Сэлли Янг0.0 ‘A tour de force.’ — Professor Rodney Tiffen
Before newspapers were ravaged by the digital age, they were a powerful force, especially in Australia — a country of newspaper giants and kingmakers.
This magisterial book reveals who owned Australia’s newspapers and how they used them to wield political power. A corporate and political history of Australian newspapers spanning 140 years, it explains how Australia’s media system came to be dominated by a handful of empires and powerful family dynasties. Many are household names, even now: Murdoch, Fairfax, Syme, Packer. Written with verve and insight and showing unparalleled command of a vast range of sources, Sally Young shows how newspaper owners influenced policy-making, lobbied and bullied politicians, and shaped internal party politics.
The book begins in 1803 with Australia’s first newspaper owner — a convict who became a wealthy bank owner — giving the industry a blend of notoriety, power and wealth from the start. Throughout the twentieth century, Australians were unaware that they were reading newspapers owned by secret bankrupts and failed land boomers, powerful mining magnates, Underbelly-style gangsters, bankers, and corporate titans. It ends with the downfall of Menzies in 1941 and his conviction that a handful of press barons brought him down. The intervening years are packed with political drama, business machinations and a struggle for readers, all while the newspaper barons are peddling power and influence.
Гарри Дишер0.0 Constable Paul Hirschhausen runs a one-cop station in the dry farming country south of the Flinders Ranges. He's still new in town but the community work-welfare checks and working bees-is starting to pay off. Now Christmas is here and, apart from a grass fire, two boys stealing a ute and Brenda Flann entering the front bar of the pub without exiting her car, Hirsch's life has been peaceful.
Until he's called to a strange, vicious incident in Kitchener Street. And Sydney police ask him to look in on a family living outside town on a forgotten back road.
Suddenly, it doesn't look like a season of goodwill at all.
Кэтрин Джинкс0.0 My father trained me to silence the way he trained his dogs, with food and a cane. Speech, he said, was poison. It scared the game, alerted the gamekeepers and betrayed your friends and family.
Tom Clay was a poacher back in Suffolk. He was twelve when he was caught, tried and transported to New South Wales.
Now, assigned to a shepherds’ hut out west, he is a boy among violent men. He keeps his counsel and watches over his sheep; he steers clear of blowhards like the new man, Rowdy Cavanagh. He is alert to danger, knowing he is a foreigner here: that the land resists his understanding.
The question is: how fast can he learn?
Because a vicious killer named Dan Carver is coming for Tom and Rowdy. And if Tom can’t outwit Carver in the bush – and convince Rowdy to keep his stupid mouth shut – their deaths will be swift and cruel.
This riveting, fast-paced new novel from the multi-award-winning Catherine Jinks brings the brutality and courage of Australia’s colonial frontier vividly to life – and sees one of our master storytellers at the peak of her powers.
Элис Робинсон0.0 After a catastrophic storm destroys Melbourne, Isobel flees to higher ground with her husband and young daughter. Food and supplies run low, panic sets in and still no help arrives. To protect her daughter, Isobel must take drastic action.
The Glad Shout is an extraordinary novel of rare depth and texture. Told in a starkly visual and compelling narrative, this is a deeply moving homage to motherhood and the struggles faced by women in difficult times.
Омар Сакр0.0 Award-winning Arab Australian poet Omar Sakr presents a pulsating collection of poetry that interrogates the bonds and borders of family, faith, queerness, and nationality.
Visceral and energetic, Sakr’s poetry confronts the complicated notion of “belonging” when one’s family, culture, and country are at odds with one’s personal identity. Braiding together sexuality and divinity, conflict and redemption, The Lost Arabs is a fierce, urgent collection from a distinct new voice.
Мириам Свед0.0 'Miriam Sved has woven three generations and two periods of history into a page-turning, emotional rollercoaster to remind us all that families are messy, complicated and that the repercussions of decisions made decades ago can come back to haunt you ... I cannot recommend this book highly enough.' Heather Morris, author of The Tattooist of Auschwitz
I have wished so many times that I had acted differently.
I wish that I had been more worthy of you...
Eventually the war will end, and then we will find each other.
Until then, remember me.
Budapest, 1938. In a city park, five young Jewish mathematicians gather to share ideas, trade proofs and whisper sedition.
Sydney, 2007. Illy has just buried her father, a violent, unpredictable man whose bitterness she never understood. And now Illy's mother has gifted her a curious notebook, its pages a mix of personal story and mathematical discovery, recounted by a woman full of hopes and regrets.
Inspired by a true story, Miriam Sved's beautifully crafted novel charts a course through both the light and dark of human relationships: a vivid recreation of 1930s Hungary, a decades-old mystery locked in the story of one enduring friendship, a tribute to the selfless power of the heart.
LONGLISTED FOR THE COLIN RODERICK AWARD 2020
PRAISE FOR A UNIVERSE OF SUFFICIENT SIZE
'A fascinating, compelling, beautifully written novel.' Liane Moriarty, author of Big Little Lies and The Husband's Secret
'A taut, tender novel about family, secrets, genius and survival. Sved shows great insight into the complicated emotional architecture of family created in the aftermath of trauma.' Emily Maguire, author of An Isolated Incident
'A superbly structured novel of family, history, secrets, trauma, and mathematics, stretching from 1930s Budapest to Sydney in the 2000s' Andrea Goldsmith
'Sved's prose is as sinewy and powerful as her characters - beautifully controlled and full of revealing moments that... glow in the memory.' Cate Kennedy
'A beautifully imagined inter-generational portrait of friendship, love and loss, set across three continents.' Julienne van Loon
PRAISE FOR MIRIAM SVED
'The best kind of storyteller... hypnotic, startling almost.' Clementine Ford, author of Fight Like a Girl and Boys Will Be Boys
'At times I found myself being reminded of the American author Jennifer Egan. Both authors share the ability to surprise with character insights, something so traditional yet so mentally refreshing. The prose is limpid yet razor sharp. Highly recommended.' The Australian
