Вручение ноябрь 2013 г. — стр. 2

Страна: США Место проведения: город Нью-Йорк Дата проведения: ноябрь 2013 г.

Документальная книга

Джеймс Оукс 0.0
A powerful history of emancipation that reshapes our understanding of Lincoln, the Civil War, and the end of American slavery.

Freedom National is a groundbreaking history of emancipation that joins the political initiatives of Lincoln and the Republicans in Congress with the courageous actions of Union soldiers and runaway slaves in the South. It shatters the widespread conviction that the Civil War was first and foremost a war to restore the Union and only gradually, when it became a military necessity, a war to end slavery. These two aims—"Liberty and Union, one and inseparable"—were intertwined in Republican policy from the very start of the war.
By summer 1861 the federal government invoked military authority to begin freeing slaves, immediately and without slaveholder compensation, as they fled to Union lines in the disloyal South. In the loyal Border States the Republicans tried coaxing officials into gradual abolition with promises of compensation and the colonization abroad of freed blacks. James Oakes shows that Lincoln’s landmark 1863 proclamation marked neither the beginning nor the end of emancipation: it triggered a more aggressive phase of military emancipation, sending Union soldiers onto plantations to entice slaves away and enlist the men in the army. But slavery proved deeply entrenched, with slaveholders determined to re-enslave freedmen left behind the shifting Union lines. Lincoln feared that the war could end in Union victory with slavery still intact. The Thirteenth Amendment that so succinctly abolished slavery was no formality: it was the final act in a saga of immense war, social upheaval, and determined political leadership.

Fresh and compelling, this magisterial history offers a new understanding of the death of slavery and the rebirth of a nation.
8 pages illustrations
Терри Тичут 0.0
A major new biography of Duke Ellington from the acclaimed author of Pops: A Life of Louis Armstrong

Edward Kennedy "Duke" Ellington was the greatest jazz composer of the twentieth century—and an impenetrably enigmatic personality whom no one, not even his closest friends, claimed to understand. The grandson of a slave, he dropped out of high school to become one of the world’s most famous musicians, a showman of incomparable suavity who was as comfortable in Carnegie Hall as in the nightclubs where he honed his style. He wrote some fifteen hundred compositions, many of which, like "Mood Indigo" and "Sophisticated Lady," remain beloved standards, and he sought inspiration in an endless string of transient lovers, concealing his inner self behind a smiling mask of flowery language and ironic charm.

As the biographer of Louis Armstrong, Terry Teachout is uniquely qualified to tell the story of the public and private lives of Duke Ellington. Duke peels away countless layers of Ellington’s evasion and public deception to tell the unvarnished truth about the creative genius who inspired Miles Davis to say, "All the musicians should get together one certain day and get down on their knees and thank Duke."
Скотт К. Джонсон 0.0
Growing up, Scott C. Johnson always suspected that his father was different. Only as a teenager did he discover the truth: his father was a spy, one of the CIA's most trusted officers. At first the secret was thrilling. But over time Scott began to have doubts. How could a man so rigorously trained to deceive and manipulate simply turn off those skills at home? His father had been living a double life for so long that his lies were hard to separate from the truth. When Scott embarked on a career as a foreign correspondent, he found himself returning to many of the troubled countries of his youth. In the dusty streets of Pakistan and Afghanistan, amid the cold urbanity of Yugoslavia, and down the mysterious alleys of Mexico City, he came face to face with his father's murky past--and his own complicity in it. Scott learned that his chosen profession was not so different from his father's: they both worked to gain people's trust and to uncover their secrets. The only difference was what they did with that information.

In the aftermath of 9/11, father and son found themselves on assignment in Afghanistan and the Middle East, one as a CIA contractor, the other as a reporter for Newsweek. Suddenly, an unsettled Scott was forced to keep his father's secret all over again. As their professional lives collided, Scott and his father inched toward a personal reckoning, struggling to overcome a lifetime of suspicion and deception.

The Wolf and the Watchman is a provocative, meditative account of truth and duplicity, of manipulation and loyalty. It is also a moving, intensely personal portrait of a bond between father and son that endured in the shadow of one of the world's most secretive and unforgiving institutions.

Премия за выдающиеся заслуги перед американским литературным сообществом

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