Лучшие произведения Джоан Дидион

Перевод монолога для спектакля по книге.

Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come.
A single person is missing for you, and the whole world is empty

John Gregory Dunne and Joan Didion saw their daughter fall ill. At first they thought it was flu, then she was placed on life support. Days later, the Dunnes were sitting down to dinner when John suffered a massive and fatal coronary.
This powerful book is Didion's 'attempt to make sense of the weeks and then months that cut loose any fixed idea I ever had about death, about illness'. The result is a personal yet universal portrait of marriage and life, in good times and bad, from one of the defining voices of American literature.

From one of the most important chroniclers of our time, come two extended excerpts from her never-before-seen notebooks–writings that offer an illuminating glimpse into the mind and process of a legendary writer.Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articlesHere is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through.And from a different notebook: the «California Notes» that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage.

“Self-respect: Its Source, Its Power" was first published in Vogue in 1961, and which was republished as “On Self-Respect” in the author’s 1968 collection, Slouching Towards Bethlehem.​ Didion wrote the essay as the magazine was going to press, to fill the space left after another writer did not produce a piece on the same subject. She wrote it not to a word count or a line count, but to an exact character count.

Инес Виктор знает, что самое опасное для политики - это память. Но люди вокруг Инес строят свои карьеры на забвении. Ее муж-сенатор хочет забыть о своем фиаско на последних президентских выборах. Помощник ее мужа хотел бы, чтобы пресса забыла о том, что отец Инес - убийца. А Америка в 1975 году, когда разворачивается эта полная смеха сквозь слезы история, изо всех сил старается не вспоминать о своем бывшем подопечном, истекающем кровью Южном Вьетнаме.

From one of our most powerful writers, a work of stunning frankness about losing a daughter.
Richly textured with bits of her own childhood and married life with her husband, John Gregory Dunne, and daughter, Quintana Roo, this new book by Joan Didion examines her thoughts, fears, and doubts regarding having children, illness, and growing old.
Blue Nights opens on July 26, 2010, as Didion thinks back to Quintana’s wedding in New York seven years before. Today would be her wedding anniversary. This fact triggers vivid snapshots of Quintana’s childhood — in Malibu, in Brentwood, at school in Holmby Hills. Reflecting on her daughter but also on her role as a parent, Didion asks the candid questions any parent might about how she feels she failed either because cues were not taken or perhaps displaced. ‘How could I have missed what was clearly there to be seen?’ Finally, perhaps we all remain unknown to each other.
Blue Nights — the long, light evening hours that signal the summer solstice, ‘the opposite of the dying of the brightness, but also its warning’ — like The Year of Magical Thinking before it, is an iconic book of incisive and electric honesty.

A memoir of land, family and perseverance from one of the most influential writers in America.
In this moving and surprising book, Joan Didion reassesses parts of her life, her work, her history – and America’s. Where I Was From, in Didion's words, "represents an exploration into my own confusions about the place and the way in which I grew up, misapprehensions and misunderstandings so much a part of who I became that I can still to this day confront them only obliquely."
The book is a haunting narrative of how her own family moved west with the frontier from the birth of her great-great-great-great-great-grandmother in Virginia in 1766 to the death of her mother on the edge of the Pacific in 2001; of how the wagon-train stories of hardship and abandonment and endurance created a culture in which survival would seem the sole virtue. Didion examines how the folly and recklessness in the very grain of the California settlement led to the California we know today – a state mortgaged first to the railroad, then to the aerospace industry, and overwhelmingly to the federal government.
Joan Didion's unerring sense of America and its spirit, her acute interpretation of its institutions and literature, and her incisive questioning of the stories it tells itself make this fiercely intelligent book a provocative and important tour de force from one of America’s greatest writers.

A thrilling and exhilarating exploration of U.S. politics in Central America from Joan Didion, the hugely acclaimed author of THE YEAR OF MAGICAL THINKING.
It is 1984. Journalist Elena McMahon, watching her evasive, gruff father’s life ebbing away before her, clutches at understanding him to grasp little more than air. But harder, keener forces impel her to do his bidding, to go naked into a ‘situation’ in Central America, because ‘things were hotting up again’.

A profoundly disturbing novel that ruthlessly dissects American life in the late 1960s, from the author of The White Album and The Year of Magical Thinking.
Benny called for a round of Cuba Libres and I gave him some chips to play for me and went to the ladies’ room and never came back.
Somewhere out beyond Hollywood, hollowed-out actress Maria Wyeth’s life plays out in a numbing routine of perpetual freeway driving. In her early thirties, divorced from her husband, dislocated from friends, anesthetized to pain and please, Wheth is a woman who has run out of both desires and motives – the epitome of a generation made ill by too much freedom.

Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles
Here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through.
And from a different notebook: the "California Notes" that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage.