Питер Акройд — библиография

In "Civil War", Peter Ackroyd continues his dazzling account of England's history, beginning with the progress south of the Scottish king, James VI, who on the death of Elizabeth I became the first Stuart king of England, and ends with the deposition and flight into exile of his grandson, James II. The Stuart dynasty brought together the two nations of England and Scotland into one realm, albeit a realm still marked by political divisions that echo to this day. More importantly, perhaps, the Stuart era was marked by the cruel depredations of civil war, and the killing of a king.
Ackroyd paints a vivid portrait of James I and his heirs. Shrewd and opinionated, the new King was eloquent on matters as diverse as theology, witchcraft and the abuses of tobacco, but his attitude to the English parliament sowed the seeds of the division that would split the country in the reign of his hapless heir, Charles I. Ackroyd offers a brilliant - warts and all - portrayal of Charles's nemesis Oliver Cromwell, Parliament's great military leader and England's only dictator, who began his career as a political liberator but ended it as much of a despot as 'that man of blood', the king he executed.
England's turbulent seventeenth century is vividly laid out before us, but so too is the cultural and social life of the period, notable for its extraordinarily rich literature, including Shakespeare's late masterpieces, Jacobean tragedy, the poetry of John Donne and Milton and Thomas Hobbes' great philosophical treatise, Leviathan. Civil War also gives us a very real sense of the lives of ordinary English men and women, lived out against a backdrop of constant disruption and uncertainty.

Innovation brings Peter Ackroyd's History of England to a triumphant close. In it, Ackroyd takes readers from the end of the Boer War and the accession of Edward VII to the end of the twentieth century, when his great-granddaughter Elizabeth II had been on the throne for almost five decades.
A century of enormous change, encompassing two world wars, four monarchs (Edward VII, George V, George VI and the Queen), the decline of the aristocracy and the rise of the Labour Party, women's suffrage, the birth of the NHS, the march of suburbia and the clearance of the slums. It was a period that saw the work of the Bloomsbury Group and T. S. Eliot, of Kingsley Amis and Philip Larkin, of the end of the post-war slump to the technicolour explosion of the 1960s, to free love and punk rock and from Thatcher to Blair.
A vividly readable, richly peopled tour de force, it is Peter Ackroyd writing at his considerable best.

Revolution, the fourth volume of Peter Ackroyd's enthralling History of England begins in 1688 with a revolution and ends in 1815 with a famous victory.
In it, Ackroyd takes readers from William of Orange's accession following the Glorious Revolution to the Regency, when the flamboyant Prince of Wales ruled in the stead of his mad father, George III, and England was - again -at war with France, a war that would end with the defeat of Napoleon at Waterloo.
Late Stuart and Georgian England marked the creation of the great pillars of the English state. The Bank of England was founded, as was the stock exchange, the Church of England was fully established as the guardian of the spiritual life of the nation and parliament became the sovereign body of the nation with responsibilities and duties far beyond those of the monarch. It was a revolutionary era in English letters, too, a time in which newspapers first flourished and the English novel was born. It was an era in which coffee houses and playhouses boomed, gin flowed freely and in which shops, as we know them today, began to proliferate in our towns and villages. But it was also a time of extraordinary and unprecedented technological innovation, which saw England utterly and irrevocably transformed from a country of blue skies and farmland to one of soot and steel and coal.

Following on from Foundation, Tudors is the second volume in Peter Ackroyd's astonishing series, "The History of England".
Rich in detail and atmosphere and told in vivid prose, Tudors recounts the transformation of England from a settled Catholic country to a Protestant superpower. It is the story of Henry VIII's cataclysmic break with Rome, and his relentless pursuit of both the perfect wife and the perfect heir; of how the brief reign of the teenage king, Edward VI, gave way to the violent reimposition of Catholicism and the stench of bonfires under "Bloody Mary". It tells, too, of the long reign of Elizabeth I, which, though marked by civil strife, plots against the queen and even an invasion force, finally brought stability.
Above all, however, it is the story of the English Reformation and the making of the Anglican Church. At the beginning of the sixteenth century, England was still largely feudal and looked to Rome for direction; at its end, it was a country where good governance was the duty of the state, not the church, and where men and women began to look to themselves for answers rather than to those who ruled them.

Having written enthralling biographies of London and of its great river, the Thames, Peter Ackroyd now turns to England itself. This first volume of six takes us from the time that England was first settled, more than 15,000 years ago, to the death in 1509 of the first Tudor monarch, Henry VII. In Foundation, Ackroyd takes us from Neolithic England, which we can only see in the most tantalizing glimpses - a stirrup found in a grave, some seeds at the bottom of a bowl - to the long period of Roman rule; from the Dark Ages when England was invaded by a ceaseless tide of Angles, Saxons and Jutes, to the twin glories of medieval England - its great churches and monasteries and its common law. With his extraordinary skill for evoking time and place, he tells the familiar story of king succeeding king in rich prose, with profound insight and some surprising details. The food we ate, the clothes we wore, the punishments we endured, even the jokes we told are all found here, too.

'There is no Light without Darknesse and no Substance without Shaddowe'
So proclaims Nicholas Dyer, assistant to Sir Christopher Wren and the man with a commission to build seven London churches to stand as beacons of the enlightenment. But Dyer plans to conceal a dark secret at the heart of each church - to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches - crimes that make no sense to the modern mind . . .

Peter Ackroyd at his most magical and magisterial - a glittering, evocative, fascinating, story-filled portrait of Venice: ultimate city.
In this magnificent vision of Venice, Peter Ackroyd turns his unparalleled skill at evoking place from London and the River Thames, to Italy and the city of myth, mystery and beauty. He leads us through the history of the city, from the first refugees arriving in the mists of the lagoon in the fourth century to the rise of a great mercantile state and a trading empire, the wars against Napoleon and the tourist invasions of today. There are wars and sieges, scandals and seductions, fountains playing in deserted squares and crowds thronging the markets. And there is a dark undertone too, of shadowy corners and dead ends, prisons and punishment.
We could have no better guide to this most exceptional of cities - reading Ackroyd's Venice is, in itself, a glorious journey and the perfect holiday.

A gripping retelling of the timeless epic of romance, enchantment and adventure, Peter Ackroyd's The Death of King Arthur recasts Sir Thomas Malory's Le Morte d'Arthur in clear, compelling modern English prose, published in Penguin Classics.
'In the old wild days of the world there was a King of England known as Uther Pendragon; he was a dragon in wrath as well as in power ...'
Born with the help of Merlin's magic, blessed with the sword of Excalibur, Arthur becomes King of a troubled England, beginning a golden age of chivalry at the court of Camelot. But his reign is soon to be torn apart by violence, revenge and tragedy ...
Sir Thomas Malory's Le Morte d'Arthur made the legend of King Arthur immortal. Now Peter Ackroyd's retelling brings his timeless story of love, heroism and betrayal to new life for our times.
Sir Thomas Malory (c.1405-1471) was a knight and estate owner in the mid 15th century, who spent many years in prison for political crimes as well as robbery. He wrote Le Morte d'Arthur, the first great English prose epic, while imprisoned in Newgate.
Peter Ackroyd (b. 1949) is an award-winning writer and historian. Formerly literary editor of The Spectator and chief book reviewer for the The Times, he is the author of novels such as Hawksmoor (1985) and The House of Doctor Dee (1993), as well as non-fiction including Dickens: Public Life and Private Passion (2002), London: The Biography (2000), and Thames: Sacred River (2007).

An abridged edition of Peter Ackroyd's magisterial biography of the city of London.
Prize-winning historian, novelist and broadcaster, Peter Ackroyd takes us on a journey - historical, geographical and imaginative - through the city of London. Moving back and forth through time, Ackroyd is an effortless, exuberant guide to times of plague and pestilence, fire and floods, crime and punishment, and sex and theatre. He brings the ever changing streets alive for the reader and shows us what lies beneath our feet and above our heads. His biography is as rich in detail and fizzing with vitality as the city itself.

London Under is an atmospheric, imaginative introduction to everything that goes on under London, from original springs and streams and Roman amphitheatres to Victorian sewers, gang hideouts and modern Underground stations. This book tunnels down through the geological layers, meeting the creatures, both real and fictional, that dwell in the darkness - rats and eels, monsters and ghosts. From the Anglo-Saxon graves under St Paul's, to the hydraulic device in Kensal Green cemetery which lowered bodies into the catacombs below, to the fossils uncovered when the Victoria Line was built and the gold bars within the Bank of England's vaults, London Under takes you into a hidden world, beneath our feet.

Before the Ripper, fear had another name.
London, 1880. A series of gruesome murders attributed to the mysterious 'Limehouse Golem' strikes fear into the heart of the capital. Inspector John Kildare must track down this brutal serial killer in the damp, dark alleyways of riverside London. But how does Dan Leno, music hall star extraordinaire, find himself implicated in this crime spree, and what does Elizabeth Cree, on trial for the murder of her husband, have to hide?
Peter Ackroyd brings Victorian London to life in all its guts and glory, as we travel from the glamour of the music hall to the slums of the East End, meeting George Gissing and Karl Marx along the way.

?arli ?aplini planetin hər yerində uşaqdan b?y?yədək hamı tanıyır. Bu kitab isə onun misilsiz ş?hrətə uzanan həyat yoluna işıq tutan ən yaxşı bioqrafik əsər sayıla bilər.

Биографические работы известного британского романиста и филолога Питера Акройда неизменно пользуются успехом у российских читателей. Что касается предмета его биографического исследования – писателя Уилки Коллинза, – то этот автор давно стал частью отечественной литературной картины мира, ведь «Лунный камень» и «Женщина в белом» еще с 1970-х годов служили украшением домашних библиотек. Акройд рассказывает о жизни Уилки Коллинза, его дружбе и сотрудничестве с Диккенсом, путешествиях, книгах – и одновременно рисует многоплановую картину жизни викторианской Англии.
На русском языке книга публикуется впервые.

История Англии – это непрерывное движение и череда постоянных изменений. Но всю историю Англии начиная с первобытности пронизывает преемственность, так что главное в ней – не изменения, а постоянство. До сих пор в Англии чувствуется неразрывная связь с прошлым, с традициями и обычаями. До сих пор эта страна сопротивляется изменениям в любом аспекте жизни. Питер Акройд показывает истоки вековой неизменности Англии, ее консерватизма и приверженности прошлому. Период между Славной революцией (1688) и победой армии союзников при Ватерлоо (1815) вобрал в себя множество событий. Поражение Якова II и правление Вильгельма III Оранского, война за…

История Англии – это непрерывное движение и череда постоянных изменений. Но всю историю Англии начиная с первобытности пронизывает преемственность, так что главное в ней – не изменения, а постоянство. До сих пор в Англии чувствуется неразрывная связь с прошлым, с традициями и обычаями. До сих пор эта страна сопротивляется изменениям в любом аспекте жизни. Питер Акройд показывает истоки вековой неизменности Англии, ее консерватизма и приверженности прошлому. В фокусе этой книги – период английской истории, который ознаменовался правлениями Якова VI (Якова I), ставшего после смерти Елизаветы I первым Стюартом на английском престоле, и…

A brief yet definitive new biography of one of film's greatest legends: perfect for readers who want to know more about the iconic star but who don't want to commit to a lengthy work. He was the very first icon of the silver screen and is one of the most recognizable of Hollywood faces, even a hundred years after his first film. But what of the man behind the moustache? Peter Ackroyd's new biography turns the spotlight on Chaplin's life as well as his work, from his humble theatrical beginnings in music halls to winning an honorary Academy Award. Everything is here, from the glamor of his golden age to the murky scandals of the 1940s and eventual exile to Switzerland. There are charming anecdotes along the way: playing the violin in a New York hotel room to mask the sound of Stan Laurel frying pork chops and long Hollywood lunches with Mary Pickford and Douglas Fairbanks Jr. This masterful brief biography offers fresh revelations about one of the most familiar faces of the last century and brings the Little Tramp vividly to life.