Duncan Gillies, Donnchadh MacGillIosa0.0 Cruinneachadh sgeulachdan làidir, brìoghmhor eile bho ùghdar Tocasaid ’Ain Tuirc. Coltach ri sgeulachdan na Tocasaid, a tha a’ togail ceann sa chruinneachadh seo cuideachd, ach lem blas is lem beatha fhèin. Tha feadhainn dhiubh suidhichte ann an Leòdhas san linn a chaidh, agus feadhainn suidhichte ann an àiteachan eile. Ach ge bith càite, eadar Nis agus Nèamh, tha iad uile air an innse ann an guth tarraingeach, dealbhach a tha a’ cur diomb leanaibh an cèill a cheart cho soilleir, fìor ’s a bheir e thugainn aithreachas boireannaich, no fiamh bodaich.
’S ann às a’ Chnoc Àrd ann an Nis a tha Donnchadh MacGillÌosa, an ceann-a-tuath Leòdhais. Seo an ceathramh cruinneachadh de sgeulachdan goirid aige air fhoillseachadh, agus a’ chiad leabhar leis far a bheil a’ Ghàidhlig is a’ Bheurla còmhla, taobh ri taobh.
A new collection of short stories from the author of Tocasaid ’Ain Tuirc, bringing the same sharp wit and observational skill to this evocation of Lewis life and people from last century intertwined with stories situated elsewhere, and giving as authentic a voice to an angry child’s resentment, a woman’s regret or an old man’s fears.
Jen Hadfield0.0 Jen Hadfield’s new collection is an astonished beholding of the wild landscape of her Shetland home, a tale of hard-won speech, and the balm of the silence it rides upon. The Stone Age builds steadily to a powerful and visionary panpsychism: in Hadfield’s telling, everything – gate and wall, flower and rain, shore and sea, the standing stones whose presences charge the land – has a living consciousness, one which can be engaged with as a personal encounter.
The Stone Age is a timely reminder that our neurodiversity is a gift: we do not all see the world the world in the same way, and Hadfield’s lyric line and unashamedly high-stakes wordplay provide nothing less than a portal into a different kind of being. The Stone Age is the work of a singular artist at the height of her powers – one which dramatically extends and enriches the range of our shared experience.
Frank Rennie0.0 This is an account of the inter-relationship between one small island village in the Hebrides and the wider world. From the formation of the bedrock 3 billion years ago, to the predictable near-future, the layers of this unique landscape are explored. The social history of the people is closely interwoven with the natural environment in a journey of deep mapping to consider the meaning of special places. Through the Iron Age and the Clearances to the contemporary events of community land ownership, a portrayal is given that challenges the perception that this is a remote place, isolated at the edge, but instead is crucial to our contemporary relationship with the land.
Али Смит3.8 Третья часть Сезонного цикла. Что объединяет Кэтрин Мэнсфилд, Чарли Чаплина, Шекспира, Бетховена, Рильке, прошлое, север, юг, запад, восток, мужчину, жалеющего о прошлом, и женщину, запертую в настоящем? Весна, великий соединитель. Во времена стен и границ Смит открывает двери. Во времена, зацикленные на прошлом, Смит рассказывает историю настоящего. Во времена обесценивания искусства Смит создает роман-метакомментарий об искусстве.
Розанна Уотт0.0 'The old Shetland fishermen still speak with something like reverence of the forgotten art of steering by the moder dy (mother wave), the name given to an underswell which it is said always travels in the direction of home'
Written in English, interspersed with Shetlandic dialect throughout, this eagerly awaited debut collection from Shetland poet Roseanne Watt contains profound, assured and willfully spare poems that are built from the sight, sound and heartbeat of the land as much as from the sea. In rigorously controlled, concise, and vivid language Watt offers glimpses of the landscape alongside which we find the most complex and mysterious of human experiences.
Кэтлин Джейми0.0 In this remarkable blend of memoir, cultural history, and travelogue, poet and author Kathleen Jamie touches points on a timeline spanning millennia, and considers what surfaces and what reconnects us to our past. From the thawing tundra linking a Yup'ik village in Alaska to its hunter-gatherer past to the shifting sand dunes revealing the impressively preserved homes of neolithic farmers in Scotland, Jamie explores how the changing natural world can alter our sense of time. Most movingly, she considers, as her father dies and her children leave home, the surfacing of an older, less tethered sense of herself. In precise, luminous prose, Surfacing offers a profound sense of time passing and an antidote to all that is instant, ephemeral, unrooted.
Дэвид Ганж0.0 An original snapshot of the beauty of the British Isles, as captured by a brand new voice in nature and travel writing.
After two decades exploring the Western coast and mountains of the British Isles, the historian and nature writer David Gange set out to travel the seaboard in the course of a year. This coastline spans just eight-hundred miles as the crow flies, but the complex folds of its firths and headlands stretch more than ten-thousand. Even those who circumnavigate Britain by kayak tend to follow the shortest route; the purpose of this journey was to discover these coastlines by seeking out the longest.
Travelling by kayak, on foot and at the end of a rope, Gange encounters wildcats, basking sharks and vast colonies of seabirds, as well as rich and diverse coastal communities. Spending nights in sight of the sea, outdoors and without a tent, the journey crosses hundreds of peaks and millions of waves. With an eye attuned both to nature and the traces of the past, Gange evokes living worlds and lost worlds on the tattered edges of Scotland, Ireland, Wales and England.
Written with literary finesse in an immersive style, and informed by history, this new talent in nature writing takes us on a whirlwind trip over the course of twelve months, each chapter serving as a love letter to a different region of the British coastline.
Эндрю Миллер0.0 By the Costa Award-winning author of PURE, a stunning historical novel with the grip of a thriller, written in richly evocative, luminous prose.
One rain-swept February night in 1809, an unconscious man is carried into a house in Somerset. He is Captain John Lacroix, home from Britain's disastrous campaign against Napoleon's forces in Spain.
Gradually Lacroix recovers his health, but not his peace of mind - he cannot talk about the war or face the memory of what happened in a village on the gruelling retreat to Corunna. After the command comes to return to his regiment, he sets out instead for the Hebrides, with the vague intent of reviving his musical interests and collecting local folksongs.
Lacroix sails north incognito, unaware that he has far worse to fear than being dragged back to the army: a vicious English corporal and a Spanish officer are on his trail, with orders to kill. The haven he finds on a remote island with a family of free-thinkers and the sister he falls for are not safe, at all.
Dion Alexander0.0 The Potter’s Tale is a story of one man’s journey of discovery and self discovery on one of the most beautiful islands on the Hebrides – Colonsay. Dion Alexander was ‘the Colonsay Potter’ through the 1970s and his own story is interwoven with that of some of the legendary characters of the islands in that period, one of the last in which Gaelic came naturally to the community. It is also the story of beginning to think about how to keep a small remote community dominated by a landed estate alive and viable in the face of modern pressures.
The Colonsay of the 1970s had no electricity or affordable housing and an erratic ferry service. The book is an autobiography, a reflection of a world still close in time but in some ways very distant interwoven with much of history, tradition and folklore, and a moving account of the trials, triumphs and tribulations of a small community. Above all it is woven with a deep love of the magical place that is Colonsay.
Капка Кассабова4.5 In this extraordinary work of narrative reportage, Kapka Kassabova returns to Bulgaria, from where she emigrated as a girl twenty-five years previously, to explore the border it shares with Turkey and Greece. When she was a child, the border zone was rumored to be an easier crossing point into the West than the Berlin Wall, and it swarmed with soldiers and spies. On holidays in the “Red Riviera” on the Black Sea, she remembers playing on the beach only miles from a bristling electrified fence whose barbs pointed inward toward the enemy: the citizens of the totalitarian regime.
Kassabova discovers a place that has been shaped by successive forces of history: the Soviet and Ottoman empires, and, older still, myth and legend. Her exquisite portraits of fire walkers, smugglers, treasure hunters, botanists, and border guards populate the book. There are also the ragged men and women who have walked across Turkey from Syria and Iraq. But there seem to be nonhuman forces at work here too: This densely forested landscape is rich with curative springs and Thracian tombs, and the tug of the ancient world, of circular time and animism, is never far off.
Border is a scintillating, immersive travel narrative that is also a shadow history of the Cold War, a sideways look at the migration crisis troubling Europe, and a deep, witchy descent into interior and exterior geographies.
