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14 февраля 2012 г., 11:26
Lawrence's reputation as a novelist has often meant that his achievements in poetry have failed to receive the recognition they deserve. This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies, and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930. It therefore allows the reader to trace the development of Lawrence as a poet and appreciate the remarkable originality and distinctiveness of his achievement. Not all the poems reprinted here are masterpieces but there is more than enough quality to confirm Lawrence's status as one of the greatest English writers of the twentieth century.
Book DescriptionThis volume collects together the introductions and reviews for which Lawrence was responsible over the whole duration of his writing career, from 1911 to 1930: it includes the book review which was the last thing he ever wrote, in
D.H. Lawrence remains one of the most popular and studied authors of the 20th century. This book is a comprehensive but easy to use reference guide to Lawrence's life, works, and critical reception. The volume has been systematically structured to convey a coherent overall sense of Lawrence's achievement and critical reputation, but it is also designed to enable the reader who may be interested in only one aspect of Lawrence's career, perhaps even in only one of his novels or stories, to find relevant information quickly and easily without having to read other parts of the text.
D.H. Lawrence: The Thinker as Poet addresses a particular body of language and thought within Lawrence's oeuvre where the metaphorical, the poetic and the philosophical are intricately enmeshed. Lawrence emerges as a writer who pulls metaphor away from its merely rhetorical moorings: his distinctive style is the hallmark of one who thinks not analytically but poetically, about the birth of the self, the body unconscious, complex kinds of otherness and about metaphor itself as a mode of understanding.
Harry T. Moore, major biographer and pioneer in Lawrence scholarship, characterizes this book as “altogether one of the truly fine critical and expository volumes on the man whom so many major critics now regard as the outstanding English writer of this century.”
So many questions surround the key figures in the English literary canon, but most books focus on one aspect of an author's life or work, or limit themselves to a single critical approach. D. H. Lawrence is a comprehensive, user-friendly guide which:
“Jack Stewart’s book will prove stimulating to Lawrence scholars and critics, advanced students, and sophisticated general readers. Exploring the boundaries shared by literature and painting, his book seeks to uncover the ‘hinterlands of the soul’ that lie behind expression. He compels new awareness of the baffling complexity of Lawrence’s mature work, frequently using but also transcending the work of earlier commentators. Indeed, his prose style is among the most intelligible I have encountered in academic discourse.”—Michael Squires, Virginia Polytechnic Institute and State University
Mr. Douglas here attempts to clear up a literary mystery. A very rare essay.
A renowned Lawrence scholar portrays the writer as a man whose genius sprang from his deep sense of alienation from his family, his peers, his lovers, and his physical self Quoting extensively from rarely seen letters, and drawing on a wealth
A comprehensive study of D. H. Lawrence's major works, originally published in paperback in 1975.
The final volume of the Cambridge biography of D.H. Lawrence chronicles his progress upon leaving Europe in 1922 to his death in Venice in 1930. Based on much new or unfamiliar material, it describes his travels in Ceylon, Australia, the United States, and Mexico in an increasingly desperate search for an ideal community. Lawrence is revealed here as a complex man, grappling with the central problems of life and death. 30 photos.
This important study from the prizewinning novelist and critic Amit Chaudhuri explores D. H. Lawrence's position as a "foreigner" in the English canon. Focussing on the poetry, Chaudhuri examines how Lawrence's works, and Lawrence himself, have been read, and misread, in terms of their "difference." This is the first time that Lawrence's poetry has been discussed in the light of post-colonial and post-structuralist theory; it is also the first time a leading post-colonial writer of his generation has taken as his subject a major canonical English writer, and, through him, remapped the English canon as a site of "difference.
D. H. Lawrence once wrote that 'we have no language for the feelings'. The remark testifies to the struggle in his novels to express his sophisticated understanding of the nature of being through the intransigent medium of language. Michael Bell argues that Lawrence's unfashionable status stems from a failure to perceive within his informal expression the nature and complexity of his ontological vision. He traces the evolution of the struggle for its articulation through the novels, and looks at the way in which Lawrence himself made it a conscious theme in his writing. Embracing in this argument Lawrence's failures as a writer, his rhetorical stridency and also his primitivist extremism, Michael Bell creates a powerful and fresh sense of his true importance as a novelist.