Филип Рот3.3 В центре романа классика современной американской литературы Филипа Рота - история Морриса Шаббата, талантливого кукольника и необузданного любовника, который бросает вызов не только обществу с его общепринятыми правилами и ограничениями, но и самой жизни.
Росарио Ферре3.8 Автор этого романа - популярная пуэрто-риканская писательница Росарио Ферре. Ее героиня в течение долгих лет пишет книгу, которая называется "Дом на берегу лагуны". В ней она рассказывает полную тайн и трагедий историю своей семьи, пытаясь тем самым разобраться в собственной судьбе. Яркие, самобытные характеры по-разному проходят испытание любовью и ненавистью в этой захватывающей семейной саге, от страниц которой трудно оторваться.
Мэдисон Смарт Белл0.0 In this first installment of his epic Haitian trilogy, Madison Smartt Bell brings to life a decisive moment in the history of race, class, and colonialism. The slave uprising in Haiti was a momentous contribution to the tide of revolution that swept over the Western world at the end of the 1700s. A brutal rebellion that strove to overturn a vicious system of slavery, the uprising successfully transformed Haiti from a European colony to the world’s first Black republic. From the center of this horrific maelstrom, the heroic figure of Toussaint Louverture–a loyal, literate slave and both a devout Catholic and Vodouisant–emerges as the man who will take the merciless fires of violence and vengeance and forge a revolutionary war fueled by liberty and equality.
Bell assembles a kaleidoscopic portrait of this seminal movement through a tableau of characters that encompass black, white, male, female, rich, poor, free and enslaved. Pulsing with brilliant detail, All Soul’s Rising provides a visceral sense of the pain, terror, confusion, and triumph of revolution.
Edwidge Danticat0.0 At an astonishingly young age, Edwidge Danticat has become one of our most celebrated new writers. She is an artist who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage.
When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak! Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty.
Стивен Диксон0.0 What would you do if you were driving on the highway with your two daughters, and those in the vehicle next to you started shooting at your car? And you noticed one of your daughters had been hit? Interstate is a multifaceted vision of American violence, and an ode to the truth that the greatest love one has is for his or her child.
Стэнли Кьюниц0.0 "Winner of the 1995 National Book Award, Passing Through confirms that the venerable doyen of American poetry is still a poet in his prime."—Atlantic Monthly
Stanley Kunitz, one of the masters of contemporary poetry, presents his ninth collection, gathering a rich selection of his work, including new poems that remind us of his prefatory statement: "Art is the chalice into which we pour the wine of transcendence." Nearly all the poems of Kunitz's later years, beginning with The Testing-Tree (1971), are included, and most of the poems in Passing Through are unavailable in any other edition.
In "Touch Me," the last poem in the collection, Kunitz propounds a question, "What makes the engine go?" and gives us his answer: "Desire, desire, desire." These poems fairly hum with the energy, the excitement, the ardor, that make Kunitz one of our most enduring and highly honored poets. In the words of Carolyn Forché, "he is a living treasure."
Тина Розенберг0.0 Rosenberg's previous book, Children of Cain, dealt with the change from dictatorship to democracy in South America. Here, she approaches a similar theme in Eastern Europe after the fall of Communism, telling a series of riveting human stories to illuminate the paradox that rabid anti-Communism at times resembles Communism. In the Czech Republic, Slovakia, Poland and the former East Germany, she talks to erstwhile dissidents now victimized because they are named in old police registers; to low-level agents accused of crimes that were not crimes when committed; and to high officials who now run things just like before. She convincingly suggests that the best antidote to Communism may be, not revenge, but "tolerance and the rule of law."
