Пола Хокинс — новинки

Лора багато разів була підсудною. Її вважають небезпечною та неадекватною. А вона повсякчас бачить перед собою світло фар та обличчя материного коханця... Чому вона досі пам’ятає це?

Міріам стала свідком того, як Лора покидала місце злочину зі слідами крові на одязі. Проте життя навчило Міріам не довіряти побаченому. Бо інколи людина просто опиняється не в тому місці не в той час. Як її мертва подруга...

Карла й досі не оговталася від жорстокого вбивства племінника. Вона переконана: на зло здатен кожен. І ладна на все, аби довести цю істину.

Три жінки. Один убивця.

The Scorching New Thriller From The Bestselling Author Of The Girl On The Train And Into The Water
'This twisted story with its cast of damaged characters builds to a brilliant conclusion.'
Shari Lapena
'Here are characters who are real and likeable, even when they are complicated and flawed. Paula Hawkins is a genius'
Lisa Jewell
Three women, connected by one brutal crime.
Three women, determined to right the wrongs done to them.
Three women, with everything to hide.
When it comes to revenge, even good people are capable of terrible things.
But only one person killed Daniel Sutherland.
How long can their secrets smoulder, before they explode into flame?

'How can you say things like this? How can you be so blind?'

Since they were kids, Edie, Jake and Ryan have been the closest of friends. It's been the three of them against the world. Edie thought the bonds between them were unbreakable. So when Jake is brutally murdered and Ryan accused of the crime, her world is shattered.

Edie is alone for the first time in years, living in the remote house that she and Jake shared. She is grief-stricken and afraid - with good reason. Because someone is watching. Someone has been waiting for this moment. Now that Edie is alone, the past she tried so hard to leave behind is about to catch up with her...

Just days before her sister plunged to her death, Jules ignored her call.
Now Nel is dead. They say she jumped. And Jules must return to her sister's house to care for her daughter, and to face the mystery of Nel's death.
But Jules is afraid. Of her long-buried memories, of the old Mill House, of this small town that is drowning in secrecy . . .
And of knowing that Nel would never have jumped.

It's the quiet ones you have to watch
Three women, connected by one brutal crime.
Three women, determined to right the wrongs done to them.
Three women, with everything to hide.
When it comes to revenge, even good people are capable of terrible things.
But only one person killed Daniel Sutherland.
How long can their secrets smoulder, before they explode into flame?

'What is wrong with you?'
Laura has spent most of her life being judged. She's seen as hot-tempered, troubled, a loner. Some even call her dangerous.
Miriam knows that just because Laura is witnessed leaving the scene of a horrific murder with blood on her clothes, that doesn't mean she's a killer. Bitter experience has taught her how easy it is to get caught in the wrong place at the wrong time.
Carla is reeling from the brutal murder of her nephew. She trusts no one: good people are capable of terrible deeds. But how far will she go to find peace?
Innocent or guilty, everyone is damaged. Some are damaged enough to kill.
Look what you started.

Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She's even started to feel like she knows the people who live in one of the houses. 'Jess and Jason', she calls them. Their life - as she sees it - is perfect. If only Rachel could be that happy.
And then she sees something shocking. It's only a minute until the train moves on, but it's enough.
Now everything's changed. Now Rachel has a chance to become a part of the lives she's only watched from afar.
Now they'll see; she's much more than just the girl on the train...

Не так давно Нел оставила своей сестре Джулс странное сообщение, но та не ответила. Теперь Нел мертва, а Джулс вынуждена приехать в родной городок, чтобы забрать осиротевшую племянницу. Она возвращается в то место, где прошла ее юность, — юность, о которой хотела бы забыть навсегда. Ее преследуют воспоминания о том, что произошло много лет назад. Ее пугает уверенность в том, что сестра не покончила с собой, а была убита. Но сильнее всего она опасается заводи, прозванной Смертельной, — заводи, в чьих обманчиво спокойных водах погибло слишком много женщин. И возможно, она боится не зря… Кто знает, что кроется в тихом омуте?

Лора багато разів була підсудною. Її вважають небезпечною та неадекватною. А вона повсякчас бачить перед собою світло фар та обличчя материного коханця... Чому вона досі пам’ятає це?
Міріам стала свідком того, як Лора покидала місце злочину зі слідами крові на одязі. Проте життя навчило Міріам не довіряти побаченому. Бо інколи людина просто опиняється не в тому місці не в той час. Як її мертва подруга...
Карла й досі не оговталася від жорстокого вбивства племінника. Вона переконана: на зло здатен кожен. І ладна на все, аби довести цю істину.
Три жінки. Один убивця.

Джесс и Джейсон. Такие имена дала Рейчел "безупречным" супругам, за жизнью которых она день за днем наблюдает из окна электрички. У них, похоже, есть все, чего совсем недавно лишилась сама Рейчел, - любовь, счастье, благополучие… Но однажды, проезжая мимо, она видит, как в дворике коттеджа, где живут Джесс и Джейсон, происходит нечто странное, загадочное, шокирующее. Всего минута - и поезд опять трогается, но этого достаточно, чтобы идеальная картинка исчезла навсегда. А потом Джесс пропадает. И Рейчел понимает, что только она, возможно, способна разгадать тайну ее исчезновения. Что делать? Примет ли полиция ее показания всерьез? И надо…

“Nu kas tev kaiš?”

Lorai gandrīz visu mūžu tiek aizrādīts un pārmests. Viņu uzskata par nelīdzsvarotu, nesavaldīgu vienpati. Daži pat dēvē viņu par bīstamu.
Mirjama zina: lai gan kāds ir redzējis Loru ar asiņainām drānām atstājam briesmīga nozieguma vietu, tas vēl nenozīmē, ka viņa ir slepkava. Rūgta pieredze ir Mirjamai iemācījusi, cik viegli ir nonākt nepareizā vietā nepareizā laikā.

Karlu ir satriekusi māsasdēla brutālā slepkavība. Viņa neuzticas nevienam: arī labi cilvēki ir spējīgi uz briesmīgu rīcību. Bet cik tālu viņa ies, lai rastu sirdsmieru? Visi – vainīgi vai nevainīgi – ir traumēti. Un daži ir traumēti tik stipri, ka spēj nogalināt.

“Gausā uguns” ir īsta dāvana: lieliski lasāma, vietumis aizkustinoša, pilna ar tādām pašām savdabīgām detaļām, kādas padarīja romānu “Meitene vilcienā” tik aizraujošu.
Guardian

Paula Hokinsa 15 gadus strādāja par žurnālisti, līdz sāka rakstīt daiļliteratūru. Viņas pirmais spriedzes romāns “Meitene vilcienā” kļuva par globālu fenomenu, pasaulē ir pārdoti 23 miljoni šīs grāmatas eksemplāru. Romāns ir tulkots vairāk nekā 40 valodās, bijis bestselleru saraksta augšgalā visā pasaulē, un milzīgu atsaucību ir guvusi arī ekranizācija ar Emīliju Blantu galvenajā lomā. Latviešu valodā tulkots arī viņas nākamais romāns “Ūdenī”, kas guvis lielus panākumus un izpelnījies lasītāju atzinību.

Rachel Watson catches the same train into London every morning. Every day, Rachel looks at the same row of houses and back gardens where she once used to live. But, one day, she sees something shocking happening in one of the gardens. What will Rachel do about it?

Когда в плавучем доме находят тело молодого художника Дэниела, у полиции есть все основания полагать, что это жестокое убийство совершила женщина. Но кто она? Лора, его симпатичная подружка, подверженная вспышкам ярости? Карла, тетя Дэниела, много лет считающая его мать виновной в гибели своего сына? Или Мириам, живущая на соседней барже? И кажется, ей есть что скрывать... Три женщины, так или иначе связанные с убитым. Три женщины, в душе которых горит желание исправить причиненное им зло. Но как далеко могла зайти каждая из них, чтобы обрести покой? И как долго могут тлеть секреты, прежде чем они превратятся в настоящий огонь?...

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them. When it comes to revenge, even good people might be capable of terrible deeds. How far might any one of them go to find peace? How long can secrets smolder before they explode into flame?

Makabryczne morderstwo młodego człowieka na barce w Londynie nasuwa pytania o rolę trzech kobiet. Laury, przeżywającej trudne chwile dziewczyny, z którą późniejsza ofiara umówiła się na przelotny seks i która według świadków jako ostatnia wyszła z barki chłopaka. Carli, jego pogrążonej w żałobie ciotki, i tak już opłakującej inną krewną, która zginęła ledwie kilka tygodni wcześniej. I Miriam, wścibskiej sąsiadki, która znalazła zakrwawione zwłoki i ma tajemnice przed policją.

Trzy kobiety w zasadzie się nie znają, lecz każda z nich była w jakiś sposób powiązana z ofiarą. Trzy kobiety z różnych powodów kipią gniewem. Świadomie lub nie domagają się naprawienia zła, jakie im wyrządzono.

A gdy chodzi o zemstę, nawet porządni ludzie są zdolni do straszliwych czynów. Do czego się posuną, żeby odzyskać spokój?

Paula Hawkins daje nam odważny i pikantny kryminał, w którym pyta: Jak długo tajemnica może się tlić, zanim wybuchnie ogniem?

The addictive new psychological thriller from the author of The Girl on the Train, the runaway Sunday Times No. 1 bestseller and global phenomenon.In the last days before her death, Nel called her sister. Jules didn't pick up the phone, ignoring her plea for help.Now Nel is dead. They say she jumped. And Jules has been dragged back to the one place she hoped she had escaped for good, to care for the teenage girl her sister left behind.But Jules is afraid. So afraid. Of her long-buried memories, of the old Mill House, of knowing that Nel would never have jumped.And most of all she's afraid of the water, and the place they call the Drowning Pool . . .With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, satisfying read that hinges on the stories we tell about our pasts and their power to destroy the lives we live now.'Paula Hawkins does it again! Into the Water is a moody and chilling thriller that will have you madly turning the pages. A gripping, compulsive read!' Shari Lapena, bestselling author of The Couple Next Door`Fans of Paula Hawkins' The Girl on the Train rejoice: her second novel Into the Water is even better. A brilliantly plotted and fast-paced juggernaut of a read that hurtles to a heart-stopping conclusion.' Good Housekeeping (Book of the Month)`A brooding and complex read that deserves to make a splash in its own right.' Sunday Mirror `A twisting whodunit that leaves you both gratified and surprised (also the best kind) . . . Not just a brilliant thriller but also a furious feminist howl . . .' Stylist

'Julia, it's me. I need you to coll me back. Please, Julia. It's important...'
In the last days before her death, Nel Abbott called her sister.
Jules didn't pick up the phone, ignoring her plea for help.
Now Nel is dead. They say she jumped. And Jules has been dragged back to the one place she hoped she had escaped for good, to care for the teenage girl her sister left behind.
But Jules is afraid. So afraid. Of her long-buried memories, of the old Mill House, of knowing that Nel would never have jumped.
And most of all she's afraid of the water, and the place they call the Drowning Pool...
With the same propulsion that captivated millions of readers worldwide in her debut, The Girl on the Train, Paula Hawkins unfurls a gripping, twisting, layered story set in a small riverside town. Once again in Into The Water Hawkins demonstrates her powerful understanding of human instincts and the damage they can inflict.

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged.

Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return.

With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present.

Beware a calm surface—you never know what lies beneath.

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged.

Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return.
With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present.

Beware a calm surface—you never know what lies beneath.

»Julia, ich bin’s. Du musst mich anrufen. Bitte, Julia. Es ist wichtig …« In den letzten Tagen vor ihrem Tod rief Nel Abbott ihre Schwester an. Julia nahm nicht ab, ignorierte den Hilferuf. Jetzt ist Nel tot. Sie sei gesprungen, heißt es. Julia kehrt nach Beckford zurück, um sich um ihre Nichte zu kümmern. Doch sie hat Angst. Angst vor diesem Ort, an den sie niemals zurückkehren wollte. Vor lang begrabenen Erinnerungen, vor dem alten Haus am Fluss, vor der Gewissheit, dass Nel niemals gesprungen wäre. Und am meisten fürchtet Julia das Wasser und den Ort, den sie Drowning Pool nennen …