Сара Ахмед – лучшие книги

What do emotions do? How do emotions move us or get us stuck? In developing a theory of the cultural politics of emotion, Sara Ahmed focuses on the relationship between emotions, language, and bodies. She shows how emotions are named in speech acts, as well as how they involve sensations that can be felt not only emotionally, but physically. A new methodology for reading 'the emotionality of texts' is offered as are analyses of the role of emotions in debates on international terrorism, asylum and migration, and reconciliation and reparation. Attending to the intersections between race, gender, and sexuality, The Cultural Politics of Emotion is in dialogue with key trends in gender studies and cultural studies, the psychology and sociology of emotions, and phenomenology and psychoanalysis. It takes as its point of entry different emotions -- pain, hate, fear, disgust, shame, and love -- and reflects on the role of emotions in feminist and queer politics.

In a special afterword to this tenth anniversary edition, Ahmed explains to readers how this classic book relates to other key works in the emergent field of affect studies and also reflects on the way the book has been part of her own intellectual trajectory.

The Promise of Happiness is a provocative cultural critique of the imperative to be happy. It asks what follows when we make our desires and even our own happiness conditional on the happiness of “I just want you to be happy”; “I’m happy if you’re happy.” Combining philosophy and feminist cultural studies, Sara Ahmed reveals the affective and moral work performed by the “happiness duty,” the expectation that we will be made happy by taking part in that which is deemed good, and that by being happy ourselves, we will make others happy. Ahmed maintains that happiness is a promise that directs us toward certain life choices and away from others. Happiness is promised to those willing to live their lives in the right way. Ahmed draws on the intellectual history of happiness, from classical accounts of ethics as the good life, through seventeenth-century writings on affect and the passions, eighteenth-century debates on virtue and education, and nineteenth-century utilitarianism. She engages with feminist, antiracist, and queer critics who have shown how happiness is used to justify social oppression, and how challenging oppression causes unhappiness. Reading novels and films including Mrs. Dalloway , The Well of Loneliness , Bend It Like Beckham , and Children of Men , Ahmed considers the plight of the figures who challenge and are challenged by the attribution of happiness to particular objects or social the feminist killjoy, the unhappy queer, the angry black woman, and the melancholic migrant. Through her readings she raises critical questions about the moral order imposed by the injunction to be happy.

Examining the relationship between strangers, embodiment and community, Strange Encounters challenges the assumptions that the stranger is simply anybody we do not recognize and instead proposes that he or she is socially constructued as somebody we already know. Using feminist and postcolonial theory this book examines the impact of multiculturalism and globalization on embodiment and community whilst considering the ethical and political implication of its critique for post-colonial feminism.

A diverse range of texts are analyzed which produce the figure of 'the stranger', showing that it has alternatively been expelled as the origin of danger - such as in neighbourhood watch, or celebrated as the origin of difference - as in multiculturalism. The author argues that both of these standpoints are problematic as they involve 'stranger fetishism'; they assume that the stranger 'has a life of its own'.