа. Новый Фестиваль Британии - беспомощная попытка поднять дух нации, все равно что пир во время чумы или оргия на пожаре. В Южном Лондоне специально под грандиозное действо расчищается площадка, сносится церковное кладбище. Из разрытых могил выбирается средневековый "зомби-вирус", называемый в просторечии "погибелью". Вот уже первые его жертвы, обезумев от голода, на кровавых зубах и ногтях понесли заразу дальше. И даже в смерти человек больше не находит упокоения - вирус обладает сверхъестественной способностью поднимать на ноги мертвых…

Среди авторов антологии произведения признанных мастеров жанра, таких как Кристофер Фаулер, Танит Ли, Пол Макоули. Ким Ньюман и другие.

Early on an unseasonably warm Christmas Eve, Arthur Bryant of the Met's Peculiar Crimes Unit is summoned by the Home Office to attend a crime scene. Later that morning, he meets his colleague John May at a bus stop near Marble Arch. At Bryant's insistence, the two elderly detectives board an open-top tourist bus where he explains that they are in pursuit of the individual who strangled a 54 year-old cleaning lady in her flat the night before. As the old Routemaster trundles past some of London's iconic tourist sights - Oxford Circus, Regent Street, Nelson's Column, Whitehall, the palace of Westminster and even New Scotland Yard (a journey…

Imagine there was a supernatural chiller that Hammer Films never made. A grand epic produced at the studio's peak, which played like a cross between the Dracula and Frankenstein films and Dr Terror's House Of Horrors... Four passengers meet on a train journeying through Eastern Europe during the First World War, and face a mystery that must be solved if they are to survive. As the Arkangel races through the war-torn countryside, they must find out: What is in the casket that everyone is so afraid of? What is the tragic secret of the veiled Red Countess who travels with them? Why is their fellow passenger the army brigadier so feared by his own men? And what exactly is the devilish secret of the Arkangel itself? Bizarre creatures, satanic rites, terrified passengers and the romance of travelling by train, all in a classically styled horror novel.

The book is fabulous, and I hope it sells forever. Entrancing, funny, deeply moving and wonderfully written. Please read it Upbeat and forgiving...Fowler's South London childhood was deeply weird...but the tone is sunny, and anyone who remembers Mivvis, jamboree bags, streets with no cars, Sid James and vast old Odeons will love this Sixties retro-fest. INDEPENDENT ON SUNDAY Paper-dry wit and natural charm...brutally funny. LONDON LITE A wonderfully vigorous read, confident in its total recall and acute in its deft definitions of characters. Delightfully written, this funny and engrossing memoir is a wonderful evocation of a Fifties and Sixties childhood CHOICE 'Book of the Month' Paper-dry wit, natural charm, brutally funny anecdotes - Fowler's likeable memoir unearths the trail that led the schoolboy to become a writer LONDON EVENING STANDARD Beautiful, magical and moving DAILY MAIL Humorously recounted, Fowler's passion for reading is framed by an affectionate description of his London childhood, adding colour to a memoir packed with anecdotes FINANCIAL TIMES His book is an almost Morrissey-like lament, with a similar plangent drollery, for a sixties childhood spent in a backwater of Greenwich. Fowler has both a taste and a flair for the lurid. His mother is lovingly evoked in this memoir. The book has a well-rounded narrative arc, incidentally, and the father is redeemed by some closing revelations. Here are the roots of an author who would become romantically committed to the most romantic forms of storytelling. I wonder whether the computer-driven generation will find the same solace and the kind of energy that drives Fowler NEW STATESMAN Written truthfully and bringing towards its conclusion a moving reconciliation. It also contains one of the best encapsulations of what it is to be a writer THE SCOTSMAN If you were born in the suburbs in 1953, this book has your name on it. Actually, it has Christopher Fowler's, but this memoir is exactly right for anyone who wished they had been born in a less embarrassing time, place and family. Even in the direst of family discords, the laughter lurked INDEPENDENT I loved Paperboy. It took me back to Vesta Chow Mein and the dire warnings that reading would 'hurt my eyes'. The fifties and sixties are represented as a golden age in which to grow up. Christopher Fowler reminds us they were not that great!

They've been given just one week to find a killer they'd caught once before . . . Arthur Bryant, John May and the Peculiar Crimes Unit are on the trail of an enigma: a young man called Mr Fox. But his identity is false, his links to society are invisible and his home yields no clues. All they know is that somehow he escaped from a locked room and murdered one of their best and brightest. Now the detectives are being lured down into the darkest recesses of the London Underground where their quarry, expertly disguised, has struck again. Their search takes them into the vast labyrinth of tunnels, a subterranean world full of legends and…