Alex Nunns0.0 In September of last year an earthquake shook the foundations of British politics. Jeremy Corbyn, a lifelong and uncompromising socialist, was elected to head the Labour Party. Corbyn didn’t just win the leadership contest, he trounced his opponents. The establishment was aghast. The official opposition now had as its leader a man with a plan, according to the conservative Daily Telegraph, “to turn Britain into Zimbabwe.”
How this remarkable twist of events came about is the subject of Alex Nunns’ highly-readable and richly-researched account. Drawing on first-hand interviews with those involved in the campaign, including its most senior figures, Nunns traces the origins of Corbyn’s victory in the dissatisfactions with Blairism stirred by the Iraq War and the 2008 financial crash, the move to the left of the trades unions, and changes in the electoral rules of the Labour Party that turned out to be surreally at odds with the intentions of those who introduced them. The system of one-member-one-vote, which delivered Corbyn’s success, was opposed by those on the left and was heralded by Tony Blair who described it as “a long overdue reform that… I should have done myself.”
Giving full justice to the dramatic swings and nail-biting tensions of an extraordinary summer in UK politics, Nunns’ telling of a story that has received widespread attention but little understanding is as illuminating as it is entertaining. He teases out a plot-line of such improbability that it would be unusable in a work of fiction, providing the first convincing explanation of a remarkable phenomenon with enormous consequences for the left in Britain and beyond.
Dawn Foster0.0 Sheryl Sandberg’s business advice book, Lean In, was heralded as a defining moment in attitudes to women in business. But for all its commercial success, it proposed a model of feminism that was individualistic and unthreatening to capital.
In her powerful debut work Lean Out, acclaimed journalist Dawn Foster unpicks how the purportedly feminist message of Sandberg’s book neatly exempts patriarchy, capitalism and business from any responsibility for changing the position of women in contemporary culture. It looks at the rise of a corporate ‘1% feminism’, and at how feminism has been defanged and depoliticised at a time when women have borne the brunt of the financial crash and the gap between rich and poor is widening faster than ever.
Surveying business, media, culture and politics, Foster asks whether this ‘trickledown’ feminism offers any material gain for women collectively, or acts as mere window-dressing PR for the corporations who caused the financial crash. She concludes that ‘leaning out’ of the corporate model is a more effective way of securing change than leaning in.
Andrea Needham0.0 On 29 January 1996, Jo Blackman, Lotta Kronlid and Andrea Needham broke into a British Aerospace factory in Lancashire and used household hammers to disarm a Hawk warplane bound for Indonesia. They were arrested, charged with £2.4m of criminal damage, and sent to prison to await trial. A week later, Angie Zelter joined them, accused of conspiracy. After six months in prison, all four were acquitted by a Liverpool jury in a court case that effectively put Britain’s arms trade on trial.
The disarmament could not have happened without the support of the other six members of the Seeds of Hope Ploughshares group – Lyn Bliss, Clare Fearnley, Emily Johns, Jen Parker, Ricarda Steinbrecher and Rowan Tilly – who were absolutely integral to the whole action from the very start.
Лара Поусон0.0 ‘What makes a life? Lara Pawson’s lucid, sudden and subtle memoir unpicks the spirals of memory, politics, violence, to trace the boundaries and crossing points of gender and race identity.’
– Joanna Walsh
‘A crushingly honest memoir of war, war correspondence and personal mayhem ... Her focus is direct, bleakly honest, and as a result full of hope.’
– M. John Harrison
‘As an examination of the realities and ethics of war reporting, the book says much about what exposure to violence can do to people, about the kind of person who would seek such experience out, and about what turning away from it does to you. Above all, it challenges the reader to examine their own beliefs and decisions as closely as Pawson has examined hers. Brilliant and uncompromising.’
– Jonathan Gibbs, Guardian
‘Lara Pawson’s This Is the Place to Be is a stark, compassionate and troubling text that summons a fragmentary autobiography, circling experiences from her growing up in England and her time as a reporter covering civil wars in Angola and Ivory Coast. She deals with big questions through an intimate mosaic of lived experiences – the blank, funny, awful, gentle shards that remain in memory years after events have taken place – returning her again and again to the themes of identity, violence, race, class, sexuality and the everyday lives of people across several continents.
‘The simple form of the book belies a complex structure of association and contrast, point and counterpoint, in which the disconnected events of a life speak to and about each other across time and space, in illuminating ways. Reminiscent on a formal level of Edouard Levé’s Autoportrait and the writing under constraint of Perec and the OuliPo group, Pawson’s poetic recounting of facts also shares something of Kathy Acker and J. G. Ballard, in its attempt to write through both the extraordinary horror and the extraordinary mundanity of trauma.’
– Tim Etchells
An earlier, shorter version of This Is the Place to Be was commissioned as a sound installation for the 2014 London International Festival of Theatre programme After a War. It was directed by Tim Etchells and performed by Cathy Naden.
Praise for Lara Pawson’s In the Name of the People: Angola’s Forgotten Massacre (IB Tauris, 2014):
Longlisted for the Orwell Prize, shortlisted for the Bread and Roses Award for Radical Publishing and the Political Book Awards Debut Book of the Year, and nominated for the Royal Africa Society Book of the Year.
‘a bomb of a book’ – Claire Armitstead, Guardian
‘unflagging intelligence, fearlessness and compassion’ – Teju Cole
‘A brilliant piece of sleuthing . . . I greatly admire this book’ – Paul Theroux
‘engrossing and disturbing’ – Cassie Werber, Wall Street Journal
A feminist silkscreen poster collective founded in London in 1974 by three former art students, the See Red Women's Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humor and bold, colorful graphics, See Red expressed the personal experiences of women as well as their role in wider struggles for change.
Written by See Red members, detailing the group's history up until the closure of the workshop in 1990, and with a foreword by celebrated feminist historian Sheila Rowbotham, See Red Women's Workshop features all of the collective's original screenprints and posters. Confronting negative stereotypes, questioning the role of women in society, and promoting women's self-determination, the power and energy of these images reflect an important and dynamic era of women's liberation--with continued relevance for today.
Jack Shenker0.0 From award-winning journalist Jack Shenker, The Egyptians is the essential book about Egypt and radical politics
In early 2011, Cairo's Tahrir Square briefly commanded the attention of the world. Half a decade later, the international media has largely moved on from Egypt's explosive cycles of revolution and counter-revolution - but the Arab World's most populous nation remains as volatile as ever, its turmoil intimately bound up with forms of authoritarian power and grassroots resistance that stretch right across the globe.
In The Egyptians: A Radical Story, Jack Shenker uncovers the roots of the uprising that succeeded in toppling Hosni Mubarak, one of the Middle East's most entrenched dictators, and explores a country now divided between two irreconcilable political orders. Challenging conventional analyses that depict contemporary Egypt as a battle between Islamists and secular forces, The Egyptians illuminates other, far more important fault lines: the far-flung communities waging war against transnational corporations, the men and women fighting to subvert long-established gender norms, the workers dramatically seizing control of their own factories, and the cultural producers (novelists, graffiti artists and illicit bedroom DJs) appropriating public space in defiance of their repressive and increasingly violent western-backed regime.
Situating the Egyptian revolution in its proper context - not as an isolated event, but as an ongoing popular struggle against a certain model of state authority and economic exclusion that is replicated in different forms around the world - The Egyptians explains why the events of the past five years have proved so threatening to elites both inside Egypt and abroad. As Egypt's rulers seek to eliminate all forms of dissent, seeded within the rebellious politics of Egypt's young generation are big ideas about democracy, sovereignty, social justice and resistance that could yet change the world.
Гэри Янг4.7 On an average day in America, seven children and teens will be shot dead. In Another Day in the Death of America, award-winning journalist Gary Younge tells the stories of the lives lost during one such day. It could have been any day, but he chose November 23, 2013. Black, white, and Latino, aged nine to nineteen, they fell at sleepovers, on street corners, in stairwells, and on their own doorsteps. From the rural Midwest to the barrios of Texas, the narrative crisscrosses the country over a period of twenty-four hours to reveal the full human stories behind the gun-violence statistics and the brief mentions in local papers of lives lost.
This powerful and moving work puts a human face—a child’s face—on the “collateral damage” of gun deaths across the country. This is not a book about gun control, but about what happens in a country where it does not exist. What emerges in these pages is a searing and urgent portrait of youth, family, and firearms in America today.
