Крэйг Браун — новинки

Winner Of The Baillie Gifford Prize 2020
A Spectator Book of the Year * A Times Book of the Year * A Telegraph Book of the Year * A Sunday Times Book of the Year
From the award-winning author of Ma'am Darling: 99 Glimpses of Princess Margaret comes a fascinating, hilarious, kaleidoscopic biography of the Fab Four.
John Updike compared them to 'the sun coming out on an Easter morning'. Bob Dylan introduced them to drugs. The Duchess of Windsor adored them. Noel Coward despised them. JRR Tolkien snubbed them. The Rolling Stones copied them. Loenard Bernstein admired them. Muhammad Ali called them 'little sissies'. Successive Prime Ministers sucked up to them. No one has remained unaffected by the music of The Beatles. As Queen Elizabeth II observed on her golden wedding anniversary, 'Think what we would have missed if we had never heard The Beatles.'
One Two Three Four traces the chance fusion of the four key elements that made up The Beatles: fire (John), water (Paul), air (George) and earth (Ringo). It also tells the bizarre and often unfortunate tales of the disparate and colourful people within their orbit, among them Fred Lennon, Yoko Ono, the Maharishi, Aunt Mimi, Helen Shapiro, the con artist Magic Alex, Phil Spector, their psychedelic dentist John Riley and their failed nemesis, Det Sgt Norman Pilcher.
From the bestselling author of Ma'am Darling comes a kaleidoscopic mixture of history, etymology, diaries, autobiography, fan letters, essays, parallel lives, party lists, charts, interviews, announcements and stories. One Two Three Four joyfully echoes the frenetic hurly-burly of an era.

Впервые на русском — книга-лауреат важнейшей британской премии в жанре нон-фикшн (Baillie Gifford Prize for Non-Fiction). Как сказала председатель жюри Марта Кирни, «Брауну удалось переизобрести сам жанр биографии». Автор 18 книг и многолетний ведущий пародийной колонки в журнале Private Eye, Браун «искусно переплел детали из множества источников: дневниковые записи, письма фанатов, расшифровки интервью, рейтинги и чарты», создав уникальный портрет изменившей мир «великолепной четверки» к полувековому юбилею ее распада. «Непросто представить себе, чтобы кто-то сумел сказать нечто новое про “Битлз”, учитывая, сколько всего про них уже написано, — и все же это очень оригинальная книга. Это веселая книга, но и очень глубокая, заставляющая задуматься о самой природе славы». По словам Брауна, он стремился «передать возбуждение и беззаботность эпохи “Битлз” и то, с какой скоростью менялись Джон, Пол, Джордж и Ринго, причем как к лучшему, так и к худшему. Я хотел показать, какое влияние они оказывали буквально на каждого, от ее величество королевы до Чарли Мэнсона. И я решил, что лучше всего для этого подойдет россыпь коротких глав, из которых, как из призм, сложится калейдоскоп».

From the award-winning author of Ma’am Darling: 99 Glimpses of Princess Margaret comes a fascinating, hilarious, kaleidoscopic biography of the Fab Four.

On April 10th 2020, it will be exactly 50 years since Paul McCartney announced the break-up of the Beatles. At that point, we will be at the same distance in time from 1970 as 1970 was from 1920, the year Al Jolson's ‘Swanee’ was the bestselling record and Gustav Holst composed The Planets.

The Beatles continue to occupy a position unique in popular culture. They have entered people's minds in a way that did not occur before, and has not occurred since. Their influence extended way beyond the realm of music to fashion, politics, class, religion and ethics. Countless books have doggedly catalogued the minutiae of The Beatles. If you want to know the make of George Harrison's first car you will always be able to find the answer (a second hand, two-door, blue Ford Anglia 105E Deluxe, purchased from Brian Epstein's friend Terry Doran, who worked at a dealership in Warrington). Before she met John Lennon, who was the only Beatle Yoko Ono could name, and why? Ringo. Because ‘ringo’ means ‘apple’ in Japanese. All very interesting, but there is, as yet, no book about The Beatles that combines the intriguing minutiae of their day-to-day lives with broader questions about their effect – complicated and fascinating – on the world around them, their contemporaries, and generations to come.

Until now.

Craig Brown's 1-2-3-4: The Beatles in Time is a unique, kaleidoscopic examination of The Beatles phenomenon – part biography, part anthropology, part memoir, by turns humorous and serious, elegiac and speculative. It follows the unique “exploded biography” form of his internationally bestselling, Ma'am Darling: 99 Glimpses of Princess Margaret.

She made John Lennon blush and Marlon Brando tongue-tied. She iced out Princess Diana and humiliated Elizabeth Taylor. Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. Francis Bacon heckled her. Peter Sellers was madly in love with her. For Pablo Picasso, she was the object of sexual fantasy.

Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding. In her 1950s heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death in 2002, she had come to personify disappointment. One friend said he had never known an unhappier woman. The tale of Princess Margaret is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled.

Such an enigmatic and divisive figure demands a reckoning that is far from the usual fare. Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues, and essays, Craig Brown's Ninety-Nine Glimpses of Princess Margaret is a kaleidoscopic experiment in biography and a witty meditation on fame and art, snobbery and deference, bohemia and high society.

She made John Lennon blush and Marlon Brando clam up. She cold-shouldered Princess Diana and humiliated Elizabeth Taylor. Jack Nicholson offered her cocaine and Pablo Picasso lusted over her. To her friends Princess Margaret was witty and regal, to her enemies, she was rude and demanding. Ma’am Darling looks at her from many angles, creating a kaleidoscopic biography, and a witty meditation on fame and art, snobbery and deference, bohemia and high society.

A witty and profound audiobook portrait of the most talked-about English royal.

She made John Lennon blush and Marlon Brando tongue-tied. She iced out Princess Diana and humiliated Elizabeth Taylor. Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. Francis Bacon heckled her. Peter Sellers was madly in love with her. For Pablo Picasso, she was the object of sexual fantasy.

Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding. In her 1950s heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death in 2002, she had come to personify disappointment. One friend said he had never known an unhappier woman. The tale of Princess Margaret is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled.

Such an enigmatic and divisive figure demands a reckoning that is far from the usual fare. Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues, and essays, Craig Brown’s Ninety-Nine Glimpses of Princess Margaret is a kaleidoscopic experiment in biography and a witty meditation on fame and art, snobbery and deference, bohemia and high society.

OPTIMUM HEALING is an essential guide to everyone interested in what good health really means - and how to encourage it. Through case histories which mirror the lives of ordinary people everywhere, Dr Craig Brown shows that physical illness is often the expression of a deeper emotional and spiritual problem. He explains that five negative attributes underly all illness: anger, depression, guilt, attachment and worry, and that unless these are released, as one phys

She made John Lennon blush and Marlon Brando clam up. She cold-shouldered Princess Diana and humiliated Elizabeth Taylor.

Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. John Fowles hoped to keep her as his sex-slave. Dudley Moore propositioned her. Francis Bacon heckled her. Peter Sellers was in love with her.

For Pablo Picasso, she was the object of sexual fantasy. “If they knew what I had done in my dreams with your royal ladies” he confided to a friend, “they would take me to the Tower of London and chop off my head!”

Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding.

In her 1950’s heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death, she had come to personify disappointment. One friend said he had never known an unhappier woman.

The tale of Princess Margaret is pantomime as tragedy, and tragedy as pantomime. It is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled.

Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues and essays, Ma’am Darling is a kaleidoscopic experiment in biography, and a witty meditation on fame and art, snobbery and deference, bohemia and high society.

Известна ли вам теория шести рукопожатий? Она утверждает, что каждый человек знаком с любым другим жителем планеты через цепочку общих знакомых, в среднем состоящую из шести рукопожатий. Этот мировой бестселлер доказывает теорию на примере подлинных встреч знаменитостей от Майкла Джексона до Льва Толстого, от Гарри Гудини до Чарли Чаплина. В отдельности каждая встреча - это кусочек занимательной биографии, яркой и насыщенной, а все вместе - уникальная книга, показывающая читателю, что земляне гораздо ближе друг к другу, их судьбы связаны единой цепочкой от рукопожатия к рукопожатию, от одного нелепого случая к другому.

101 chance meetings, juxtaposing the famous and the infamous, the artistic and the philistine, the pompous and the comical, the snobbish and the vulgar, told by Britain's funniest writer.
Life is made up of humans meeting one another. They speak, or don't speak. They get on, or fall out. They laugh, they cry, are excited, are indifferent.
One on One is a chain of 101 extraordinary but true encounters, from Tolstoy rumbling Tchaikovsky in 1876 to George Galloway baiting Michael Barrymore in 2006. The Royal Family giggle at T.S. Eliot, Walter Sickert draws the curtains on the carol-singing Edward Heath, Youssoupoff assassinates Rasputin, Marilyn Monroe commissions Frank Lloyd Wright.
Circular in its construction, panoramic in its breadth, One on One is a book like no other.

The Lost Diaries is a wide-ranging anthology of the world's greatest diarists, each of them channelled onto paper through the considerable psychic force that is Craig Brown.Arranged on a day-to-day basis, spread throughout an entire year, these diary extracts form a patchwork quilt of observation, reflection, contemplation and, above all, self-promotion. As the months unfold, different diarists offer their insights on the events that pass: John Prescott on going to Royal Ascot, Nigella Lawson on preparing Christmas lunch, W.G. Sebald on enjoying an ice lolly by the beach, Karl Lagerfeld on the need for an umbrella in Spring.Among over 200 diarists featured are Martin Amis, Jordan, Germaine Greer, The Duchess of Devonshire, President Barack Obama, Philip Roth, HM the Queen, Heather Mills McCartney, Victoria Beckham, Ludwig Wittgenstein, Sir Cecil Beaton, John Prescott, Mohamed Fayed, Harold Pinter, Yoko Ono, Barbara Cartland, Jilly Cooper, Christopher Ricks, Jeremy Clarkson, Jeanette Winterson, Sylvia Plath, Keith Richards, Maya Angelou and Frank McCourt.CRAIG BROWN has been writing the Private Eye celebrity diary since 1989. He has also written parodies for many other publications, including The Daily Telegraph, Vanity Fair, The Times and The Guardian. The Lost Diaries is the first time all his greatest parodies have been gathered together in one book. Arranged day-by-day, full of invigorating and sometimes shocking juxtapositions, they constitute a treasure-trove, choc-a-bloc with all the fantasies and illusions of our times.

WINNER OF THE SOUTH BANK SKY ARTS LITERATURE AWARD 2018A GUARDIAN BOOK OF THE YEAR • A TIMES BOOK OF THE YEAR • A SUNDAY TIMES BOOK OF THE YEAR • A DAILY MAIL BOOK OF THE YEAR‘A masterpiece’ Mail on Sunday‘I honked so loudly the man sitting next to me dropped his sandwich’ ObserverShe made John Lennon blush and Marlon Brando clam up. She cold-shouldered Princess Diana and humiliated Elizabeth Taylor.Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. John Fowles hoped to keep her as his sex-slave. Dudley Moore propositioned her. Francis Bacon heckled her. Peter Sellers was in love with her.For Pablo Picasso, she was the object of sexual fantasy. “If they knew what I had done in my dreams with your royal ladies” he confided to a friend, “they would take me to the Tower of London and chop off my head!”Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding.In her 1950’s heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death, she had come to personify disappointment. One friend said he had never known an unhappier woman.The tale of Princess Margaret is pantomime as tragedy, and tragedy as pantomime. It is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled.Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues and essays, Ma’am Darling is a kaleidoscopic experiment in biography, and a witty meditation on fame and art, snobbery and deference, bohemia and high society.‘Brown has been our best parodist and satirist for decades now … Ma’am Darling is, as you would expect, very funny; also, full of quirky facts and genial footnotes. Brown has managed to ingest huge numbers of royal books and documents without losing either his judgment or his sanity. He adores the spectacle of human vanity’ Julian Barnes, Guardian