Адам Робертс — библиография

Мир на краю пропасти: чума уносит жизни миллионов, солнце выжигает посевы, тут и там начинаются войны, а люди, кажется, лишились остатков разума. Вы готовы к концу света?? Нас готовят к нему на протяжении всей истории и все это уже было в книгах и фильмах, утверждает Адам Робертс — преподаватель литературы колледжа Роял Холлоуэй Лондонского университета, писатель, которого критики называют лучшим современным фантастом, и по совместительству историк жанра. «Вот и всё.»?— это блестящий анализ наших представлений о гибели человечества, в которых отражаются состояние общества, психология индивида и масс, их заветные чаяния и страхи. Почему…

Following the great success of our Gothic Fantasy, deluxe edition short story compilations, Ghosts, Horror, Science Fiction, Murder Mayhem and Crime & Mystery this latest title is packed with dark valleys, high mountain passes, dinosaurs and endless dark creations. Contains a fabulous mix of classic and brand new writing, with authors from the US, Canada, and the UK.• Gold foiled, embossed cover, printed on silver paper, matt laminated.
• A gorgeous gift edition packed with the best of hor

В этой обманчиво простой истории ученый пытается раскрыть тайну, которая поначалу кажется незначительной, но постепенно оказывается тревожной и даже страшной.

Интервью, 2018г.. Журнал мир фантастики октябрь 2018г.

Private Investigator Alma is caught up in another impossible murder. One of the world's four richest people may be dead - but nobody is sure which one. Hired to discover the truth behind the increasingly bizarre behaviour of the ultra-rich, Alma must juggle treating her terminally ill lover with a case which may not have a victim. Inspired by the films of Kubrick, this stand-alone novel returns to the near-future of THE REAL-TOWN MURDERS, and puts Alma on a path to a world she can barely understand. Witty, moving and with a mystery deep at its heart, this novel again shows Adam Roberts' mastery of the form.

Какие-то люди живут севернее, какие-то южнее. Какие-то бедно, какие-то богато. Кому-то укладывают модные прически, кого-то экономно стригут покороче. Волосы играют неожиданную роль в этом рассказе. Не самую главную, но важную. Этот рассказ заставит вас задуматься и о личности, и об обществе. О дружбе, и о предательстве. Об отдельно взятом ученом, и о корпорации. Для последователей Самсона, считавшего, что волосы дают силу.

A Wellsian sequel to Gulliver's Travels and a unique piece of SF literature all of its own. It is 1848 and the British Empire has grown rich exploiting Lilliputian slaves—the finesse of their working allowing unheard of feats of minature engineering; even Babbage's computing device has been made to work. But now the French have formed a regiment of previously peaceful Brobdingnagian giants and invasion looms. In a world where humanity is both smaller and larger than it once was, love and hate loom large. Mankind discovers itself at the center of scale. Lilliptians are 12 times smaller than us but there are those 12 times smaller than them, and 12 times smaller again and so on. And the scale of being goes up from Swift's giants also. Adam Roberts has written both a rip roaring 19th century adventure, a love story, and a thought-provoking pre-atomic SF novel about our place in the universe.

In a world where we have been genetically engineered so that we can photosynthesise sunlight with our hair hunger is a thing of the past, food an indulgence. The poor grow their hair, the rich affect baldness and flaunt their wealth by still eating. But other hungers remain... The young daughter of an affluent New York family is kidnapped. The ransom demands are refused. Years later a young women arrives at the family home claiming to be their long lost daughter. She has changed so much, she has lived on light, can anyone be sure that she has come home? Adam Roberts' new novel is yet another amazing melding of startling ideas and beautiful prose. Set in a New York of the future it nevertheless has echoes of a Fitzgeraldesque affluence and art-deco style. It charts his further progress as one of the most important writers of his generation.

Lizbreath Salamander is young and beautiful. Her scales have an iridescent sheen, her wings arch proudly, her breath has a tang of sulfur. And on her back a tattoo of a mythical creature: a girl. But when Lizbreath is drawn into a dark conspiracy she will have to rely on more than her beauty and her vicious claws the size of sabres ...A dragon has disappeared, one of a secretive clan. As Lizbreath delves deeper into their history she realises that these dragons will do anything to defend their secrets. Welcome to the world of The Dragon With The Girl Tattoo. A world of gloomy Nordic dragons leading lives uncannily like our own (despite their size, despite the need for extensive fireproofing of home furnishings), a world of money hoarded, a world of darkness and corruption. A world where people are the fantasy.

Adam Roberts' new novel is a terrifying vision of a near future war - a civil war that tears the UK apart as new technologies allow the worlds first truly democratic army to take on the British army and wrest control from the powers that be. Taking advances in modern communication and the new eagerness for power from the bottom upwards Adam Roberts has produced a novel that is at once an exciting war novel and a philosophical examination of war and democracy. It shows one of the UKs most exciting and innovative literary voices working at the height of his powers and investing SF with literary significance that is its due.

Marley was dead. Again. The legendary Ebenezeer Scrooge sits in his house counting money. The boards that he has nailed up over the doors and the windows shudder and shake under the blows from the endless zombie hordes that crowd the streets hungering for his flesh and his miserly braaaaiiiiiinns! Just how did the happiest day of the year slip into a welter of blood, innards and shambling, ravenous undead on the snowy streets of old London town? Will the ghosts of Christmas Past, Present and Future be able to stop the world from drowning under a top-hatted and crinolined zombie horde? Was Tiny Tim's illness something infinitely more sinister than mere rickets and consumption? Can Scrooge be persuaded to go back to his evil ways, travel back to Christmas past and destroy the brain stem of the tiny, irritatingly cheery Patient Zero? It's the Dickensian Zombie Apocalypse - God Bless us, one and all!

Hector travels across America to visit his father on a ranch. He discovers that he has constructed a cult who await the impact of an asteroid. However, Hector is amazed when the section of Earth that the ranch is on suddenly breaks free from the rest of the planet during the collision. He struggles with his skepticism and acceptance of the fact that he is part of the remnants of the human race, on a splinter from the Earth.

THE LAND OF THE HEADLESS is set in a far future where mankind has taken his religious dogma and the divsions that result from it out into space. On a planet where society is shaped by a strict adherance to the word of God as laid out in the Old Testament and Quran a poet is accused of the rape of a woman. Found guilty he must face the punishment laid down in the Good Book; beheading. Beheaded, he is fitted with a neck valve, ordinator and basic sensory equipment and sent out into the world. But he bears a terrible and very visible stigma. the only way he can make a living is to join the army and serve in the war against the neighbouring planet. And plan his revenge against the man he believes is really guilty. LAND OF THE HEADLESS is a searing satire of religious fundamentalism, a novel of love and war and a study of self-delusion. It is an elegantly written, thought-provoking and unique SF novel.

And this is how the world will end...'The snow started falling on the sixth of September, soft noiseless flakes filling the sky like a swarm of white moths, or like static interference on your TV screen - whichever metaphor, nature or technology, you find the more evocative. Snow everywhere, all through the air, with that distinctive sense of hurrying that a vigorous snowfall brings with it. Everything in a rush, busy-busy snowflakes. And, simultaneously, paradoxically, everything is hushed, calm, as quiet as cancer, as white as death. And at the beginning people were happy.' But the snow doesn't stop. It falls and falls and falls. Until it lies three miles thick across the whole of the earth. Six billion people have died. Perhaps 150,000 survive. But those 150,000 need help, they need support, they need organising, governing. And so the lies begin. Lies about how the snow started. Lies about who is to blame. Lies about who is left. Lies about what really lies beneath.

Adam Roberts' fourth novel is his most ambitious yet. In a feat of extraordinary world building he creates a universe where a breathable atmosphere extends out between the planets, where aristocrats cruise interstellar space in biplanes, and skywhals make mysterious distant orbits. Then, with bravura plotting he undermines our own notions of reality and leaves the reader unsure which universe to believe. Gaining a reputation as one of the UK's leading SF stylists and masters of the high-concept Roberts, shortlisted for the Arthur C. Clarke award with his debut novel SALT, confirms his extraordinary potential with POLYSTOM.

Sprung from a prison in the centre of a star the universe's last criminal is employed to kill the population of a planet. It is a crime that will tear apart an interstellar utopia. Keeping ahead of detection and preparing the crime the killer voyages to numerous worlds and hones the instincts required for murder. And wonders who is behind the contract. Roberts' new novel is an extraordinary fusing of ideas, exotic locations, personal drama and an enquiry into the nature of crime in a society that thinks it has forgotten how to commit it.