David Morgan – лучшие книги

With their dead parrots, holy grails and spam, Monty Python revolutionised comedy for the rest of the world. They paved the way for everything from Saturday Night Live to The Young Ones and The Simpsons, ushering in a new brand of surrealist comedy: a stream-of-consciousness sketch show that pushed the boundaries of format, style and content. Its legacy is not only important; it’s monumental.
In Monty Python Speaks!, David Morgan has extensively interviewed the entire world of Python – from producers and collaborators like Douglas Adams and Hank Azaria to the founding members themselves – to create the ultimate record of Britain’s most rebellious and successful comedy act. Packed with rare and never-before-seen photographs, and told with the group’s customary wit and irreverence, this newly updated edition, published to coincide with the 50th anniversary of their first appearance on the BBC, is the inside story of a comedy phenomenon.

The complete oral history of Monty Python – one of comedy's most legendary and influential troupes – publishing to coincide with the 50th anniversary of their BBC debut.With a foreword by John Oliver from Last Week Tonight‘Gilliam is one of the most manipulative bastards in that group of manipulative bastards. Michael is a selfish bastard, Cleese a control freak, Jonesy is shagged out and now forgets everything, and Graham as you know is still dead. I am the only real nice one!’ Eric IdleWith their dead parrots, holy grails and spam, Monty Python revolutionised comedy for the rest of the world. They paved the way for everything from Saturday Night Live to The Young Ones to The Simpsons. Its founding members, including the supremely talented writers/performers John Cleese, Terry Gilliam, Terry Jones and Michael Palin, ushered in a new brand of surrealist comedy: a stream-of-consciousness sketch show that pushed the boundaries of format, style and content. Its legacy is not only important; it’s monumental.In Monty Python Speaks!, David Morgan has extensively interviewed the entire world of Python – from producers and collaborators like Douglas Adams, to the founding members themselves – to create the ultimate record of Britain’s most revolutionary and successful comedy act. Packed with rare and never-before-seen photographs, and told with all the group’s customary wit and irreverence (and spam), this is the inside story of a comedy phenomenon.

How far have universities in post-Communist states adopted the practices and habits of their branded and consumer-oriented equivalents in the English-speaking world? While not assuming that university education in those states reflects in any mechanistic way the regulated, business-led system long established in places like the US, and now being dramatically realized in countries like Britain, this edited collection identifies some marked shifts in the direction of what might best be described as ‘neoliberalisation’, examining its particularities in local situations where establishment ideologies were, until the early 1990s, deeply alien to all kinds of commercially driven entities. Many of the authors are concerned not only with the linked issues of commercialism, instrumentalism, bureaucracy, and managerialism, framed locally and nationally, but also with the meaning and purpose of universities outside or against their status as efficient gatherers of income. The collection makes specific reference to Lithuania, Hungary, Azerbaijan, Ukraine, Georgia, and Russia, and comprises theoretical as well as empirical studies of diverse but connected subjects, including the marketization of the academy, regional reactions to globalization as expressed in the representational rhetoric of specific curricula, the role and place of civic education, comparisons between educational settings, pedagogies for a critical and ethical consciousness, corporate and state demands and their effects on academic freedom, and the positive potential of new communication technologies. In all these cases, the system of neoliberalism, or rather an uneven process of neoliberalisation, forms a backdrop to the particular issues discussed.

&uot;Molekularbiologie der Zelle" ist das f?hrende Lehrbuch der Zellbiologie, international ebenso wie im gesamten deutschsprachigen Raum. Studierende in den F?chern Molekularbiologie, Genetik, Zellbiologie, Biochemie und Biotechnologie begleitet dieses Buch durch das gesamte Studium, die Pr?fungen und dar?ber hinaus. Mit erstklassiger und bew?hrter Didaktik f?hrt die sechste Auflage sowohl in die grundlegenden Konzepte der Zellbiologie als auch in deren faszinierende Anwendungen in Medizin, Gentechnik und Biotechnologie ein. Sie vermittelt neue Erkenntnisse zu intrazellul?rer Organisation, Membranstruktur, Dynamik und Transport und stellt hochaktuelle Themen verst?ndlich dar, wie Nuclear Reprogramming und neu entdeckte Funktionen der RNA. Der unverwechselbare, zum Lesen verf?hrende «Alberts»-Stil wird erg?nzt durch ?ber 1400 Farbabbildungen und 21 gro?e Tafeln, die komplexe Vorg?nge, klassische Experimente und aktuelle Methoden verdeutlichen. Vertieft wird der Stoff durch das frei zug?ngliche Zusatzmaterial auf www.wiley-vch.de/home/MolBioZelle6. Kostenloses Bonusmaterial f?r Dozenten ist erh?ltlich auf www.wiley-vch.de/textbooks.

Religions teach their adherents how to see and feel at the same time; learning to see is not a disembodied process but one hammered from the forge of human need, social relations, and material practice. David Morgan argues that the history of religions may therefore be studied through the lens of their salient visual themes. The Forge of Vision tells the history of Christianity from the sixteenth century through the present by selecting the visual themes of faith that have profoundly influenced its development. After exploring how distinctive Catholic and Protestant visual cultures emerged in the early modern period, Morgan examines a variety of Christian visual practices, ranging from the imagination, visions of nationhood, the likeness of Jesus, the material life of words, and the role of modern art as a spiritual quest, to the importance of images for education, devotion, worship, and domestic life. An insightful, informed presentation of how Christianity has shaped and continues to shape the modern world, this work is a must-read for scholars and students across fields of religious studies, history, and art history.